The Lycian Peasants

Leto in the Wilderness
Artist Unknown

Mother to two of the greatest of the deities of Olympus, the Titaness Leto was a force to be reckoned with. Niobe had felt her dread wrath, and that of her brood. The daughter of the Titans Coeus and Phoebe, much of her origins were shrouded in the mysteries of Asia. Though when at last a maiden of Heaven she became, and the eyes of Zeus the Thunderer met her gaze, revealed at last was she. Hera, Queen of the gods, ever paranoid of the wandering affections of her consort, hounded Leto across the face of the Earth. Heavy with the seed of Zeus, Leto grew weary of the chase. Enraged, Hera ordered the Fates to forbid Leto to give birth on terra firma under the Sun. When at last the pains of labour struck, with nowhere else to turn, turned away by the vile words of Hera, the Titaness came to the island of Delos. Finding a measure of peace at last under the weeping boughs of a forgotten glade, the goddess fought that ungodly pain. First came forth Artemis, the lady of the moon and hunt. Nine days and nights the Titaness laboured still, until with the help of her daughter, a twin was brought into the world -  Apollo, god of light, healing and truth. Sympathetic nymphs, naiads and dryads had shielded Leto from the servants of Hera, but when the screams of the newborn deities pierced the skies, the lady of Olympus was made aware of them, and seethed with rage once more. Vowing never to give Leto rest, She sent forth all manner of dark creatures to hound her and her brood. Far and wide she fled, desperate for respite.

Leto Fountain, Palace of Versailles
Photograph taken by Daniel Gaudry

"At last, outwearied with the toil, and parched with thirst", the exhausted matriarch came to the arid and harsh land of Lycia, where once the fearsome Chimaera had once tread. A blasted land, with little verdance in its hills, the eyes of Leto spied a rare pool of crystal water. Parched with thirst, it played on her mind as the mirage does on the desert traveller. Shimmering in the light, the parched Titaness could resist no longer, and sped with all haste to its banks. Some of the rustic folk of Lycia were there at the lake's shores, reaping the bending osiers, the dank bulrushes and fragrant weeds. The Lycian folk, a people not known for their warmth of hospitality with strangers, eyed the stranger with deepest suspicion. A threatening buzz arose from within their wretched ranks, as Leto came in her approach. Wearied and near broken with toil, she eyed the peasants with more than a dash of humility. They angrily called out to her to stay away, and come not near the crystal waters, so wickedly opposing her primal need. Leto called out to them:


                   " Water I only ask, and sure 'tis hard
                      From Nature's common rights to be debarr'd,
                      This, as the genial sun, and vital air,
                      Should flow alike to ev'ry creature's share.
                      Yet still I ask, and as a favour crave,
                      That which, a public bounty, Nature gave... "
                             - LETO'S PLEA


Leto desperately invoked the pity of her newborn twins, yet still the fiendish folk would not desist, nor with vulgar words restrain. Young Apollo stretched out his arm in supplication, a mere baby, yet no more than his mother's word to the hearts of the Lycian peasants could it reach.

Feeling the pains of dehydration now, Leto moved to cup the crystalled water in her hands, but the dastardly folk spoiled her relief. Foul, abusive words they hurled, and worse still "with spiteful feet the villains trod, over the soft bottom of the marshy flood, and blacken'd all the lake with clouds of rising mud". A once crystal lake was now a murky depth, its purity defiled by the evil whims of a hostile crowd.

The Transfiguration of the Peasants
Painting by Johann Georg Platzer

Now the desperation of a Titaness turned to rage, as "her thirst by indignation was suppress'd". Vengeance coursed through her godly veins, all worries of hydration cast aside as the serpent sheds his skin. The frustrations of long chase, the pains of twin labour and the pangs of thirst mingled as Leto cast her gaze to the Heavens. "May you live, she passionately cry'd, doom'd in that pool for ever to abide". No sooner had her words of wrath left her parched lips, than the wretched folk dived into the pool, void of all shame. To the murky depths they plunged, and as swiftly as they fell, their last vestiges of humanity were gone. When next they pierced the crystal surface, no shouts of insults would come forth, but instead a hoarse croak. Wrenched wide by their bawling, their mouths grew cavernous; a mottled green, their backs. Seldom to see the light, their bellies grew a pale white, their eyes wide and alert. Men and women no more were they, but frogs, condemned forever to dwell within the mud...

United Kingdom

Penguin Classics
Metamorphoses: A New Verse Translation (Penguin Classics)
(A version which favours ease of understanding than high poetry)

Oxford World's Classics
Metamorphoses (Oxford World's Classics)
(A version which favours ease of understanding than high poetry)

United States

Penguin Classics
Metamorphoses (Penguin Classics)
(A version which favours ease of understanding than high poetry)

Oxford World's Classics
Metamorphoses (Oxford World's Classics)
(A version which favours ease of understanding than high poetry)

The Children of Niobe

The Children of Niobe
Painting by Jacques Louis-David

Cursed indeed was the House of Tantalus. A divine and royal line descended from Zeus the Thunderer, polluted by murder and betrayal. For Tantalus, the King of Phrygia, had dared to deceive the gods, had slain his own son and now lay condemned for eternity in the dark unyielding night of unholy Tartarus. Yet far above the blackened plain the accursed king left a daughter, Niobe, a sister to Pelops. Alas that the sole heiress to the line inherited her father's pride! For oft did Niobe dare to think, that she and she alone stood high as the gods, oblivious to Arachne's fate.


There came a day in that Phrygian city, as all years, when the folk gathered from across the land to honour Leto, the Titaness upon whom the eyes of Zeus had once lingered. Hither and thither the Phyrgians strayed, all the land caught up in the hustle and bustle of festival & ceremony, song and dance.  But one among their kind was far from awash with joy, as among the royal guard there appeared proud Niobe bedecked in state., "and mad with rage, yet lovely to behold". Never forgetting her father's fate, a wrathful contempt had she for the Olympians high above. Why do these fools worship the reckless gods above, said she, with a house as mighty as hers within plain sight. Her line, who had dined with gods, held Phyrgia within her grasp, knew the Titan Atlas as an ancestor who bears the Heavens above, and groaned beneath the riches of Asia? Why look to the distant gods beyond, when all this lay here and near? But of no thing was Niobe more proud than the children she bore:

                   " Seven are my daughters, of a form divine,
                     With seven fair sons, an indefective line...
                     There Leto a mother was, of two at most,
                     Only the seventh part of what I boast.
                     My joys are all beyond suspicion fix'd,
                     With no pollutions of misfortune mix'd,
                     Safe on the Basis of my pow'r I stand,
                     Above the reach of Fortune's fickle hand... "
                            - THE HUBRIS OF NIOBE

Far beyond and high above, atop the shady Mount Cynthus the goddess lurked, and clear as daylight did she hear the wicked words. A godly anger rippled through her form, Niobe's offence driven deep to her heart. To her two great children, Apollo and Artemis, she turned. "Nay more, the imp of Tantalus has flung reflections with her vile paternal tongue; has dared prefer her mortal breed to mine, and call'd me childless; which, just fate, may she repine!". In haste golden Apollo set about his vengeful mission, hearkening to his mother's will. Swift behind soared Artemis the lady of the hunt, whose deadly wrath mortals had come to fear.

The Dying Niobid
Sculpture by James Pradier

Beyond the walls of the Phrygian city there was a boy riding on the plain. The first of Niobe's brood, Ismenos, sighed deeply, when Apollo's dart speared his breast, and from his towering steed his body crashed. Sipylus next met deadly fate, when upon seeing his brother's end, he dared to flee. As the stormy winds he flew, but Apollo's aim was true. Transfixed in the neck, paralysed he stood, life force leaking where it could. At youthful Phaedimus the sun god took aim, and his brother Tantalus who bore his grandsire's name. Both brothers were wrestling on the plain, straining every nerve and muscle in their game. With a mighty shot Apollo pierced them both, their life turned black as coal, as from their mortal forms fled their soul. Grieving Alphenor saw their plight, beating his chest with sorrow, he moved to embrace the fallen boys, before by keen aimed dart he fell. Pierced through the heart, for Apollo had aimed for no other part. Damasichthon next, beardless and young, cried out for mercy, but alas the god heard him late. Two arrows sheared his form, one the knee one somewhere warm.

Swiftly did the news reach Niobe's ear, grief and anger mingled into one. But humility she knew not, as towering was her pride still. Poor Amphion her husband, stricken with the darkest thought, had sheathed a dagger and driven into into his breast. Tears streaming from her eyes, Niobe roared in defiance "Tho' seve'n are slain, superior in number I remain". Her daughters looked upon her, seeing the doom their mother had brought on them now. Far above Leto screamed, and to her call deadly Artemis soared. The bow's thunderous twang echoed through the vale, as in terror all wondered what it would hail.

Around the pyres of their seven brothers they stood, seven daughters who need not have suffered, clad in garments of mourning black. From the eyes of one and the eyes of all fell a tear of purest grief. When that one was stung a sudden by more than emotion, the others tried in vain to remove the lethal dart. "But to grim death her blooming youth resigns, and o'er her brother's corpse her dying head reclines". A silent arrow, winged death, arcs through the skies, more cries silenced. The deadly huntress of the moon, so skilled in tracking game, found no challenge in her dark work, as one by one the seven fell, each pierced by a different death.

The Weeping Mountain
Image taken from the Wikimedia Commons

How lamentable now was Niobe's state, hardened with woe, and dying with grief, for my her own word had she condemned herself, and fourteen lives otherwise pure. Her hair moved to no rippling wind, her eyes faded and fixed within her head. Her deadly tongue called no more, within her veins the blood began to stall. Transfixed in stone her body was, atop Mount Sipylus, the Weeping Mountain. Unafflicted by stormy winds, yet pierced by grief and wounded pride, there she stands even today, a warning of unearthly pride, for no rest can she find...

United Kingdom

Penguin Classics
Metamorphoses: A New Verse Translation (Penguin Classics)
(A version which favours ease of understanding than high poetry)

Oxford World's Classics
Metamorphoses (Oxford World's Classics)
(A version which favours ease of understanding than high poetry)

United States

Penguin Classics
Metamorphoses (Penguin Classics)
(A version which favours ease of understanding than high poetry)

Oxford World's Classics
Metamorphoses (Oxford World's Classics)
(A version which favours ease of understanding than high poetry)

The Arrow's Graze

Cupid
Sculpture by Bertel Thorvaldsen

There came one day when Cupid, the god of desire and son of Venus, took up the arms of Apollo, lord of the Sun, mischief on his powerful mind. Stringing the bow of Leto's son, he loosed a bolt to and fro, merrily playing and readying his aim. But Apollo saw him, and was incensed to fury at the young spirit. "Thou lascivious boy", spake he, "are arms like these for children to employ?" The Sun god berated Cupid, denouncing him as inferior in strength of body and of mind, of aim and eye. Might had been the conquests of the Sun gods bow, mortal and monster alike, the great serpent which terrorised the Delphic vale and more beside. "What is the power of desire, beside the fatal barb of my shot?", he mocked. But wily Cupid, cunning within him beyond his size, rounded on the god. "Mine the fame shall be, of all thy conquests, when I conquer thee". Vowing vengeance upon Apollo for his curses, Cupid, flying high to the peak of Mount Parnassus, brandished his deadly gift.



                    " Two diff'rent shafts he from his quiver draws;
                      One to repel desire, and one to cause.
                      One shaft is pointed with refulgent gold:
                      To bribe the love, and make the lover bold:
                      One blunt, and tipped with lead, whose base allay
                      Provokes disdain, and drives desire away.
                      The blunted bolt against the nymph he drest:
                      But with the sharp transfixt Apollo's breast. "

                            - CUPID CURSES APOLLO

Taking the arrow fixed with lead, the youthful spirit took deadly aim, and loosed the barb at his target. Far below upon the plain, there danced a naiad, Daphne was her name, daughter of the river Peneus. A fair lady beyond all others, the nymph had always been plagued by the advances of weak hearted men. But, shunning the ways of ordinary maidens, Daphne preferred the hunt to the arts of grace. Faithful to Diana, the Lady of the Moon and Hunt, many a time could Daphne be found, stalking her quarry in the forests. As the goddess herself, she swore herself pure, never to be violated in body, or in mind. The title of bride she scorned, the glades of the trees, she embraced. Often did her father chide her ways, for such passions were not the ways of other ladies and nymphs. But strong willed Daphne cared not, throwing her arms around her father's neck. "Give me, my Lord", she cried, "to live, and die, a spotless mad, without the marriage tye. 'Tis but a small request; I beg no more than what Zeus the Thunderer, sire of Diana, gave before". His angered gaze softened, and he at last relented, seeing the daughter he held so dear, granting her destiny. He granted her wish, but gave her warning - her wish would one day prove her punishment. Her beauty was as a curse now. Her own face would be her doom. It was to Daphne now, that Cupid's leaden dart flew swift and true, soaring through the Heavens, over plain and field and brook, piercing the nymph's oblivious side, banishing desire from her once and for all, cursing her to despise the first being she looked upon.

Apollo and the Muses
Painting by Jan van Balen

Not a moment to delay, young Cupid seized the golden barb from his quiver, and took careful aim. Just yonder stood the Sun god himself, Apollo in his rage. Steady was his hand, and keen his eye. A flash of gold, and the arrow whipped into the Sun god's breast, bearing upon its burnished tip the sparks of desire , dooming its victim to deadly infatuation with the first being he looked upon. His eyes averted by the shock of the dart, Apollo opened his divine eye, and down upon the mortal plain he gazed. It was there that he caught sight of her. Tender arms, and flowing hair, she danced through the sylvan glade. As the parched field in the high summer, when the traveller casts his flaming brand upon the grass, that was how the god was now afire. The golden point within fuelled a fire without mercy or respite, seizing his mind, all thought and hope now bent upon the nymph. His eyes passed over her dishevelled hair, her eyes as heavenly lamps, her delicate hands, and in that moment he was doomed.


With the celerity no god could match, but a god filled with raw passion alone could know, Apollo thundered down from the heights of Mount Olympus, all thought of other things, all hopes, all fears, all duties, banished from his mind. Into the shade of the great forest the light of the Sun came, and it was in that moment that Daphne turned and saw her admirer for the first time. Hideous revulsion and disgust raw flooded her, as the leaden bolt burned bright within her. With horror at the hateful figure she saw before her, the naiad turned tail in flight. More swiftly than any spirit had moved before, Daphne fled. Anguish mingled with fear when the Sun god saw her run, would he lose her? No doubt in the mind of the god, he made hot pursuit. Both spirits of the immortal gods, both unmoved by fatigue, both raced across the world, one doomed never to reach his quarry, the other never to leave it. The huntress was now as the hunted. Through open plains, through meadows, through mountains, through rivers and through valleys god and naiad chased, no hint of sweat upon either brow, for god, no hint of capture, for naiad, no hint of evasion. "Stay Nymph", Apollo cried, "I follow not a foe... Thou shunn'st a God, and shunn'st a God that loves!". To Daphne Apollo called, begging her to stop:


                    " Abate thy speed, and I will bate of mine.
                      Yet think from whom thou dost so rashly fly;
                      Nor basely born, nor shepherd's swain am I.
                      Perhaps thou know'st not my superior state;
                      And from that ignorance proceeds thy hate.
                      Me Claros, Delphi, Tenedos obey;
                      These hands the Patareian scepter sway.
                      The King of Gods begot me: what shall be,
                      Or is, or ever was, in Fate, I see.
                      Mine is th' invention of the charming lyre;
                      Sweet notes, and heaven'ly numbers, I inspire.
                      Sure is my bow, unerring is my dart... "
                              - APOLLO CALLS TO DAPHNE


Not half of the Sun god's pleas did bold Daphne hear. Long ago had she voweda life of chastity, here was her greatest test, and she would not violate her oath now. "Fear gave her wings", and as she fled with haste anew, the wind blew her flowing hair, and Apollo, stricken by flame again, was fired anew.

The Metamorphosis of Daphne
Painting by Giovanni Battista Tiepolo

"She urg'd by fear, her feet did swiftly move, but he more swiftly, who was urg'd by love". Now at last, the god gained pace, and the gap began to edge closer. With such fury did Apollo thunder across the plains, he spared not one spare reserve of divine effort calling to her, focused as he was on just touching her. A glance behind, and pure Daphne spied the god bearing closer down, and the naiad grew pale with terror. The labours of her long bid for freedom wore heavy upon her soft shoulders, but still she did not bow to what could have been inevitable. Desperate now, she called to her father, Peneus, lord of the river, "Oh help", she cried, "in this extremest need! If water gods are deities indeed, gape Earth, and this unhappy wretch intomb; or change my form, when all my sorrows come." With the utmost need did Daphne call, and the god heard her. Pitying her daughter, remembering how he had warned her that she would be forever cursed by her beauty, he bowed to her final wish. An incantation he spake aloud, words of power radiating from the river. Apollo reached out for her, and Daphne gasped:


                   " Scarce had she finish'd, when her feet she found
                      Benumb'd with cold, and fasten'd to the ground:
                      A filmy rind about her body grows;
                      Her hair to leaves, her arms extend to boughs:
                      The nymph is all into a laurel gone;
                      The smoothness of her skin remains alone... "
                            - THE METAMORPHOSIS OF DAPHNE

With a howl of broken hope, Apollo looked on as the very pinnacle of his heart's desire changed to tree before his eyes, cursing the god that robbed him of his prize. Round her waist he threw his arms, but round a trunk his arms fell. Some warmth he found still, a heaving heart within. But in vain did he call her name, for once where there was naiad, there was now only the fair bark of a laurel tree, the first laurel tree. Apollo, stricken with tears, embraced the trunk and fixed his lips upon it. Wiping the tears from his eyes, the Sun god declared:


                   " Because thou canst not be
                      My mistress, I espouse thee for my tree:
                      Be thou the prize of honour, and renown;
                      The deathless poet, and the poem, crown.
                      Thou shalt the Roman festivals adorn,
                      And, after poets, be by victors be worn.
                      Thou shalt returning Caesar's triumph grace;
                      When pomps shall in a long procession grace;
                       Wreath'd on the posts before his palace wait;
                       And be the sacred guardian of the Gate.
                       Secure from thunder, and unharm'd by Jupiter,
                       Unfading as th' immortal Pow'rs above...
                       So shall perpetual green thy boughs adorn... "
                                - APOLLO'S PLEDGE TO THE LAUREL


Deep within the spirit of the tree, Daphne heard his words at last, and grateful was she, and the tree bowed respectfully to the god. Ever after was the laurel tree the symbol of victory, worn as a wreath upon the crown of champions, and never again did Apollo doubt the power of desire...


United Kingdom

Metamorphoses:
Metamorphoses: A New Verse Translation (Penguin Classics)
(The Source for many of the myths of ancient lore, written by a Roman poet)

United States

Metamorphoses:

Metamorphoses (Penguin Classics)
(The Source for many of the myths of ancient lore, written by a Roman poet)