The Birth of Bacchus

Of all the Olympian deities at the head of the Classical Pantheon, one was something of an enigma among the rest. Dionysus, or Bacchus as the Romans knew him, had a curious pedigree. His mother was no grand spirit of the forest nor thundering deity, but an otherwise ordinary mortal woman. His father, on the other hand, was none other than Zeus the Thunderer, King of the Gods and son of the Titan Kronos. From this peculiar union came a peculiar child, brought forth in a most peculiar birth...

Jupiter and Semele
Painting by Sebastiano Ricci

Daughter of Cadmus, founder of the great city of Thebes and sower of the Dragon's Teeth, and Harmonia his wife, Semele lived a relatively ordinary life in the Boeotian countryside as a priestess of Zeus. That was, although, until the day came when after a sacrifice, she swam in the river Asopus. Far overhead, an eagle soared. Regal though the imperial bird was, its feathered form within concealed the true Emperor of the Sky. For no eagle it was in truth, but Zeus himself, come to collect his offering. But the eyes of an eagle are keen indeed, and from on high the Thunderer spotted the one from whom this offering had come. Under the gentle, glassy surface of the Asopus his baleful gaze pierced, and there his priestess he saw. Not for the first time nor the last did the Son of Kronos become ensnared by a mortal woman. Down to the earthly plain the thunderous monarch descended, and so began the affair that would spell her doom. No mortal yet had resisted the charms of Zeus, and hapless Semele would not be the first. The deed done, back to Olympus he retreated, assured of secrecy. Or so he thought.

Hera alone, Queen of the gods, ever watchful of the infidelities of her husband, scoured the earthly plain. Her feud with Semele's kin ran deep, for she "joy'd to see the race of Cadmus bleed; for still she kept Europa in her mind". A nameless spy in her league brought word to her that Semele, daughter of Cadmus was rich with the seed of a god, and carried in her womb a future god. Her paranoia and suspicions flared, and to terrible fury was she roused. "Are my reproaches of so small a force? 'Tis time I then pursue another course: It is decreed the guilty wretch shall die, if I'm indeed the mistress of the Sky". In the Classical World, the dark powers had no fury like a Hera scorned, and she concocted a vile stratagem in her vengeful mind, and vowed that Semele would die, and her slayer would be none other than Zeus himself.


In a golden cloud she descended to the Earth, coming to the gates of Semele's lodge. But no divine form did she take, but the wrinkled visage of Beroe, Semele's nurse. "In her trembling gait she totters on, and learns to tattle in the nurse's tone". Greeting oblivious Semele as only the special bond between nurse and child can, she was welcomed warmly into the daughter's house. Veiling her rage, Hera beguiled Semele with softly spoken stories and fables of old. Semele confided in her nurse the affair, and that she indeed bore the seed of Jove. If her veins of ichor thundered with anger, the goddess buried it deep within. She sowed doubt in Semele's mind, and asked how she could know that this man was indeed the Lord of Olympus. To test the veracity of her suspicion, the nurse proposed a simple test:


                  " Bid him, when next he courts the rites of your affection,
                    Descend triumphant from th' ethereal sky,
                    In all the pomp of his divinity,
                    Encompass'd round by those celestial charms... "
                         - HERA'S RUSE

The Birth of Bacchus
Painting by Nicolas Poussin

The unwary girl, snared on Hera's trap, was racked with doubt at what she said. Who was in truth the father of her as yet unborn child? She had to know, and would not rest until she knew. So when Zeus the father of gods and men came once more to the maiden's fold, Semele confronted him, though hid her ruse. She asked the Son of Kronos if she could have but one thing. Zeus replied "Whate'er you ask, may Styx confirm my voice, choose what you will, and you shall have your choice". Powerful indeed are the winds of Fate, for though mighty indeed was the ruler of Olympus, even he to Fate must bow, and to renege on a promise would be to overturn the cosmos in fire. He dare not refuse her request now. "Then", said Semele, "when next you seek my arms, may you descend in those celestial charms...". Zeus immediately felt a pang of dread, for no mortal could bear to look upon a god in his full glory, too fiery to behold to mortal eyes. He longed to defeat her call, but he had given his word and dare not refuse.

Bacchus Enthroned
Painting by Rubens

So resigned to his beloved's fate, Zeus the Thunderer rose to Olympus. "To keep his promise he ascends, and shrouds his awful brow in whirlwinds and in clouds; whilst all around, in terrible array, his thunders rattle, and his light'nings play". The Son of Kronos to him summoned all ethereal powers of the Heavens, the very essence of a god, the powers which wove the Universe together, the power to rend it asunder, the power to level mountains and the power to induce love and hate, the power to shatter pride and citadel alike, the power to melt the Earth and freeze the Sea, the power to give rise to live and the power to obliterate it all. To him now he called these things, there to show the true power of no mere god, but the god of gods himself. Worked up to holy fire and divine conflagration, radiating with power, "the illustrious god, descending from his height, came rushing on her in a storm of light". As the mightiest tidal wave summoned from Poseidon's depths crashes upon the lowliest shell upon the beach, the power of Zeus fell upon mortal Semele now. To feeble her frame, to weak her sight, even with eyes closed, in face of ageless omnipotence and thunder's fury, amidst all the wonders she desired Semele was consumed, her mortal form blasted asunder as Hera knew it would be. So her vile schemes bore the accursed fruit, for her rival had been undone by the adulterer himself.

Torn with grief, a tear dropped from the eye of Zeus, until through saddened sight he saw one ray of hope. A child, where once Semele stood, lonely and alive amid the destruction screaming lay. Spared his poor mother's fate, for within his veins flowed the life force of the father, Bacchus drew his first breath. Yet the boy was not yet fully formed. Nine cycles of the moon had not yet come to pass since his conception:


                 " But, to preserve his offspring from the tomb,
                   Jove took him smoking from the blasted womb:
                   and, of on ancient tales we may rely,
                   Inclos'd th' abortive infant in his thigh... "
                         - ZEUS TAKES THE INFANT BACCHUS


So the Thunderer took his son under his alas omnipotent wing. Months passed and Zeus felt a pain in his leg. Knowing the time had come, to the land of the Niseans he came, and from the thigh of Zeus was Bacchus born again, complete at last. To the care of their people the Thunderer placed the babe, where in peace and serenity he would be raised nurtured on Nisean milk. But the adventures of Bacchus had all but begun, and the rage of Hera was far from quenched...

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The Great Bear

To the curious and logical human mind, all things must have reason, some purpose and indeed some explanation for existence. It is the inquisitive nature of man to seek the answers to these. Where Science fails, Mythology steps in to take up the slack. Few things were, are, and will continue to be more mysterious than the very stars themselves...

Zeus Disguided and Callisto
Painting by François Boucher

When one day the World was settled upon its course, wide around its celestial dome trod Zeus the Thunderer, Lord of the Sky and god of gods. Across the Earth far below he raked his omniscient eyes, across mountains tall, oceans deep and plains vast. Over the fair, unspoiled meadows of Arcadia he oft enjoyed to cast his gaze, for there was no more idyllic land in all Greece. Just then, in the shade of some Arcadian grove, the Son of Kronos saw her, and he was afire. A nymph, reclining upon a tree, though no ordinary spirit of the forest. Simply clad, dressed for the hunt, hair tied, quiver slung and spear ready. Daughter of accursed Lycaon, her name was Callisto, and she was a loyal and chaste follower of Diana, the lady of the hunt and goddess of the moon.

The Sun far above the mortal plain waxed strong now, burning heat pounding Arcadian fields.  The young nymph had been sent panting to the grove, and flung herself now upon the cool grass. Far above, Zeus spied 'the charming huntress unprepar'd, stretch'd on the verdant turf, without a guard'. Wary of Hera's prying gaze, Zeus cast an anxious glance to and fro before his move he made.
Sensing that this one would no easy catch be, his form he shifted. King of all gods no more, he took the shape of the lady Diana herself, softening his regal features and relaxing his dread visage. In the huntress' voice he spoke "How fares my girl? How went the morning chase?" to whom chaste Callisto replied "All hail, bright deity, whom I prefer to Zeus himself". Closer by far was the Thunderer than she thought, to her soon to come regret. With warm words and embrace Zeus worked his charm until the form of Diana could no longer hold the god of all gods, and the truth at last was bared. But when has a mortal ever had the power, or the will to resist the master of the Heavens? "Possess'd at last of what his heart desir'd, Back to his Heav'ns, th' exulting God retir'd". Fair Callisto, poor Callisto, rising from the grass that failed as her respite, with cast down eyes awash with shame as much as tears, flew from the guilty place, almost leaving her bow behind, such her haste.

Diana and Callisto unveiled
Painting by Titian

But now Diana, the fiercely virgin goddess, returned to the glade, close in tow her hunter's train. The oblivious goddess called to Callisto, who when she saw her mistress, quaked with fear. Suspecting some other fraud, some deception of the flesh, she trod carefully, flushed in her face. Terror cursing her every step, she joined the parade, her defilement to all others yet concealed.

Nine months in the world of men passed, until a warm day once more came to pass. Diana wiped the sweat from her heavenly brow, and commanded her maids to join her in the bathe, the sentinel careful to see that no prying eye might look upon them in their modesty. All maids comply, all joyful but one. For when they as one cast their tunics aside, the plight of Callisto was revealed, her form swollen with child. The eyes of Diana flashed dangerously. Wrath burned through her veins, and in that moment, Tartarus had no fury more terrible than hers. "Begone!" the goddes cried with outrage, "Begone! nor dare the hallow'd stream to strain". Tears streaming from her eyes, writhing with injustice, Callisto fled for her life, forever banished from Diana's presence.

Far above Hera, Queen of the gods, heard the commotion, and the nymph's cries. Long had she bided her time, awaiting the moment when she might punish her husband for his infidelities, and her rage she now directed upon the nymph with whom he had lain. To fire her more, the pains of labour struck Callisto now, as the fruit of Zeus' advance was born. A flash of lightning and Hera's wrath was vented upon the nymph. Sensing some dark craft, Callisto raised her hands in mercy, but before her eyes, her arms grew thick and shaggy with hair, her nails warped and stretched into evil claws:


               'Her hands bear half her weight, and turn to paws;
                her lips that once cou'd tempt a god,
                begin to grow distorted in an ugly grin .
                And, lest the supplicating brute might reach
                The ears of Jove, she was depriv'd of speech:
                Her surly voice thro' a hoarse passage came
                In savage sounds...'
                   - CALLISTO CURSED


Her form twisted to that of a towering and ferocious bear, but her mind remaining, she begged of Zeus for aid, desperate now, but all that came forth was an echoing roar that caused birds to flee the canopies in fear. How such fear flew within her now, with such dread she though of roaming the meadows she once called her own, with blinding terror from her own hounds she fled, thinking to avoid poor Actaeon's fate. How she felt for her father Lycaon now, their forms both horribly mutated now, one by Zeus, one by the deeds of Zeus.

Fifteen long summers passed on the earthly plain, and the son of Callisto was growing into a mighty boy. Like his mother before him he was skilled at the hunt, and from her he had taken fine reflexes and a deadly aim. Conqueror of the plains vast and mountains high, to the depths of the forest he stalked in search of prey. By chance he came across his mother where she lay, broken hearted and overflowing with sorrow. One eyelid flickered, and she caught sight of the hunter. Fondly she gazed, 'she knew her son, and kept him in her sight'. She moved to approach, eager to embrace the boy she long thought lost. But a cruel hand had Hera dealt, for only fright rippled through the boy, as a rampaging bear he saw toward him bound. He nocked an arrow on his bow and pulled it tight, aiming at his own mother's heart...

But it was then that Zeus the Thunderer, hidden from Callisto for so many years by Hera, saw at last the scene below. Fifteen years of guilt and pity boiled to their head, and anger at Hera's callous spite. The string of the bow strained, and the boy's grip began to loose. A lone tear welled in the eye of the bear. But Zeus forbade this crime, and with all godly haste he flashed down to the earth, taking both mother and son into his grasp. Looking to his own domain, the son of Kronos fixed them both in the vault of the sky to watch forever over the cosmos, forever united side by side. The mother, the Great Bear, came over time to be called by the Latin race Ursa Major, the son Ursa Minor, and still today can both be seen clearly in the night sky. But Hera looked above too, and saw her rival glowing among the stars, and burned with rage anew. To Oceanus, the Titan of the seas, she turned. Oceanus welcomed the Queen of the gods, and begged of her the reason for her unusual visit. Hera commanded Oceanus to never grant Callisto or her kin the simple pleasure of water, that they might never meet the surface of his domain. That is why Ursa Major and Ursa Minor never sink below the horizon...

Ursa Major - The Great Bear

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Metamorphoses: A New Verse Translation (Penguin Classics)
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Metamorphoses (Oxford World's Classics)
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Cyparissus

The Cypress Tree
Painting by Vincent Van Gogh

Considered the iconic tree of the Mediterranean, the symbol of the rolling hills of Tuscany or the rugged mountains of Greece, the humble cypress tree had a far more potent, and sinister, meaning to the Ancient Romans. Even today, journeying through Italy, you will find many a shadow of a cypress falling across a graveyard, a silent sentinel watching over the darker places of the world. Its characteristic pencil like form is never far away in this land, and rarely absent from the tourist's photograph. But why this mournful association? Why the favoured foliage of the afterlife? It all began with a story nearly two thousand years ago, the story of a young boy who would give the cypress its name, and its story...




Long ago, on the idyllic pastures of the island of Caea, there was bred a mighty stag, its stature and beauty never before known. In majesty and power, all of his kind he excelled. A wonder to behold, to the nymphs of Cartha he was sacred held. Dignity was written in his face, vast were his antlers, enough to grant him ample shade. The horns gilt seemed, as the sun beams danced of their shining points, casting all around in their radiant glow. So brilliantly burnished was his coat, it seemed as though all the precious stones of the world were embedded in every lock. Nature itself seemed to bow before his stride, and soon the fear of the locals was lost, and even strangers would come forth to pat his proffered neck.

But there was a young boy among the Caeans who adored him most. By all accounts an ordinary boy, blessed with no great strength of arm, divine beauty nor unearthly wit, but a heart of gold he hid within. A country boy, he cared nothing for the grand affairs of the world, but cared in abundance for what his eyes could see and ears could hear. An uncommon empathy he held too for all living things, for in the wild he lived, and learned to reside in peace with the creatures, and spirits of the forest. Then one day, came the regal stag, and all was changed:


       " Much was the beast by Caea's youth caress'd,
         But thou, sweet Cyparissus, lov'dst him best:
         By thee, to pastures fresh, he oft was led,
         By thee oft water'd at the fountain's head:
         His horns with garlands, now, by thee were ty'd,
         And, now, thou on his back wou'dst wanton ride;
         Now here, now there wou'dst bound along the plains,
         Ruling his tender mouth with purple reins. "
              - CYPARISSUS AND THE STAG

Cyparissus, Apollo & Hyacinthus
Painting by Alexander Ivanov

Many came before the stag awed by the beauty of its form. Cyparissus came, drawn by the beauty within, for he sensed a grace within, bound with his adoration of nature and al living things. Soon both boy and beast began a friendship such that man and loyal animal only can, like the shepherd and his faithful hound. Many a lazy afternoon could you find them, resting by a pool in the forest glades, retreating from the burning rays of Apollo's sun. Across the far reaching plains the boy and his stag would race, their contest the amusement of the gods high on Olympus. The villagers were puzzled, but delighted for young Cyparissus and his unconventional friendship, sensing the hand of the divine at work.


Then one day, Cyparissus went into the forest hunting, hoping to bring back some prize boar for his family, a spectacular feast indeed. A scorching summer day, the burning arms of the Sun pierced the foliage, and sweat fell from the boy's brow. His faithful companion had bounded joyfully ahead into the brush, bidding the boy on. But, suffering from the heat too, the mighty stag sought refuge in the shade of the bushes, laying his weary limbs across the grass. Suddenly, distracted, the boy heard the snort of a boar close by. Not twice does opportunity strike, not two moments does one wait when hunger strikes. Cyparissus levelled his spear and took his aim, wary of his nearby friend. Bringing back his hunting arm, he launched with all his might, but no! A bead of sweat brought forth from the fiery Sun fell into his eye. A stinging sensation swept his eye, and the boy blinked, and his aim went awry. A blood chilling cry rose to the skies, as Cyparissus rubbed his sore eye. The pain passed, he looked up, excited to find his quarry.

Cyparissus mourns
Painting by Jacopo Vignali

Horror swept through his mortal frame, and cold dread, when he saw no boar thrashing at the foot of the tree. Unknowingly, unwillingly, oblivious, Cyparissus had cast the deadly dart, but his worst nightmare had it transfixed upon its brazen point. There lay the mighty stag, and never a more tragic sight there lay. The hideous truth of his error laid bare, the young boy fell to his knees, tears welled up inside. The stag writhed in pain, blood spattering the forest floor, its cries rending the air. Frantically, Cyparissus tried to staunch the wound, but the hands of a boy are scarce enough to stem the flow of blood that gushed forth that day. Calling out in desperation, the folly dawned upon him, and his heart began to break. At last, the cries grew silent, the body still, and the stag lay motionless, its staring into the wilderness. Cyparissus howled to the skies. He would have taken his own life there and then, had not Phoebus Apollo, lord of the Sun, taken pity on the boy. Had not his burning rays caused the boy's aim to go wide... Cyparissus, determined to feel his guilt for all time, and expiate his crime, asked the god to allow him to mourn for all time. Himself fighting back his tears, Apollo granted his final wish, moved was he. The blood drained from the boy, his legs fused together, and leaves grew where one was his skin, and hard weeping bark underneath. A thin and lanky young boy, so too was the form of the tree which he took.

Apollo looked on in grief, and declared that this was ever after to be present at the ritual of mourning, and the tree was named. Cypress, the tree of mourning. Still today it watches over graves...



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Metamorphoses: A New Verse Translation (Penguin Classics)
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Metamorphoses (Oxford World's Classics)
(A version which favours ease of understanding than high poetry)

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Arachne

It is often falsely believed that our ancestors of the ancient world lived in slavish devotion to their gods, that they prayed daily, sacrificed often and repented frequently, and that the fate of nations lay in the words of Heaven. But like any other culture, there were rebels. Here is the story of one such rebel.

Arachne's admired craft
Fresco by Francesco del Cossa,
Palazzo Schifanoia, Ferrara

There once was a young maiden, skilled in craft. Sacred was her gift, profane her piety. "Low was her birth, and small her native town, she from her art alone obtain'd renown". Dead was her mother, a dyer of Tyrian purple, her father. Content in their small hamlet until Arachne's adolescent years, when the daughter first turned her hand to her immortal craft. Immensely skilled at the loom, the most dazzling displays of weaving were the maiden's forte, and it was not long before her fame began to spread far from her home. Across the plain word spread, over the hills and far through Lydia and beyond her legend grew. From the mortal to the immortal plain her name spread, and oft would the nymphs of the fountains, trees or hills take leave of their hiding places. From the golden rivers the Naiads came, all of them drawn by her legendary art. For the spirits of nature there was little finer that to observe the shapeless wool she wound with fluid motion on the spindle, as the masterpiece took slow but mighty shape. The goddess Minerva, weaver of the gods on high, was woven into every thread, yet scorned was the mistress by the maiden. Never once did Arachne honour the goddess nor reveal the source of her knowledge, neither praising nor cursing, pure and plain silence.

The Spinning Contest
Painting by Diege Velázquez

Upon Arachne Minerva bent her "vengeful mind", angered by the indifference of the maiden toward the gods gion high. "Let us, she cries, but to a trial come, and if she conquers, let her fix my doom". The goddess took the form of a woman bent with age, and came to the house of Arachne. Coming before the prodigal girl, the old woman declared "Young maid attend, nor stubbonly despise the admonitions of the old, and wise; for age, tho' scorn'd, a ripe experience bears". Her experience could lend the girl skill greater still, but only if she petition the gods on high, and pardon her bold presumption that she be greater than the gods. With temper fired Arachne rose, and to the veiled goddess she spoke. She despised the elderly counsel and her blasphemy grew. "If your skilful goddess better knows, let her accept the trial I propose!". "She does", wrathful Minerva replies, "and cloth'd with heavenly light, sprung from her disguise". The nymphs of the plains leapt back in fright, the ladies of hamlet trembled before the awe of divinity. Only the maiden stood unafraid, confident of her earthly, human talents. A brief blush in the cheek she allowed, but swiftly her composure regain'd. Across from each other the board was set, and the looms deployed, both ready to test their skills before the other, and all looked on in apprehension.


At once skilled fingers darted hither and thither across the mantle, human and inhuman, plying their trades as never before. Shining colours lit up the room, finest golds shimmering from the Minervan loom, royal purple from the maiden's mantle, gift of her father. Shades and light were wed on the wool, "as when a show'r transpierc'd with sunny rays, its mighty arch along the heav'n displays". Minerva the glories of the gods on high wove, high on Olympus on lofty thrones. Jupiter the subject, seated proud, and the centre of heaven and the centre of her loom. With awing majesty he all the rest excell'd, but there tood were woven his kin and those of heaven. There too was the hoary lord of the seas, Neptune the son of Saturn, wielding his three pronged trident high, ready to smite the jagged rocks, his steed the hippocampus ready for its master. There herself even, Minerva wove the very image of her own. Blazoning with glory, with glittering arms. With lavishly crested helm and braided hair, shining cuirass and shield resplendent, the image of the goddess stood poised, lance ready at the tilled earth. There the blade struck, and a towering olive blossomed into glorious life. Then, to warn the maiden Arachne,a  rival now, the goddess wove, and wove well. In all the corners four she wove a tale of mortals past, mortals who dared provoke the wrath of gods. In one there was spun Rhodope, King of the warlike Thracians who dared assume the titles of Jupiter, transfigured to a mountain for his pride. In the second corner there lay the image of the venomous Pigmaean dame, who dared profane Juno's holy name, now no more than a feathered crane. To the third Minerva's hands flew, whence the pride of young Antigone grew. Another to scorn the wife of Jove, with her self admired beauty she vyed with the Empress of the Skies. At last to the final corner Minerva flew, and there the image of weeping Cinyras drew. To crown it all at the centre stood, the mighty olive tree woven finer than any mortal could.

Arachne meanwhile chose triumphs of the divine, yet of a somewhat different kind. To the vices of on high she turned, and of the dalliances of Jove she wove. Through the rising surf and roaring tide, Zeus the Thunderer bore Europa upon his stride. Fearful of the ocean deep, up drew the feet of the maid, as though of Poseidon's domain she was afraid. Their too lay Leda a resplendent swan, for whom Jove could be the only one. Appear'd in a shower gold, came the god to Danaë's hold. To Neptune next the maiden turned her hand, casting the hypocrisy of heav'n across the land. Then upon a bursting scene, Arachne wove a valley pristine. Apollo next, roving through the plain, rousing song to banish all pain. Bacchus too could not escape his fate, as ever a slave to the accursed grape.

Minerva's Wrath
Painting by Rubens

All this the bright eyed goddess saw, and grew worried at the outcome of this war. Minerva was moved, great was her anger yet inwardly she approv'd. Magnificent was the maiden's taste, yet greater still Minerva's haste. The scenes she saw of heavenly vices made her wonder, but not before her wrath tore the loom asunder. Upon the terror struck maiden the goddess lunged from great height, retribution for her insubordinate spite. In fear and grief Arachne resolved, to be be of this life absolved. So Minerva watched as Arachne from the beam hung, pity rising as she swung. Calming now, the goddess her regret did announce, though swift was her judgement to pronounce:


     " Live, but depend, vile wretch, the goddess cried, doomed
       suspense forever to be tied; that all your race,
       to utmost date of time, may feel the vengeance, and detest the crime "
              - MINERVA'S CURSE


Turning to leave, Minerva upon the girl a potion poured, and before her eye's was Arachne's new body formed. Not two but eight legs now, the array wondered but knew not how. Her body a spider's now "from which she a thread gives, and still by constant weaving lives".

So came the spider into name, and how their family name 'Arachnid' became...


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Penguin Classics
Metamorphoses: A New Verse Translation (Penguin Classics)
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Metamorphoses (Oxford World's Classics)
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Metamorphoses (Penguin Classics)
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Metamorphoses (Oxford World's Classics)
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The Blood of Adonis

Many a time in ancient lore did a mortal fall afoul of the gods, for offences slight or grievous. Often did the Olympians strike back with overwhelming vengeance, so as to discourage insubordination in the future, and preserve the pristine honour of Heaven. But just sometimes, that vengeance rebounded upon its creator, and gods would know the pain of mortals. The story of Adonis is one such example.

The Birth of Adonis
Painting by Marcantonio Franceschini

There was once Cinyras on the throne of Assyria, with his adoring Queen Cenchreis. The family had just one heir, their young daughter, Princess Myrrha. As they watched their daughter grew, the Royal Family and the Assyrians marvelled at her beauty. Some called it Heaven bestowed. Others good fortune. But when the time came when Myrrha came of age, Queen Cenchreis proudly boasted that her daughter's beauty surpassed even that of Venus herself. A glowing compliment for a daughter. A blasphemous offence to a goddess. High on Mount Olympus, the goddess heard her. Never had so terrible a wrath been wrought upon so innocent a crime. Such fury behind the fair face of Heaven's most beloved daughter. The goddess' righteous fury sped down from Olympus as a flash of lightning, delivering forbidden passion into the mind of the Princess. Venus condemned her, rebounding her natural passion upon her own family, and thereafter she would forever have eyes for only her father. Overcome with frenzied passion, disguised by her loyal maids, Myrrha pursued her father with all her energy, employing every trick of deception to fool him of her true identity. Dark was the hour of man when at last she caught her quarry. The following day, when King Cinyras discovered the identity of his seducer, he tore the sword from his scabbard and pursued her, devastated and outraged by her perverse corruption.

Maddened by grief and the affliction that cursed her mind, Myrrha resolved to end her life. She had just prepared the rope from which she would swing when her handmaiden stayed her hand. High on Olympus, Vengeful Venus at last knew pity, and decided to end her suffering. At the goddess' command, the Princess shifted and became a beautiful tree. Ever after mortals would call it the fairest in the grove, the most beautifully scented, the myrrh tree.

The Birth of Venus
Painting by  Nicolas Poussin

Eight months passed, and the world it seemed, lay in peace. Then, on the ninth, the tree burst asunder, revealing a baby boy who would be the envy of all men - Adonis. Pity still afflicted Venus, but when she cast her godly eye over the myrrh tree, all was forgotten when she saw the boy. Knowing immediately that he would grow to become the most handsome man who ever lived, she was at once obsessed with the boy. Fearing for harm that may come to the boy, she bound him in an adamant casket and entrusted it to Persephone, Queen of the Underworld, for there was no safer place than the Underworld, where all the bounty of the Earth ultimately hails. For many a year, young Adonis grew up and grew strong away from the light, but safe.

Adonis in glory
Painting by Benjamin West

Time soon passed, and a boy he was no more. Venus made the journey to reclaim the boy, but found trouble lay ahead. For Persephone fell immediately for Adonis' astonishing beauty, and had no intention of relinquishing her charge. But when Venus saw Adonis, man at last, she was stunned. The goddess of love felt her own power take hold of her, as Cupid's arrow struck her with irresistible force - a thing never to happen before. Profane love indeed, for Adonis was a cursed man. Conceived through incest, a violation of nature, the Fates had spun a finite thread for the fairest of all men. Both goddesses quarrelled intensively over him, until Jupiter the Thunderer, lord of Heaven and Earth, was forced to intercede. The King of the Gods ruled that for Adonis, the year would be divided three ways. Four months he would spend in the Underworld with Persephone, four with Venus, and four were to be given to him to do as he will. Both goddesses bowed at this compromise and eagerly prepared for their turn.

Venus and Adonis
Painting by Francois Lemoyne

Over time, however, it became apparent to which goddess Adonis himself preferred. Having grown up neverknowing the feel of the sun, the touch of grass nor the sound of birds singing, he could not wait to escape the world of Underland. The four precious months of his very own he therefore decided to spend with Venus too. Persephone fumed in Hades, Venus rejoiced on Earth. Many an hour did man and goddess spend together walking the pastures and forests of the Earth. A naturally athletic man, Adonis took to hunting, a noble pastime for men of the age. Soon both men and gods began to envy him. Mortal men longed for his looks and his muscles. Gods resented the affections of a goddess directed at a mortal. Jealous of Venus, Persephone revealed the affair to Mars, god of war and deeply smitten with Venus. Furious, the lord of battles and bloodshed plotted his vengeance on this upstart mortal. But far down on the Earth, Venus and Adonis were oblivious to all others, each perfect in all ways. Venus liked to watch Adonis hunt, but feared for him as his quarries grew mightier and mightier in stature. Eventually, fearing for his safety, she begged him not to hunt the wildest and most dangerous beasts. "Thus cautious Venus school'd her fav'rite boy; but youthful heat all cautions will destroy... his sprightly soul beyond grave counsels flies..."

The Death of Adonis
Painting by Luca Giordano

One hot summer's morning, Adonis awoke bright and early for the day's hunt. As the Sun rose higher in the day, the dogs caught a strange new scent, barking loudly. Adonis, eagerness peaked by the sound, seized his spear and set off on the chase into the scrub. The smell of sweat drew the hounds near, and there the object of his hunt lay. A mighty boar, powerfully built and sharply tusked, stood defiantly in the forest clearing. As soon as Adonis looked upon it, he was overcome with an urge to hunt it, claim it as the trophy of his prizes. No finer a beast had ever he seen, let alone caught. Some magic or other ill was at work that day, as thirst for glory drove the warnings of his beloved far from his mind. With a heart of valour, Adonis lifted his faithful spear, and with the strength of a hunter of prodigious skill, he hurled the metalled barb at the beast. A strange boar this war, for boar it was not. Shadow covered the glade, and in that moment the deception was laid bare. It was no common boar, nor any other beast of game, for there lay the war god himself in disguise. Terror chill gripped Adonis. Too late did he recall the words of Venus, and he turned to run. But one does not attack a god without consequence:


            " The trembling boy by flight his safety sought,
              and now recall'd the lore, which Venus taught;
              but now too late to fly the boar he strove,
              who in the groin his tusks impetuous drove,
              On the discolour'd grass Adonis lay,
              The monster trampling o'er his beauteous prey... "
                   - MARS' REVENGE

The Adonis River
Photograph taken by Adrien Valentine

A piercing scream rent the air apart and echoed through the valleys. To the godly bone it chilled Venus. Knowing all too well the voice, her heart froze. Fear gripped her fair body, an emotion few gods could say they knew, a terrible sensation at all times, yet worse when it is new. Immediately she sped to his side, as quietly Mars triumphantly stole away into the forest. Blood leaked from the tusk wound in the boy's side, and deathly was his pallor. Gentle groans emanated from his lips, tears from the eyes of Venus. The blood of Adonis ran through the nectar of the flowers, and where the droplets fell upon the earth, the anemone burst into life, brimming with colour. The river near where he lay ran red for many ages after, and to this day bears his name. So the curse of Adonis' family came to pass, and the ultimate revenge of Myrrha upon her tormentor. Ever after was Venus broken, though nine months later, she too gave birth, this time to daughter, Beroe. It is after this daughter that the city of Beirut is named...

United Kingdom

Penguin Classics
Metamorphoses: A New Verse Translation (Penguin Classics)
(A version which favours ease of understanding than high poetry)

Oxford World's Classics
Metamorphoses (Oxford World's Classics)
(A version which favours ease of understanding than high poetry)

United States

Penguin Classics
Metamorphoses (Penguin Classics)
(A version which favours ease of understanding than high poetry)

Oxford World's Classics
Metamorphoses (Oxford World's Classics)
(A version which favours ease of understanding than high poetry)

The Midas Touch

What we do in the heat of the moment can very often be the thing which defines a person. Often it is in such moments that decisions are made which can make or break a person. One who is too readily slave to the passions will crumble. One such man was Midas, whose story more than any other issues the dire warning - Be careful what you wish for...

Drunken Silenus
Painting by Peter Paul Rubens

Long ago in most ancient times, the satyrs and nymphs, servants of the wine god Bacchus, came from far and wide in the country to honour their god of the grape. Great was the party, and greater still the revelry. The dances rose, and the wine flowed, and Bacchus was appeased. When the fell rites at last saw an end, the inebriated spirits retreated to the shadows. All but one. For, after the night's indulgences, the aged Silenus, feeble with age and wine, had lost his way. The drunkard collapsed in a field, paralytic from drink, and as the Sun rose, mortal men soon spotted him. For he slept in the pastures of deepest Anatolia, where in such days there was once a powerful kingdom known as Phrygia. Ruling the great city of Pessinus was her King, Midas, son of Gordias, a poor farmer, and the goddess Cybele. The Phrygians, puzzled by their intoxicated guest, bound him in chains, and brought him before their dread sovereign. But Midas was a learned man, schooled in the ways of the Olympians, and saw the rites of the debauched god. Seeing the pedigree of his strange guest, however depraved he might be, Midas welcomed Silenus to his court. The King treated the spirit kindly, declaring a feast in honour of Bacchus. For ten days and nights festivity reigned, in merriment and in joy, and Midas honoured all good bonds between host and guest. The eleventh came, and Midas faithfully lead the catatonic spirit back to the fields, and the welcoming arms of his deity. That day the god of wine, Bacchus himself, stalked Phrygian fields, in search of his kin, father as he was to them. Hearing the exuberance of the extravaganza, the god saw Silenus seated there, pride of place before the Phrygian court, and the god was pleased. Entering the royal pastures in all his divine glory, Bacchus came to the suppliant King, and kindly was his gaze. Bacchus spoke to Midas, and offered him one wish, unbound by limit, that he might reward the kindness of the mortal King. Midas, his might racing at this mighty gift, alas that he delayed not to think! The King, seeing visions of bounty beyond dreams, burst out:


         " 'Give me' says he, nor thought he asked too much,
            That with my body whatsoe'er I touch,
            Chang'd from the nature which it held of old,
            May be as yellow gold... "
                    - THE WISH OF MIDAS

Bacchus, son of Zeus, frowned, disappointment clear upon his Olympian face. Unimpressed, yet true to his word, the god granted Midas his fatal wish, though deep inside did he think a fool no better wish could find. At Bacchus' command, all things would transform at the King's touch. Wood, metal and all other things now became as gold at Midas' touch. His pact honoured, the wine god departed those lands, spirited away to Mount Olympus, knowing the folly that had now been unleashed.


In the moment, however, Midas was ecstatic to the core. Wide was his smile, and high were his leaps of triumph, as he paraded through his realm. Too excited to delay, "down from a lowly branch a twig he drew, the twig strait glitter'd with a golden hue: he takes a stone, the stone was turn'd to gold; a clod he touched, and the crumbling mold acknowledg'd soon the great transforming pow'r...". The King cast his eye far and wide, all consuming greed taking his mind in its vice like grip. Into the meadows he went, and over the sheaves of corn his fingers did he run. His grasp emerged, ears of dazzling gold shining. To the orchards next he dashed, plucking an apple from on high. He stoops to look upon his succulent prize, but lush it is no longer, for now it seems of bright Hesperian gold, as that fruit which accursed Paris scorned of old. Returning to the palace, hewn of magnificent marble columns high. Carelessly, he layed his fatal hands upon the gate, a flash, and with shining gold the fluted pillars blaze. Feeling warm from the day's activity, the King moves to bathe in soothing waters. Into amphorae the servants take the ice cold stream, and over the King do they pour, but in vain, for at his touch the water is as Danae's shower. To see these spectacles of nature strange, fire Midas like never before. His realm would be the greatest in all the world, a realm of gold itself. What could possibly stand before him now, what could possibly be the folly of such a mighty gift? Not far beyond did the King have to look to see the answer plain.

Midas's Daughter
Illustration by Walter Crane

Overjoyed at his omnipotence, the King declared a sumptuous feast, celebrating the eternal wealth of his land, with guests invited from far and wide. Spread with glorious meats, cheeses, fruits and the bounty of the earth was the table, and the hunger stricken King sat down at once. Reaching eagerly for a nearby plate, Midas raises it to his mouth, "whose pow'rful hands the bread no sooner hold, but its whole substance is transform'd to gold". Shocked to his soul, Midas reached desperately for the delicious meat on his other side. But no! That too is now as a nugget of purest gold. Fearful now, his seizes his goblet, now gold, and drinks deeply of the grape. but, "touch'd by his lips, a gilded cordial grew; unfit for drink, and wondrous to behold, it trickles from his jaws fluid gold". Terror cold his body now did flood, as starvation now stalked Midas, and Death close behind, scythe raised to claim the foolish King. But worse was to come, for in that moment a great cry of joy rang in the halls. The daughter of the King, overjoyed to see her father returned from his travels, ran across the hall to embrace him. Before Midas could react, she threw herself into his lethal arms. With a scream of anguish, the King looked on, powerless to help, as the girl's warm flesh was now hard, cold, and gold, a statue now. All present recoiled in fear from the King, fearful of his 'gift'.

Midas pleas to Bacchus
Painting by Nicolas Poussin

To his knees did Midas fall, wracked with grief and guilt raw. "Starving in all his various plenty lies, sick of his wish, he now detests the pow'r, for which he ask'd so earnestly before". The pain of loss, mingled with the agony of famine struck the King now, tortured too by dreadful thirst. Tearing from the now gilded halls of his golden court, Midas fled into the hills, tears shining as the sun. After a long time of wretched grief, he casts his eyes about. It is the very same pasture whence the god had granted this cursed gift. Throwing his arms to Heaven, the King threw himself upon the mercy of Bacchus. " 'Oh father Bacchus, I have sinn'd', he cried, 'and foolishly thy gracious gift apply'd! Thy pity now, repenting, I implore; Oh! may I feel the golden plague no more". Pity it was that moved Bacchus to his salvation, as the wine god saw his suffering. The voice of the god rang in Midas' ears, as the gift was swept aside and cruel metamorphosis stayed its hand. Bidding the weary King to the river near, Bacchus released all things from their golden gaol. Into the stream Midas plunged, and the gift of gold washed away with the rapids. The evil stain was washed away, though ever after were the riverbeds of Asia golden in their hue. From its curing fount all things were restored, and the King's daughter was statue no more, but adoring daughter as before. Too happy to speak, Midas thanked Bacchus in his heart, and a better man Midas ever after was, though never ceasing was his hatred of wealth...


United Kingdom

The Metamorphoses
Metamorphoses: A New Verse Translation (Penguin Classics)
(A Roman epic poem, telling many of the myths of the Classical world)

United States

The Metamorphoses
Metamorphoses (Penguin Classics)
(A Roman epic poem, telling many of the myths of the Classical world)