Arachne

It is often falsely believed that our ancestors of the ancient world lived in slavish devotion to their gods, that they prayed daily, sacrificed often and repented frequently, and that the fate of nations lay in the words of Heaven. But like any other culture, there were rebels. Here is the story of one such rebel.

Arachne's admired craft
Fresco by Francesco del Cossa,
Palazzo Schifanoia, Ferrara

There once was a young maiden, skilled in craft. Sacred was her gift, profane her piety. "Low was her birth, and small her native town, she from her art alone obtain'd renown". Dead was her mother, a dyer of Tyrian purple, her father. Content in their small hamlet until Arachne's adolescent years, when the daughter first turned her hand to her immortal craft. Immensely skilled at the loom, the most dazzling displays of weaving were the maiden's forte, and it was not long before her fame began to spread far from her home. Across the plain word spread, over the hills and far through Lydia and beyond her legend grew. From the mortal to the immortal plain her name spread, and oft would the nymphs of the fountains, trees or hills take leave of their hiding places. From the golden rivers the Naiads came, all of them drawn by her legendary art. For the spirits of nature there was little finer that to observe the shapeless wool she wound with fluid motion on the spindle, as the masterpiece took slow but mighty shape. The goddess Minerva, weaver of the gods on high, was woven into every thread, yet scorned was the mistress by the maiden. Never once did Arachne honour the goddess nor reveal the source of her knowledge, neither praising nor cursing, pure and plain silence.

The Spinning Contest
Painting by Diege Velázquez

Upon Arachne Minerva bent her "vengeful mind", angered by the indifference of the maiden toward the gods gion high. "Let us, she cries, but to a trial come, and if she conquers, let her fix my doom". The goddess took the form of a woman bent with age, and came to the house of Arachne. Coming before the prodigal girl, the old woman declared "Young maid attend, nor stubbonly despise the admonitions of the old, and wise; for age, tho' scorn'd, a ripe experience bears". Her experience could lend the girl skill greater still, but only if she petition the gods on high, and pardon her bold presumption that she be greater than the gods. With temper fired Arachne rose, and to the veiled goddess she spoke. She despised the elderly counsel and her blasphemy grew. "If your skilful goddess better knows, let her accept the trial I propose!". "She does", wrathful Minerva replies, "and cloth'd with heavenly light, sprung from her disguise". The nymphs of the plains leapt back in fright, the ladies of hamlet trembled before the awe of divinity. Only the maiden stood unafraid, confident of her earthly, human talents. A brief blush in the cheek she allowed, but swiftly her composure regain'd. Across from each other the board was set, and the looms deployed, both ready to test their skills before the other, and all looked on in apprehension.


At once skilled fingers darted hither and thither across the mantle, human and inhuman, plying their trades as never before. Shining colours lit up the room, finest golds shimmering from the Minervan loom, royal purple from the maiden's mantle, gift of her father. Shades and light were wed on the wool, "as when a show'r transpierc'd with sunny rays, its mighty arch along the heav'n displays". Minerva the glories of the gods on high wove, high on Olympus on lofty thrones. Jupiter the subject, seated proud, and the centre of heaven and the centre of her loom. With awing majesty he all the rest excell'd, but there tood were woven his kin and those of heaven. There too was the hoary lord of the seas, Neptune the son of Saturn, wielding his three pronged trident high, ready to smite the jagged rocks, his steed the hippocampus ready for its master. There herself even, Minerva wove the very image of her own. Blazoning with glory, with glittering arms. With lavishly crested helm and braided hair, shining cuirass and shield resplendent, the image of the goddess stood poised, lance ready at the tilled earth. There the blade struck, and a towering olive blossomed into glorious life. Then, to warn the maiden Arachne,a  rival now, the goddess wove, and wove well. In all the corners four she wove a tale of mortals past, mortals who dared provoke the wrath of gods. In one there was spun Rhodope, King of the warlike Thracians who dared assume the titles of Jupiter, transfigured to a mountain for his pride. In the second corner there lay the image of the venomous Pigmaean dame, who dared profane Juno's holy name, now no more than a feathered crane. To the third Minerva's hands flew, whence the pride of young Antigone grew. Another to scorn the wife of Jove, with her self admired beauty she vyed with the Empress of the Skies. At last to the final corner Minerva flew, and there the image of weeping Cinyras drew. To crown it all at the centre stood, the mighty olive tree woven finer than any mortal could.

Arachne meanwhile chose triumphs of the divine, yet of a somewhat different kind. To the vices of on high she turned, and of the dalliances of Jove she wove. Through the rising surf and roaring tide, Zeus the Thunderer bore Europa upon his stride. Fearful of the ocean deep, up drew the feet of the maid, as though of Poseidon's domain she was afraid. Their too lay Leda a resplendent swan, for whom Jove could be the only one. Appear'd in a shower gold, came the god to Danaë's hold. To Neptune next the maiden turned her hand, casting the hypocrisy of heav'n across the land. Then upon a bursting scene, Arachne wove a valley pristine. Apollo next, roving through the plain, rousing song to banish all pain. Bacchus too could not escape his fate, as ever a slave to the accursed grape.

Minerva's Wrath
Painting by Rubens

All this the bright eyed goddess saw, and grew worried at the outcome of this war. Minerva was moved, great was her anger yet inwardly she approv'd. Magnificent was the maiden's taste, yet greater still Minerva's haste. The scenes she saw of heavenly vices made her wonder, but not before her wrath tore the loom asunder. Upon the terror struck maiden the goddess lunged from great height, retribution for her insubordinate spite. In fear and grief Arachne resolved, to be be of this life absolved. So Minerva watched as Arachne from the beam hung, pity rising as she swung. Calming now, the goddess her regret did announce, though swift was her judgement to pronounce:


     " Live, but depend, vile wretch, the goddess cried, doomed
       suspense forever to be tied; that all your race,
       to utmost date of time, may feel the vengeance, and detest the crime "
              - MINERVA'S CURSE


Turning to leave, Minerva upon the girl a potion poured, and before her eye's was Arachne's new body formed. Not two but eight legs now, the array wondered but knew not how. Her body a spider's now "from which she a thread gives, and still by constant weaving lives".

So came the spider into name, and how their family name 'Arachnid' became...


United Kingdom

Penguin Classics
Metamorphoses: A New Verse Translation (Penguin Classics)
(A version which favours ease of understanding than high poetry)

Oxford World's Classics
Metamorphoses (Oxford World's Classics)
(A version which favours ease of understanding than high poetry)

United States

Penguin Classics
Metamorphoses (Penguin Classics)
(A version which favours ease of understanding than high poetry)

Oxford World's Classics
Metamorphoses (Oxford World's Classics)
(A version which favours ease of understanding than high poetry)

The Blood of Adonis

Many a time in ancient lore did a mortal fall afoul of the gods, for offences slight or grievous. Often did the Olympians strike back with overwhelming vengeance, so as to discourage insubordination in the future, and preserve the pristine honour of Heaven. But just sometimes, that vengeance rebounded upon its creator, and gods would know the pain of mortals. The story of Adonis is one such example.

The Birth of Adonis
Painting by Marcantonio Franceschini

There was once Cinyras on the throne of Assyria, with his adoring Queen Cenchreis. The family had just one heir, their young daughter, Princess Myrrha. As they watched their daughter grew, the Royal Family and the Assyrians marvelled at her beauty. Some called it Heaven bestowed. Others good fortune. But when the time came when Myrrha came of age, Queen Cenchreis proudly boasted that her daughter's beauty surpassed even that of Venus herself. A glowing compliment for a daughter. A blasphemous offence to a goddess. High on Mount Olympus, the goddess heard her. Never had so terrible a wrath been wrought upon so innocent a crime. Such fury behind the fair face of Heaven's most beloved daughter. The goddess' righteous fury sped down from Olympus as a flash of lightning, delivering forbidden passion into the mind of the Princess. Venus condemned her, rebounding her natural passion upon her own family, and thereafter she would forever have eyes for only her father. Overcome with frenzied passion, disguised by her loyal maids, Myrrha pursued her father with all her energy, employing every trick of deception to fool him of her true identity. Dark was the hour of man when at last she caught her quarry. The following day, when King Cinyras discovered the identity of his seducer, he tore the sword from his scabbard and pursued her, devastated and outraged by her perverse corruption.

Maddened by grief and the affliction that cursed her mind, Myrrha resolved to end her life. She had just prepared the rope from which she would swing when her handmaiden stayed her hand. High on Olympus, Vengeful Venus at last knew pity, and decided to end her suffering. At the goddess' command, the Princess shifted and became a beautiful tree. Ever after mortals would call it the fairest in the grove, the most beautifully scented, the myrrh tree.

The Birth of Venus
Painting by  Nicolas Poussin

Eight months passed, and the world it seemed, lay in peace. Then, on the ninth, the tree burst asunder, revealing a baby boy who would be the envy of all men - Adonis. Pity still afflicted Venus, but when she cast her godly eye over the myrrh tree, all was forgotten when she saw the boy. Knowing immediately that he would grow to become the most handsome man who ever lived, she was at once obsessed with the boy. Fearing for harm that may come to the boy, she bound him in an adamant casket and entrusted it to Persephone, Queen of the Underworld, for there was no safer place than the Underworld, where all the bounty of the Earth ultimately hails. For many a year, young Adonis grew up and grew strong away from the light, but safe.

Adonis in glory
Painting by Benjamin West

Time soon passed, and a boy he was no more. Venus made the journey to reclaim the boy, but found trouble lay ahead. For Persephone fell immediately for Adonis' astonishing beauty, and had no intention of relinquishing her charge. But when Venus saw Adonis, man at last, she was stunned. The goddess of love felt her own power take hold of her, as Cupid's arrow struck her with irresistible force - a thing never to happen before. Profane love indeed, for Adonis was a cursed man. Conceived through incest, a violation of nature, the Fates had spun a finite thread for the fairest of all men. Both goddesses quarrelled intensively over him, until Jupiter the Thunderer, lord of Heaven and Earth, was forced to intercede. The King of the Gods ruled that for Adonis, the year would be divided three ways. Four months he would spend in the Underworld with Persephone, four with Venus, and four were to be given to him to do as he will. Both goddesses bowed at this compromise and eagerly prepared for their turn.

Venus and Adonis
Painting by Francois Lemoyne

Over time, however, it became apparent to which goddess Adonis himself preferred. Having grown up neverknowing the feel of the sun, the touch of grass nor the sound of birds singing, he could not wait to escape the world of Underland. The four precious months of his very own he therefore decided to spend with Venus too. Persephone fumed in Hades, Venus rejoiced on Earth. Many an hour did man and goddess spend together walking the pastures and forests of the Earth. A naturally athletic man, Adonis took to hunting, a noble pastime for men of the age. Soon both men and gods began to envy him. Mortal men longed for his looks and his muscles. Gods resented the affections of a goddess directed at a mortal. Jealous of Venus, Persephone revealed the affair to Mars, god of war and deeply smitten with Venus. Furious, the lord of battles and bloodshed plotted his vengeance on this upstart mortal. But far down on the Earth, Venus and Adonis were oblivious to all others, each perfect in all ways. Venus liked to watch Adonis hunt, but feared for him as his quarries grew mightier and mightier in stature. Eventually, fearing for his safety, she begged him not to hunt the wildest and most dangerous beasts. "Thus cautious Venus school'd her fav'rite boy; but youthful heat all cautions will destroy... his sprightly soul beyond grave counsels flies..."

The Death of Adonis
Painting by Luca Giordano

One hot summer's morning, Adonis awoke bright and early for the day's hunt. As the Sun rose higher in the day, the dogs caught a strange new scent, barking loudly. Adonis, eagerness peaked by the sound, seized his spear and set off on the chase into the scrub. The smell of sweat drew the hounds near, and there the object of his hunt lay. A mighty boar, powerfully built and sharply tusked, stood defiantly in the forest clearing. As soon as Adonis looked upon it, he was overcome with an urge to hunt it, claim it as the trophy of his prizes. No finer a beast had ever he seen, let alone caught. Some magic or other ill was at work that day, as thirst for glory drove the warnings of his beloved far from his mind. With a heart of valour, Adonis lifted his faithful spear, and with the strength of a hunter of prodigious skill, he hurled the metalled barb at the beast. A strange boar this war, for boar it was not. Shadow covered the glade, and in that moment the deception was laid bare. It was no common boar, nor any other beast of game, for there lay the war god himself in disguise. Terror chill gripped Adonis. Too late did he recall the words of Venus, and he turned to run. But one does not attack a god without consequence:


            " The trembling boy by flight his safety sought,
              and now recall'd the lore, which Venus taught;
              but now too late to fly the boar he strove,
              who in the groin his tusks impetuous drove,
              On the discolour'd grass Adonis lay,
              The monster trampling o'er his beauteous prey... "
                   - MARS' REVENGE

The Adonis River
Photograph taken by Adrien Valentine

A piercing scream rent the air apart and echoed through the valleys. To the godly bone it chilled Venus. Knowing all too well the voice, her heart froze. Fear gripped her fair body, an emotion few gods could say they knew, a terrible sensation at all times, yet worse when it is new. Immediately she sped to his side, as quietly Mars triumphantly stole away into the forest. Blood leaked from the tusk wound in the boy's side, and deathly was his pallor. Gentle groans emanated from his lips, tears from the eyes of Venus. The blood of Adonis ran through the nectar of the flowers, and where the droplets fell upon the earth, the anemone burst into life, brimming with colour. The river near where he lay ran red for many ages after, and to this day bears his name. So the curse of Adonis' family came to pass, and the ultimate revenge of Myrrha upon her tormentor. Ever after was Venus broken, though nine months later, she too gave birth, this time to daughter, Beroe. It is after this daughter that the city of Beirut is named...

United Kingdom

Penguin Classics
Metamorphoses: A New Verse Translation (Penguin Classics)
(A version which favours ease of understanding than high poetry)

Oxford World's Classics
Metamorphoses (Oxford World's Classics)
(A version which favours ease of understanding than high poetry)

United States

Penguin Classics
Metamorphoses (Penguin Classics)
(A version which favours ease of understanding than high poetry)

Oxford World's Classics
Metamorphoses (Oxford World's Classics)
(A version which favours ease of understanding than high poetry)