Showing posts with label Acheron. Show all posts
Showing posts with label Acheron. Show all posts

Wednesday, 7 September 2011

The Redemption of Heracles

With one last task standing between Heracles and his ascension to godhood, the mortal hours of the son of Zeus were numbered. Since the curse of Hera eight long years ago, the hero had toiled endlessly in the service of King Eurystheus, travelling far and wide, and facing some of the most terrible creatures which walked the earth (for the previous episode in this saga, please click here). Having thoroughly proved himself on the mortal plain, just one arena remained to be overcome...


Cape Taenarum today
Photograph taken by 'Eliasar'
Having travelled to the furthest boundaries of the Great Ocean, deceived the mighty Atlas and borne the divine Apples of the Hesperides to Tiryns, the contempt Heracles had all along received from Eurystheus was at last turning to reverence. The last enemy that remained to be conquered was death itself. For his final Labour, the King declared that Heracles must descend into the land of the dead, and bring the hound of Hades himself, Lord of the Dead, before him. The beast which guarded the gates to the inner sanctum of the Underworld was no ordinary dog, however. For Cerberus was another of the vile brood of the monster gods Typhon and Echidna (for their role in the Creation, please click here), and brother to such beings as the Hydra, the Lion of Nemea, the Chimaera and the hell hound Orthus. Gigantic in stature, triple headed (some tales speak of a hundred heads), dragon tailed and with serpentine heads bursting from its back, there was no more terrible doorman to the realm of the dead than Cerberus. Excited at the coming end, Heracles enthusiastically departed the mighty walled city of Tiryns on what he hoped would be his final quest. Rumours abound of several gateways on Earth through which one can enter the Underworld. One such one was a deep fissure in the Earth at Cape Taenarum - the most southerly point on Mainland Greece, a prominence which speared forth into the Mediterranean Sea. Southwards the son of Zeus journeyed, until the horizon was the unbroken line of the distant Sea. Finding an eerie silence, devoid of birdsong, the sound of the winds in the trees or the calls of other beasts, Heracles knew he was close. Coming to the pitch blackness of the mouth of a cavern, dauntless, the hero descended into its murky depths.


Cerberus
Painting by William Blake
Deeper and darker the path fell, as the son of Zeus became aware that he was being watched. The shades of the deceased began to stir, and relentlessly approached. With a start Heracles suddenly saw a grim sight before him. Slithering into the faint light, a woman's form, but for a reptilian tail and a head of hissing snakes for hair, the abomination gazed upon the hero. Medusa herself was looking him right in the eye. In a flash, Heracles drew his sword and advanced upon the creature. With a burst of sudden light, Hermes appeared before Heracles and stayed his hand. The messenger of the gods reassured him that this was the domain of the deceased, and Medusa was no more than a ghostly apparition of her former self. The only one of the Gorgons that was mortal, Medusa had been slain by the hero Perseus, and henceforth banished to this realm (for this story, please click here). Her murderous stare died with her. Continuing upon the dark road, Heracles began to see others he recognised. Many souls stumbled forth to embrace the hero, including the hero Theseus, hoping to be rescued from this grim land, but their ethereal hands simply passed through his flesh. Lacking corporeal form, the spirits of the dead were devoid of speech, requiring a sacrifice of blood to grant them awareness. Seeing a paddock of cattle nearby, Heracles started towards it, and slaughtered the largest bull he could find, eager to hear the words of the dead. Their herdsmen, however, was angered that Heracles had dared touch the cattle of Hades, and launched himself at the hero. The two wrestled frantically, the dead circling around them. Using his divine strength, Heracles clamped his arms around the herdsmen's chest, and wrenched with all his might. A sickening crack rent the air, heralding the shattering of the herdsman's ribs. Triumphant, Heracles turned to find himself with Hades himself, god of the dead, and Persephone, Queen of the Underworld.



Heracles and Cerberus
Image taken from a 6th century BC Etruscan Vase
Persephone scolded Heracles for his violence, as Hades demands the reason for his presence in this realm, a realm the living should not tread. The son of Zeus boldly told the god of his task, and asked Hades for permission to take Cerberus. Reluctantly, Hades agreed that he could take him, on the condition that he do so without harming the hound in any way, and that he use no weapons to overpower the beast. Agreeing to this, Heracles ventured deeper into the Halls of Erebus, coming ever close to the Gates of Tartarus. Coming to Acheron, the River of Pain, on the boundaries of the deepest parts of the Underworld (as it is in Dante's Inferno, see here), Heracles glimpsed the hell hound in the distance. Towering, and snarling, Cerberus stood guard over fiery Tartarus. Heracles watched for a moment as the souls of the damned appeared behind Cerberus. Fawning and docile toward any who approached his domain, Cerberus allowed readily any soul to enter Tartarus. But behind, any accursed shade that tried to escape their hellish prison was seized by the hound and brutally slashed. Remembering Hades' warning, Heracles sheathed his sword, but was careful to wrap the lion skin tightly around him. Approaching the Gate, Heracles was relieved to see that Cerberus was calm, expecting Heracles to enter Tartarus. Suddenly diving at the monster, Heracles grappled with its three heads. Like lightning, as though possessed, Cerberus thrashed against the hero. Thrown by the hound's sudden fury, Heracles grip loosened, and Cerberus slammed one of his many jaws shut on the hero's arm. Though in terrible agony from the savage bite, Heracles gritted his teeth and held on for dear life, as Cerberus, and the surrounding Gate, shuddered violently. For an age man and beast struggled, as Heracles began the long, agonisingly slow march back to Tiryns, wrestling the great dog the entire way. With his last reserves of strength, Heracles heaved Cerberus into the hall of King Eurystheus, who was so terrified of the hound he had hidden in a nearby jar. Shouting from within it, he pleaded with Heracles to return it to the Underworld, declaring his tasks and an end, and his oath fulfilled.


The Apotheosis of Heracles
Painting by François Lemoyne
A wave of euphoria gripped Heracles. At last. At long last he was free. Nearly ten years had passed since he first set out for the Lion of Nemea, and now so much had changed. Now the heroic wanderings of Heracles began, as the son of Zeus travelled far across the known world, revered as a living god by his fellow men. Countless wars were ended by his club, cities were founded in his name, and other fell creatures were hurled to the House of Death by his hand. He fought the first war with Troy, conquered the Giants, travelled with the Argonauts to the Golden Fleece and founded the Olympic Games. It was at the climax of this Golden Age that his final fate unfolded. One day, mighty Heracles arrived in the Kingdom of Calydon, eager to win the hand of the King's daughter, Deianeira, in marriage. Though humbled by the presence of so mighty a man, King Oineus resolved to hold a contest of worthiness. Heracles and the River God Acheloos stepped forward to compete, as the issue would be settled by a wrestling match. Even though Acheloos was a shape shifter, and became the form of a bull, Heracles won with little difficulty, after enduring all he had in his Labours. Delighted, King Oineus gave Deianeira to Heracles for a bride. The two departed happily for new lands, coming to the banks of the River Evenos. By the fast flowing river stood a Centaur, astride a small boat. The Centaur introduced himself as Nessus, and offered to ferry the two across. Seeing that the craft was not big enough for all of them, Heracles bade Deianeira take the ferry, whilst he would swim across. Just as they were halfway across, Heracles heard screaming. True to the debauched nature of Centaurs, Nessus had seized hold of Deianeira, and attempted to steal her away. The Centaur had not forgotten Heracles' slaying of many of his brethren many years ago when he sought the Erymanthian Boar (see here), and determined to take revenge. Furious, Heracles took up his bow and fired an arrow through the Centaurs hind leg. Since the arrows of Heracles were impregnated with the Hydra's poison (see here), Nessus' fate was sealed, as he began to die an agonising death. Seeing one last opportunity to take vengeance, Nessus gave his bloodsoaked tunic to Deianeira, telling her secretly that the blood of Centaurs was a powerful love potion.

Some years later, Heracles prepared to give his final sacrifice to Zeus. Ordering his servant Lichas to bring to him some fine clothing so he could conduct the ritual, Heracles began his preparations. Lichas came before Deianeira with Heracles request. Rumour, however, had reached her ears that Heracles had fallen for a foreign princess. Fearing he would leave her forever, Deianeira took a linen shirt and smeared some of Nessus' blood upon it, confident it would restore her husband's fidelity. Lichas bore the tunic back to his master, who immediately put it on and stood before the sacrificial fire. As the shirt grew warm, suddenly Heracles was struck with blinding agony.

His very skin was as though alight, as white hot pain spread across his body. Unknown to the hero, the tunic was drenched in the blood of Nessus, which in turn was saturated in the Hydra's poison. Heracles, who had used the monster's poison to slay some of the mightiest beasts on Earth, now knew their pain. In desperation, Heracles tried to rip the tunic from him, but his skin was torn with it, so potent was the Hydra's poison. Knowing that his death was at hand, Heracles was struck mad by the intense agony, and hurled Lichas from a cliff, believing him to have done this. When word reached Deianeira of what had happened, she hanged herself in shame. Resolving not to die like this, Heracles built his own pyre, as his strength rapidly dwindled. Climbing on to it, Heracles desperately called for someone to set it alight and end his suffering. Poias, a faithful Argonaut, moved to tears at what he saw, was the only one willing to do so. In return, Heracles bequeathed his great bow to him, as the flames began to lick his body.

The fire blazed, and with mighty tremor and roar of thunder, Heaven suddenly opened in the sky, and the clouds parted. In a glorious flash of lightning, Zeus himself came down to Earth to claim Heracles. The fire had burned away the hero's mortal side, but his immortal spirit was untouched. The Thunderer bore his son up to Mount Olympus, and at last, Heracles entered the light. Moved by his suffering, Hera at last took pity on Heracles, and declared her feud at an end. Welcomed in Heaven, Heracles had earned his place in the company of gods...


United Kingdom

The Library of Greek Mythology:
The Library of Greek Mythology (Oxford World's Classics)
(A vast collection of stories from old Greece, written and compiled in ancient times)

United States

The Library of Greek Mythology:
The Library of Greek Mythology (Oxford World's Classics)
(A vast collection of stories from old Greece, written and compiled in ancient times)

Wednesday, 10 November 2010

Into the Inferno

Dante lost in the wood
Engraving by Gustave Doré. 







“ Midway along the journey of our life

   I woke to find myself in a dark wood,

   wandered from the straight path. ” 


       - DANTE AWAKES IN THE FOREST








So begins the Divine Comedy, as Dante finds himself alone and vulnerable in the wilderness of the dark forest. The fear wells up within him as the eerie silence and blackness of the wood begins to take its grip. An uneasy feeling possesses Dante, a thought that he has stumbled upon ‘the pass that never let a living soul escape’. Unsure of himself, and if he is awake or even alive, Dante begins to climb the slope ahead. No sooner had he begun than he is faced by the form of a leopard, which marks his every move. Just as our pilgrim recovers his nerve, a lion appears and starts toward him. Following in its wake was a she-wolf, who ‘forced me back to where the sun is mute’.

Bracing for his end, Dante spies the figure of a man approaching and cries, ‘Have pity on my soul... whichever you are, shade or living man!’ The stranger reveals to Dante that he once was a poet of old who ‘sang of that just man, son of Anchises, who sailed off from Troy after the burning of proud Ilium’ (He refers to his epic poem – The Aeneid). Dante rejoices as he recognises Virgil, and begs the poet to protect him from the savage beasts. ‘But you must journey down another road’, the great man answered, when he saw Dante lost in tears, ‘if ever you hope to leave this wilderness’. Guided by the comforting words and company of the legendary poet, Dante discovers that he is to be lead through Hell:



                               “ Where you will hear desperate cries, and see

                                    Tormented shades, some old as Hell itself,

                                    And know what second death means, from their screams. ”

 
                                                              - VIRGIL WARNS US OF WHAT IS TO COME


Our pilgrim is filled with dread at the thought of descending to the Pit, and confesses to his guide that he feels unworthy to follow in the steps of other great men, like Aeneas or St Paul, who once trod the path to Hell. Virgil explains how it was he came to Dante, guided by the will of the Virgin Mary, who took pity on our wandering pilgrim, lost in the forest. The departed soul of Dante’s beloved Beatrice in Heaven came down to Hell and tasked Virgil as to be his infernal guide. Comforted by his story, and word of Beatrice, Dante renews his journey to the accursed place armed with fresh courage. Descending down a barren slope, the two poets reach a vast Gate, the way to the vestibule of Hell itself. Dante spies, in horror, the legend inscribed above the Gate, the last line of which has entered immortality:


 


                                “ I AM THE WAY INTO THE DOLEFUL CITY,

                                    I AM THE WAY INTO ETERNAL GRIEF,

                                    I AM THE WAY TO A FORSAKEN RACE.



                                  JUSTICE IT WAS THAT MOVED MY GREAT CREATOR;

                                   DIVINE OMNIPOTENCE CREATED ME,

                                   AND HIGHEST WISDOM JOINED WITH PRIMAL COMPASSION.



                                  BEFORE ME NOTHING BUT ETERNAL THINGS

                                   WERE MADE, AND I SHALL LAST ETERNALLY.

                                   ABANDON ALL HOPE, YE WHO ENTER HERE. ”


 
                                                            - THE GATE OF HELL




The descent into Hell
Engraving by Gustave Doré.


Virgil turns to his faithful follower, and warns him that all his cowardice and distrust must die on this spot, if he is to brave the journey and the sight of the tormented souls. Placing his hand upon Dante’s shoulders, and encouraging him with a smile, the two cross the Gate of Hell. Immediately an unearthly din breaks the deathly silence:



                             “ Here sighs and cries and shrieks of lamentation

                                  Echoed throughout the starless air of Hell;

                                  At first these sounds resounding made me weep:


                                Tongues confused, a language strained in anguish

                                  With cadences of anger, shrill outcries

                                  And raucous groans that joined with sounds of hands, ”

                                                      - DANTE HEARS THE CRIES OF THE DAMNED



Our pilgrim turns to his guide and asks of the souls so overwhelmed with grief. The great poet reveals that these are the souls of those who lived a life of neither blame nor praise. Men and women who stood undecided, neither faithful nor faithless. So too lie the ‘repulsive choir of angels’ who took no side in the War in Heaven between Satan and God. ‘Heaven, to keep its beauty, cast them out, but even Hell itself would not receive them, for fear the damned might glory over them’. As for the men and women - unknown in life, both Heaven and Hell turn from them, as they bathe in melancholy at their separation from God. 'Why do they lament so bitterly?' asks Dante. Gazing upon the ghastly sight before him, Dante finds his courage, and stomach, tested once again. He spies a banner rushing through the dank air, as though fated to never stop, and behind it follow vainly the souls of the indecisive. Punished to chase a thing and never catch it, this was not the only torment the souls endured:



                             “ These wretches, who had never truly lived,

                                  Went naked, and were stung and stung again

                                  By the hornets and the wasps that circled them



                               And made their faces run with blood in streaks;

                                 Their blood, mixed with their tears, dripped to their feet,

                                 And disgusting maggots collected in the pus. ”

                                                  - THE PUNISHMENT OF THE INDECISIVE



Filled with nausea, our pilgrim gazed beyond and saw a throng of souls gathered upon the shore of a large river. Asking his guide for what they waited, Virgil leads the way to the River Acheron, which forms the boundary of Hell. Suddenly, across the dark waters appeared a boat, steered by an ancient man, ‘with eyes of glowing coals’- Charon, the boatman, who bears the souls of the damned into Hell. Aware that Dante was of the land of the still living, Charon commands our pilgrim to get away from, ‘all these people who are dead’. Placating the boatman, Virgil reveals his purpose there, and his words bring silence to the fearsome Charon:


Charon goads the damned onto the ferry
Engraving by Gustave Doré.



“ But all those souls there, naked, in despair

Changed colour and their teeth began to chatter

At the sound of his announcement of their doom ”

        - THE DAMNED BEMOAN THEIR FATE






Weeping bitterly, the souls of the damned board the craft, as Charon strikes with his oar all those who lag behind. A sudden wind blasted forth from the ‘tear drenched land’, filling Dante with panic, and bringing our two poets on their way into the First Circle of Hell...

The Divine Comedy is the cornerstone of Italian literature, and indeed even the Italian language. Being the first work of epic poetry written in Italian, it formed the model for all that has come since. Most of the stereotypes of what Hell, Heaven and Purgatory are like come directly from this. The punishment of the damned is a classic example of Contrapasso, the idea that the punishment fits the crime. It is a powerful piece epitomising the fear of what lurks after death takes us, and a grisly warning against trespassing the laws of good. In future posts, we will descend with Dante into Hell, and see the hideous fates of the evil men and women of history. Inspiring countless motifs in modern culture, the Divine Comedy is easily available at a low price from Amazon:

United Kingdom

Penguin Classics:
(A nice edition which even has the original Italian on the left hand side of the page!)

Oxford World's Classics:
The Divine Comedy (Oxford World's Classics)
(Accessible and well annotated, also includes Purgatorio and Paradisio)

United States

Penguin Classics:
The Divine Comedy: Volume 1: Inferno (Penguin Classics) (Pt. 1)
(A nice edition which even has the original Italian on the left hand side of the page!)

Oxford World's Classics:
The Divine Comedy (Oxford World's Classics)
(Accessible and well annotated, also includes Purgatorio and Paradisio)