The Birth of Bacchus

Of all the Olympian deities at the head of the Classical Pantheon, one was something of an enigma among the rest. Dionysus, or Bacchus as the Romans knew him, had a curious pedigree. His mother was no grand spirit of the forest nor thundering deity, but an otherwise ordinary mortal woman. His father, on the other hand, was none other than Zeus the Thunderer, King of the Gods and son of the Titan Kronos. From this peculiar union came a peculiar child, brought forth in a most peculiar birth...

Jupiter and Semele
Painting by Sebastiano Ricci

Daughter of Cadmus, founder of the great city of Thebes and sower of the Dragon's Teeth, and Harmonia his wife, Semele lived a relatively ordinary life in the Boeotian countryside as a priestess of Zeus. That was, although, until the day came when after a sacrifice, she swam in the river Asopus. Far overhead, an eagle soared. Regal though the imperial bird was, its feathered form within concealed the true Emperor of the Sky. For no eagle it was in truth, but Zeus himself, come to collect his offering. But the eyes of an eagle are keen indeed, and from on high the Thunderer spotted the one from whom this offering had come. Under the gentle, glassy surface of the Asopus his baleful gaze pierced, and there his priestess he saw. Not for the first time nor the last did the Son of Kronos become ensnared by a mortal woman. Down to the earthly plain the thunderous monarch descended, and so began the affair that would spell her doom. No mortal yet had resisted the charms of Zeus, and hapless Semele would not be the first. The deed done, back to Olympus he retreated, assured of secrecy. Or so he thought.

Hera alone, Queen of the gods, ever watchful of the infidelities of her husband, scoured the earthly plain. Her feud with Semele's kin ran deep, for she "joy'd to see the race of Cadmus bleed; for still she kept Europa in her mind". A nameless spy in her league brought word to her that Semele, daughter of Cadmus was rich with the seed of a god, and carried in her womb a future god. Her paranoia and suspicions flared, and to terrible fury was she roused. "Are my reproaches of so small a force? 'Tis time I then pursue another course: It is decreed the guilty wretch shall die, if I'm indeed the mistress of the Sky". In the Classical World, the dark powers had no fury like a Hera scorned, and she concocted a vile stratagem in her vengeful mind, and vowed that Semele would die, and her slayer would be none other than Zeus himself.


In a golden cloud she descended to the Earth, coming to the gates of Semele's lodge. But no divine form did she take, but the wrinkled visage of Beroe, Semele's nurse. "In her trembling gait she totters on, and learns to tattle in the nurse's tone". Greeting oblivious Semele as only the special bond between nurse and child can, she was welcomed warmly into the daughter's house. Veiling her rage, Hera beguiled Semele with softly spoken stories and fables of old. Semele confided in her nurse the affair, and that she indeed bore the seed of Jove. If her veins of ichor thundered with anger, the goddess buried it deep within. She sowed doubt in Semele's mind, and asked how she could know that this man was indeed the Lord of Olympus. To test the veracity of her suspicion, the nurse proposed a simple test:


                  " Bid him, when next he courts the rites of your affection,
                    Descend triumphant from th' ethereal sky,
                    In all the pomp of his divinity,
                    Encompass'd round by those celestial charms... "
                         - HERA'S RUSE

The Birth of Bacchus
Painting by Nicolas Poussin

The unwary girl, snared on Hera's trap, was racked with doubt at what she said. Who was in truth the father of her as yet unborn child? She had to know, and would not rest until she knew. So when Zeus the father of gods and men came once more to the maiden's fold, Semele confronted him, though hid her ruse. She asked the Son of Kronos if she could have but one thing. Zeus replied "Whate'er you ask, may Styx confirm my voice, choose what you will, and you shall have your choice". Powerful indeed are the winds of Fate, for though mighty indeed was the ruler of Olympus, even he to Fate must bow, and to renege on a promise would be to overturn the cosmos in fire. He dare not refuse her request now. "Then", said Semele, "when next you seek my arms, may you descend in those celestial charms...". Zeus immediately felt a pang of dread, for no mortal could bear to look upon a god in his full glory, too fiery to behold to mortal eyes. He longed to defeat her call, but he had given his word and dare not refuse.

Bacchus Enthroned
Painting by Rubens

So resigned to his beloved's fate, Zeus the Thunderer rose to Olympus. "To keep his promise he ascends, and shrouds his awful brow in whirlwinds and in clouds; whilst all around, in terrible array, his thunders rattle, and his light'nings play". The Son of Kronos to him summoned all ethereal powers of the Heavens, the very essence of a god, the powers which wove the Universe together, the power to rend it asunder, the power to level mountains and the power to induce love and hate, the power to shatter pride and citadel alike, the power to melt the Earth and freeze the Sea, the power to give rise to live and the power to obliterate it all. To him now he called these things, there to show the true power of no mere god, but the god of gods himself. Worked up to holy fire and divine conflagration, radiating with power, "the illustrious god, descending from his height, came rushing on her in a storm of light". As the mightiest tidal wave summoned from Poseidon's depths crashes upon the lowliest shell upon the beach, the power of Zeus fell upon mortal Semele now. To feeble her frame, to weak her sight, even with eyes closed, in face of ageless omnipotence and thunder's fury, amidst all the wonders she desired Semele was consumed, her mortal form blasted asunder as Hera knew it would be. So her vile schemes bore the accursed fruit, for her rival had been undone by the adulterer himself.

Torn with grief, a tear dropped from the eye of Zeus, until through saddened sight he saw one ray of hope. A child, where once Semele stood, lonely and alive amid the destruction screaming lay. Spared his poor mother's fate, for within his veins flowed the life force of the father, Bacchus drew his first breath. Yet the boy was not yet fully formed. Nine cycles of the moon had not yet come to pass since his conception:


                 " But, to preserve his offspring from the tomb,
                   Jove took him smoking from the blasted womb:
                   and, of on ancient tales we may rely,
                   Inclos'd th' abortive infant in his thigh... "
                         - ZEUS TAKES THE INFANT BACCHUS


So the Thunderer took his son under his alas omnipotent wing. Months passed and Zeus felt a pain in his leg. Knowing the time had come, to the land of the Niseans he came, and from the thigh of Zeus was Bacchus born again, complete at last. To the care of their people the Thunderer placed the babe, where in peace and serenity he would be raised nurtured on Nisean milk. But the adventures of Bacchus had all but begun, and the rage of Hera was far from quenched...

United Kingdom

Penguin Classics
Metamorphoses: A New Verse Translation (Penguin Classics)
(A version which favours ease of understanding than high poetry)

Oxford World's Classics
Metamorphoses (Oxford World's Classics)
(A version which favours ease of understanding than high poetry)

United States

Penguin Classics
Metamorphoses (Penguin Classics)
(A version which favours ease of understanding than high poetry)

Oxford World's Classics
Metamorphoses (Oxford World's Classics)
(A version which favours ease of understanding than high poetry)

The Great Bear

To the curious and logical human mind, all things must have reason, some purpose and indeed some explanation for existence. It is the inquisitive nature of man to seek the answers to these. Where Science fails, Mythology steps in to take up the slack. Few things were, are, and will continue to be more mysterious than the very stars themselves...

Zeus Disguided and Callisto
Painting by François Boucher

When one day the World was settled upon its course, wide around its celestial dome trod Zeus the Thunderer, Lord of the Sky and god of gods. Across the Earth far below he raked his omniscient eyes, across mountains tall, oceans deep and plains vast. Over the fair, unspoiled meadows of Arcadia he oft enjoyed to cast his gaze, for there was no more idyllic land in all Greece. Just then, in the shade of some Arcadian grove, the Son of Kronos saw her, and he was afire. A nymph, reclining upon a tree, though no ordinary spirit of the forest. Simply clad, dressed for the hunt, hair tied, quiver slung and spear ready. Daughter of accursed Lycaon, her name was Callisto, and she was a loyal and chaste follower of Diana, the lady of the hunt and goddess of the moon.

The Sun far above the mortal plain waxed strong now, burning heat pounding Arcadian fields.  The young nymph had been sent panting to the grove, and flung herself now upon the cool grass. Far above, Zeus spied 'the charming huntress unprepar'd, stretch'd on the verdant turf, without a guard'. Wary of Hera's prying gaze, Zeus cast an anxious glance to and fro before his move he made.
Sensing that this one would no easy catch be, his form he shifted. King of all gods no more, he took the shape of the lady Diana herself, softening his regal features and relaxing his dread visage. In the huntress' voice he spoke "How fares my girl? How went the morning chase?" to whom chaste Callisto replied "All hail, bright deity, whom I prefer to Zeus himself". Closer by far was the Thunderer than she thought, to her soon to come regret. With warm words and embrace Zeus worked his charm until the form of Diana could no longer hold the god of all gods, and the truth at last was bared. But when has a mortal ever had the power, or the will to resist the master of the Heavens? "Possess'd at last of what his heart desir'd, Back to his Heav'ns, th' exulting God retir'd". Fair Callisto, poor Callisto, rising from the grass that failed as her respite, with cast down eyes awash with shame as much as tears, flew from the guilty place, almost leaving her bow behind, such her haste.

Diana and Callisto unveiled
Painting by Titian

But now Diana, the fiercely virgin goddess, returned to the glade, close in tow her hunter's train. The oblivious goddess called to Callisto, who when she saw her mistress, quaked with fear. Suspecting some other fraud, some deception of the flesh, she trod carefully, flushed in her face. Terror cursing her every step, she joined the parade, her defilement to all others yet concealed.

Nine months in the world of men passed, until a warm day once more came to pass. Diana wiped the sweat from her heavenly brow, and commanded her maids to join her in the bathe, the sentinel careful to see that no prying eye might look upon them in their modesty. All maids comply, all joyful but one. For when they as one cast their tunics aside, the plight of Callisto was revealed, her form swollen with child. The eyes of Diana flashed dangerously. Wrath burned through her veins, and in that moment, Tartarus had no fury more terrible than hers. "Begone!" the goddes cried with outrage, "Begone! nor dare the hallow'd stream to strain". Tears streaming from her eyes, writhing with injustice, Callisto fled for her life, forever banished from Diana's presence.

Far above Hera, Queen of the gods, heard the commotion, and the nymph's cries. Long had she bided her time, awaiting the moment when she might punish her husband for his infidelities, and her rage she now directed upon the nymph with whom he had lain. To fire her more, the pains of labour struck Callisto now, as the fruit of Zeus' advance was born. A flash of lightning and Hera's wrath was vented upon the nymph. Sensing some dark craft, Callisto raised her hands in mercy, but before her eyes, her arms grew thick and shaggy with hair, her nails warped and stretched into evil claws:


               'Her hands bear half her weight, and turn to paws;
                her lips that once cou'd tempt a god,
                begin to grow distorted in an ugly grin .
                And, lest the supplicating brute might reach
                The ears of Jove, she was depriv'd of speech:
                Her surly voice thro' a hoarse passage came
                In savage sounds...'
                   - CALLISTO CURSED


Her form twisted to that of a towering and ferocious bear, but her mind remaining, she begged of Zeus for aid, desperate now, but all that came forth was an echoing roar that caused birds to flee the canopies in fear. How such fear flew within her now, with such dread she though of roaming the meadows she once called her own, with blinding terror from her own hounds she fled, thinking to avoid poor Actaeon's fate. How she felt for her father Lycaon now, their forms both horribly mutated now, one by Zeus, one by the deeds of Zeus.

Fifteen long summers passed on the earthly plain, and the son of Callisto was growing into a mighty boy. Like his mother before him he was skilled at the hunt, and from her he had taken fine reflexes and a deadly aim. Conqueror of the plains vast and mountains high, to the depths of the forest he stalked in search of prey. By chance he came across his mother where she lay, broken hearted and overflowing with sorrow. One eyelid flickered, and she caught sight of the hunter. Fondly she gazed, 'she knew her son, and kept him in her sight'. She moved to approach, eager to embrace the boy she long thought lost. But a cruel hand had Hera dealt, for only fright rippled through the boy, as a rampaging bear he saw toward him bound. He nocked an arrow on his bow and pulled it tight, aiming at his own mother's heart...

But it was then that Zeus the Thunderer, hidden from Callisto for so many years by Hera, saw at last the scene below. Fifteen years of guilt and pity boiled to their head, and anger at Hera's callous spite. The string of the bow strained, and the boy's grip began to loose. A lone tear welled in the eye of the bear. But Zeus forbade this crime, and with all godly haste he flashed down to the earth, taking both mother and son into his grasp. Looking to his own domain, the son of Kronos fixed them both in the vault of the sky to watch forever over the cosmos, forever united side by side. The mother, the Great Bear, came over time to be called by the Latin race Ursa Major, the son Ursa Minor, and still today can both be seen clearly in the night sky. But Hera looked above too, and saw her rival glowing among the stars, and burned with rage anew. To Oceanus, the Titan of the seas, she turned. Oceanus welcomed the Queen of the gods, and begged of her the reason for her unusual visit. Hera commanded Oceanus to never grant Callisto or her kin the simple pleasure of water, that they might never meet the surface of his domain. That is why Ursa Major and Ursa Minor never sink below the horizon...

Ursa Major - The Great Bear

United Kingdom

Penguin Classics
Metamorphoses: A New Verse Translation (Penguin Classics)
(A version which favours ease of understanding than high poetry)

Oxford World's Classics
Metamorphoses (Oxford World's Classics)
(A version which favours ease of understanding than high poetry)

United States

Penguin Classics
Metamorphoses (Penguin Classics)
(A version which favours ease of understanding than high poetry)

Oxford World's Classics
Metamorphoses (Oxford World's Classics)
(A version which favours ease of understanding than high poetry)

The Trident and the Spear

Every city which rises to greatness does so from humble beginnings. So high can a nation rise that so mythic can her origins seem. Every great thing, be it a nation, a person, even an idea, has to start somewhere. To our ancestors of old, greatness was a sure sign of favour from on high. For the hand of a god must surely have been at work when one of the most influential cities in human history, for better or worse, was born.

Athena
2nd century AD Roman bust  from Velletri

The Olympians had fought a terrible fight for mastery of the Cosmos. Their forefathers and creators of the Universe, the Titans had not yielded their divine grip easily. After so great a struggle, the harmony of the World was worth more than anything to the gods, even to Zeus the Thunderer, King of the gods and Lord of the Sky. Now fidelity was one thing that Zeus the Thunderer knew not, and many a hero of the ancient world owed his existence to the philandering adventures of the god of gods. It was little surprise therefore, when Zeus undertook a clandestine affair with the beautiful Titaness Metis. However, when the Fates prophesied that the child of Metis would be mightier in spirit and wiser in understanding than its father, Zeus the father of gods and men was convulsed with fear. Long ago, his father Kronos had heard similar words, with dire consequences. The Heavens had groaned under the Titanomachy, and could ill afford so ruinous a war for a second time. So Zeus the Thunderer decided on a little evil for a greater good. Weaving his divine powers of transfiguration, the shape of Metis he shifted to that of a common fly, and the god swallowed her whole, so that she may never give birth to this legendary child.

Time passed, but troubles did not for the Lord of Olympus. As the days grew late, a terrible pain struck the god inside. What began as an ache inside his royal head, soon swelled to a pounding agony that would not die. Time soon came when even the Thunder himself, conqueror of Typhon and Heaven could bear the torment no more, and summoned to his side Hephaestus, the god of the forge and weaver of fire. "Take up thy hammer and rend asunder this head that pains me so, lest this torture afflict me for all the ages to come", said Zeus. The lame god of the smith stood dumbstruck by this command - split open the head of Zeus? But the father of gods and men was inexorable, and irresistible. So Hephaestus took up his hammer and tongs, and with a mighty strike, he breached the Divine Crown. A roar of thunder and a flash of light rolled over the skies. Then, in a blur of speed an apparition appeared. From the fissures in the skull of Zeus there leapt a figure, strongly built yet distinctly feminine, agile yet fully armed, wise yet ready for war, a new goddess entered the cosmos. Athena, goddess of wisdom, mistress of stratagem, lady of the spear and patron of heroes.

Around this time, far below on the mortal plain, the tribes of Attica came together under their King, Cecrops. Born of Mother Earth herself, Cecrops taught the Atticans the still young arts of reading and writing, of literature, of burial and brought the institution of marriage to the tribesmen. Civilisation as we know it, was being born. Soon, however, the simple villages of Attica groaned under the advance of the people, and a new home was needed. Under the leadership of their vibrant King, the Atticans set off through the harsh landscape of Attica, where open plains give way to beaten rock. After a time they came to a place in the West, largely flat yet punctuated by towering pinnacles of rock. The sea lay yonder, yet wise Cecrops knew that to build their new city on the shore itself was too dangerous in an era of rampant piracy on the high seas. Away from the shore then, yet near enough for trade, the people set foot upon a mount with a commanding position over the plain and the sea. Here would be founded their new city, and grandiose would it be. But every new city needed a patron god, but who?

Poseidon
The Artemision Bronze

Word reached Olympus of the gathering under Cecrops upon the Mount. Just then,  the Fates declared that the city that would be founded upon that place would rise to a greatness rivalling the best of all Greece. Glory and honour would walk hand in hand to whomsoever should become her patron. A frenzy gripped Mount Olympus, and the all the divine array wondered. Two among them immediately took the floor. Athena, ever ready with sharpened word and thought, leapt to her newborn feet. But Poseidon, god of the sea, shaker of the earth and lord of horses, bowed to few. Even Zeus himself, King of all gods kept a close eye on his ambitious younger brother, for most vexed was Poseidon when he lost the Heavens in the division of the cosmos. Torn between loyalty to his brother, however unruly, and care for his daughter, despite the danger she posed as his successor, Zeus decreed that the people should decide the patron of their city. Immediately, the two deities spirited down from Olympus and made landfall upon the mountain. With a blinding flash and a roar of thunder, the people cowered at the sight of the divine array. Fearful lest they choose one over the other, the people knew not what to do. Cecrops their King, however, decided. Turning to his gods, he declared that the patronage of the new city would belong to the one who presented the greatest gift to it. Poseidon and Athena, uncle and niece, eyed each other, and readied their contest.

The Sea of Olives, Delphi
Photograph taken by the author

Both god and goddess, stood aside the towering pinnacles of the Acropolis, poised for the prize of glory. Poseidon, shaker of the Earth, took the first move. Raising his mighty Trident high into the air, with a rush of godly strength he plunged the three blades into the mountain side. A deafening rumble rippled across the Earth, and the people were thrown to the ground, terrified. There, where the central prong penetrated the summit (a place today commemorated by the Erechtheion), the wounded rock spat forth a spring of water thick with brine. The Emperor of all Oceans granted to the people the gift of the sea itself, and the assurance that one day they would master it. A fabulous gift indeed. Next the virgin goddess stepped forth. The eyes of Athena looked into the souls of all mortals present, and she senses their hopes and fears. Confident, and unyielding, the daughter of Zeus took up her spear and flung it into the mount. The people watched, entranced, for before their eyes the lance began to shift. The wooden shaft lengthened and broadened, from the blade branches sprang forth, rich with the bounty of its dark fruit. To the people Athena gave the gift of the humble olive tree. Poseidon looked on, bemused and anxious.

Athens at her height
Painting by Leo von Klenze

The primordial Athenians looked on the lowly sprig with wonder and amazement, as the goddess instilled some of her divine wisdom in their minds. Cecrops beckoned his people round to cast their vote. Poseidon's gift was mighty indeed, as was his promise. Mastery of the Ocean? 'Tis the dream of empires! A great destiny had been given to them. But that all looked a long way off to the primitive people, as they looked to and fro, and saw naught but barren rock. One citizen splashed some of the water over his face, and recoiled at its salty taste. The people turned to the sapling, Athena's gift. One fellow took a blackened grape from its boughs, and crushed it in his hands, and oil splashed across his palm. Into his mouth he tossed the olive and pleasing was its taste. Seeing the thick and robust trunk too, he saw the greatness of Athena's gift. Poseidon had given them a taste of great nations, but Athena had given them a source of food, of wood and oil, and something they could trade with others. The people sank to their knees with joy, and hurled themselves at the foot of Athena, daughter of Zeus and maiden of Olympus. Poseidon, god of the seas, was infuriated, but his niece had won the day. Cecrops declared Athena the one true patron of their new city. He declared that this place, the Acropolis, would ever be sacred to her. He declared too, that in her honour the city would be named. To the roar of approval from the first Athenians, he named the city. Athens, the glory of Athena...



United Kingdom

The Library of Mythology:
Library of Mythology
(A vast collection of the myths of old Greece, written in ancient times, and a great intro)

United States

The Library of Mythology:
Library of Mythology
(A vast collection of the myths of old Greece, written in ancient times, and a great intro)

The Flute and the Flayed

Ancient lore is ripe with tales of gods and monster, heroes and heroines and their wars, affairs and voyages. Oft is fate written in the stars, virtue praised and pride punished. When mortals rise above their stations, they are punished. But the divine powers are flawed too. Sometimes even the gods could go too far...

Athena
2nd Century AD Roman copy of a Greek original

Legend says that a long time ago, in the Golden Age of the Olympians and heroes, the goddess Athena, daughter of Zeus the Thunderer, was wandering in the sunny vales of the forest of Phrygia. The goddess' chaste ears pricked up at the sound of the birdsong in the breeze, a soothing accompaniment to the percussion of the rustling leaves. Filled with a peculiar joy, she was filled with a passion to make merry in the forest. Taking from the leaf strewn earth the bones of a young doe, the goddess fashioned from them a strange instrument. Whittling a series of pipes from the matter, she lashed them together and considered her new craft. With a modest intrigue, she placed the pipes to her mouth and blew. What a fair sound it was indeed; a soft vibration, a gentle melody and hypnotising note. Spurred on, bolstered by the music of the forest, the virgin goddess could scarcely put them down. Soon her absence was noted on the snowy peaks of lofty Olympus, and gossip flew to and fro, from scheming god and intrigued goddess. All too happy to share her new art, Athena proposed to show them all the sweet sounds at a lavish banquet in Heaven's Halls.


The eve came and the resplendent array of the skies awaited, fascinated by what was to come. When the moment came, the goblets were empty, the ambrosia consumed, the goddess rose to her feet. Brimming with excitement and nerves, she began to play. In the beginning, all was well, as the dulcet tune serenaded the divine array, and seldom were such sweet tones heard in the Palace of Olympus. Zeus the father of gods and men looked merrily on, proud of his daughter's talents. Hephaestus, master of the forge, sat entranced by the music so seldom heard in the roar of the furnace. Ares, lord of war, for whom the screams of the dying were oft his cadence, could scarce hide his delight. But it was then that the eyes of Pallas Athena saw Hera and Aphrodite. Far from listening with rapture, it was with a fits of laughter they returned her song. Though fair and noble, terrible could be the warrior maiden's fury. In anger she departed, seeking solace in the wilderness. When strolling the paths of the Forest of Ida, she stopped by a great pool of glassy water, her joy poisoned by doubt. She took up the pipes once more, and for the last time did she play. In the soft ripples of the water did she see her image cast, and within was held the revelation she sought. She had not noticed until now that as she played, she puffed her cheeks out proudly, their oft white complexion soon a crimson red. Frustrated by the immaturity of her fellow goddesses, with whom she bore a ruinous rivalry, she cast her creation aside. Laying upon the pipes a curse, she vowed calamity upon whomsoever should play them again. Woe that her malediction should have found a mark.

Marsyas in the Forest
Painting by Pyotr Basin

One day, when the memory of the pipes had passed into legend, there lived a shepherd who made Forest of Ida his serene home. His name was Marsyas the son of Oeagrus, and no man was he, but a Satyr. A servant of the god Bacchus, the Satyrs lived a merry life of revelry, dancing and song, frequently spreading havoc and drunken anarchy where their cloven feet trod. Marsyas, however, possessed a gentler spirit, preferring the solitude of the forest to the chaos of the plains. There came a day, however, that neither the Satyr nor the forest would ever forget. Stumbling upon a clearing in the thick canopy of the trees, where lay a crystal pool of ice cool water, Marsyas stopped to refresh. Throwing the pleasant water over his face, he gave a sigh of satisfaction, droplets from his tangled beard breaking the mirror like reflection of the surface. Turning to dry his face, however, he spotted a strange yet curious thing cast in the bushes at the water's edge. Stained with earth and covered in moss, it seemed a relic of an ancient past. Picking the strange object up, the Satyr, acquainted as all Satyrs are with the ways of merriment, realised at once that it bore the form of an instrument. Scraping aside the grime and muck, dousing it in the clear water, he saw the simple pipes in their fresh glory.


Tentatively, the Satyr put the pipes to his lips and blew. The note was rough, but charming. He blew again. Better, but a shade of the performance of the instruments original creator. For an age did Marsyas obsess over the pipes, unable to resist the allure he could not explain, the will to keep playing. Throughout the hours when the sun drenches the Earth did the Satyr practice anew, studious and assiduous. Day by day the Satyr's prowess grew, and with his talent came music sweeter than ever before. Birds began to perch upon nearby boughs, listening intently to Marsyas' song, the notes fairer even than their own. Creatures and being from far and wide began to marvel at the Satyr's song, but before long the curse began to manifest. Pride, the ruin of the great, wove its intoxicating spell in the Satyr's mind, as his humility could deflect the shower of praise no more. Time passed, and soon Marsyas declared himself a musician beyond compare in the world. The fatal hour arrived when the Satyr challenged Apollo, the god of music himself, to a contest.


High on Olympus, Apollo heard his challenge, and the god was angered by the daring of a mortal. Soaring down from the frozen summit, Phoebus Apollo came before Marsyas, and the admiring crowds scattered in fear and awe. Shaking with rage, Apollo declared the contest begun. The Muses, the spirits of the arts, were summoned to judge, and the terms were set. Whoever showed the greater mastery of music would triumph, and the victor won the right to treat the defeated as he pleased. Alas that Marsyas was deaf to the subtle warning that lay veiled within, as the curse brandished its edge, and the proud Satyr accepted. The stage was set. Marsyas took the pipes his beloved pipes, Apollo the lyre with which he was so skilled. The god played first. What ambience the grove had never known! With each pluck of the god's fingers upon the strings, soothed was the soul of all beings present, and the Muses sighed in awe of their master. When the god finished his piece, all gathered saw the end coming for the Satyr. But Marsyas, spurred on by the curse, boldly raised the pipes to his lips. With a jolt the gathered assembly was stunned into silence. With each honey soaked note, the very forest itself seemed to sing, vibrating with raw power. All earthly woes lay distant and forgotten for all mortals there that day, and warmed were the hearts of the Muses. Incensed by fire, alas, was the heart of Apollo. Just as the Satyr neared the boundary of the grove, victory near at hand, the god called to him. If the Satyr could play as he could now, Apollo would concede defeat. Intrigued, yet proud, Marsyas agreed. Without delay did the sun god spin his lyre around, striking a haunting melody, his instrument upside down. The Muses, delighted, applauded the god's performance, before turning to Marsyas, expectant. With a glint of malice in his eye, well did Apollo know that it was impossible to play the pipes upside down. Too late did the Satyr realise this too. His mouth went dry with terror, as the judges were struck with disappointment. To the son of Zeus was triumph assigned, and to the Satyr, ignoble defeat

Marsyas Flayed
Painting by Titian

Near dumbstruck, the Satyr watched helplessly as the god approached, vengeance that only a god could muster flaming in his eyes. Poor Marsyas searched for words but none could be found, none to quench the fire before him now. Hands grabbed him from all around, and terror flooded his veins. Thus was begun a punishment terrible to behold. Strapped to a nearby oak was the quivering Satyr, and tightly bound. The servants of Apollo seized their blades and descended upon poor Marsyas.







                  " 'Why do you tear me from myself, he cries?
                     Ah cruel! Must my flesh be made the prize?
                     This for a mere pipe?' He roaring said,
                     Meanwhile the skin from off his limbs were flay'd.
                     All bare, and raw, one large continu'd wound,
                     With streams of blood his body bath'd the ground.
                     The blueish veins their trembling pulse disclos'd,
                     The stringy nerves lay naked and expos'd;
                     His guts appear'd, distinctly each express'd,
                    With ev'ry shining fibre of his breast... "
                      - THE PUNISHMENT OF MARSYAS


His muffled screams were the last song of Marsyas, raw muscle and tendon bare to the elements now. Such was the justice of Apollo, so great the price of a mortal daring to raise himself above a god.

But not all beings shared Apollo's wrath. The fauns, silvans, nymphs, naiads and spirits of the forest, once serenaded by the Satyr's song, came to his mutilated corpse. Tears flowed from their eyes at their gaping loss, the knowledge that his pure song might never woo them again. It is said that even vengeful Apollo himself was later moved to regret, and not readily did he string his lyre in ages to come, remorseful of his act. "With their tears that flow'd, a kindly moisture on the earth bestow'd, that soon, conjoin'd, and in a body rang'd, sprung from the ground, to limpid water chang'd; which, down thro' Phrygia's rocks, a mighty stream, comes tumbling to the sea, and Marsya is its name..."

Like poor Actaeon before him, Marsyas felt the terrible fate of stumbling innocently in the path of a god. It was the folly of a fool to violate the laws of Heaven, but to challenge them openly, why only those blind to all other things would dice with such death. Nevertheless, even in the ancient world there were many who questioned the magnitude of poor Marsyas' punishment...

United Kingdom

Penguin Classics
Metamorphoses: A New Verse Translation (Penguin Classics)
(A version which favours ease of understanding than high poetry)

Oxford World's Classics
Metamorphoses (Oxford World's Classics)
(A version which favours ease of understanding than high poetry)

United States

Penguin Classics
Metamorphoses (Penguin Classics)
(A version which favours ease of understanding than high poetry)

Oxford World's Classics
Metamorphoses (Oxford World's Classics)
(A version which favours ease of understanding than high poetry)

Gigantomachia

The story of the ascension of the Olympian Gods to mastery over the Heavens is an epic one indeed. After a cosmic struggle which endured for ten years, the Titans, the elder race of gods, were cast down into the depths of infernal Tartarus (for the story please click here). The young gods were victorious, and a new age of peace was at hand. The Earth was made, and mankind created. Heroes rose and fell, kingdoms and peoples too. Yet an ancient vengeance ever lay in the shadows, with cataclysmic forebodings...

The Giants Rise
Painting by Giulio Romano,
Sala dei Giganti, Palazzo del Te, Mantua

There came a time, many long ages of men after Zeus the Thunderer was crowned upon the throne of Olympus, when a poison ran through the Earth. For Gaia, matriarch of all things and Mother Earth herself, was roused to anger. Mother to the Titans, she could bear the suffering of her children no more. How could the Olympians rest sound and safe, knowing their own fathers and mothers, her sons and daughters, were cruelly bound in the depths of the Earth, far from the touch of the Sun's rays? As the Olympians rejoiced in peace and made merry on the golden plains of the Earth, Gaia's anger was building. In a fit of rage, Mother Earth gave birth once more. But it was no god or fair creature that her womb bore now. Her form bursting with her monstrous brood, at the Plains of Phlegra they at last burst forth, with a roar of thunder which caused the stars to shake. From the tear in her side they came. Towering high over all other beings on the Earth, the Gigantes breathed their first. Malevolant spirits like no other, some walked in the shapes of men, other twisted and contorted into grotesque shapes, writhing with serpents and strong beyond belief. The Giants sprang from Gaia's womb clad in the vestments of war, hate their first thought, to the skies their first gaze. A dark shadow spread across the Earth. Stars grew pale. The Great Bear fled below the Ocean, and the creatures of the Ocean frantically dived to the root of the World in fear. The Giants grew swiftly, nine inches every month, until soon their might could scarcely be supported by the vaults of matter. The Gods high on Olympus were in grave consternation. Who were these creatures, and what was their purpose? The anger of a scorned mother terrible to behold, Gaia spoke to her brood, and roused them to her fury;

           " Children, ye shall conquer Heaven: All that ye see is the prize of victory;
             win, and the Universe is yours. At last the son of Kronos shall feel the weight
             of my wrath; he shall recognise Earth's power... Why has Earth no honour?
             There hangs luckless Prometheus in yonder Scythian vale, the vulture feeding
             upon his breast; yonder, Atlas supports the weight of the starry Heavens upon
             his head, and his grey hair freezes solid with cruel cold. Arise, my avengers,
             the hour is come at last, shatter the chains of the Titans; rally to the aid of thy
             mother... Go forth and conquer; throw Heaven into disarray, tear down the towers
             of the Sky! "
                        - GAIA ROUSES THE GIGANTES TO WAR

The words of Earth are as the first trickles of a thundering waterfall, as the Giants bellow to the skies. The injustice of millennia, and endless age of hate, every injury of a lifetime is bound into the moment. In their minds, each already feels the victory. They imagine Poseidon bound in chains, dragged threw the oceans that once he ruled. Ares lies vanquished upon the mortal plain, Venus defiled and Athena conquered. With dreadful din, the Giants charge, eyes burning. The greatest among them, Alcyoneus, leads the path to war, the glory of invulnerability his, whilst favoured by the Earth - and far, far below, tremors in the Earth herald the revolution deep in Tartarus, as the Titans awake.

Chaos on Olympus
Painting by Francisco Bayeu

Watching from on high, Iris, the the herald of Olympus, frantically calls to the Gods. Soaring through the skies astride the rainbow that was her steed. Spirits far and wide answered her call, the nymphs and naiads and dryads, all rallied to Heaven's defence. Even Hades, lord of the Underworld, for whom the affairs of the Overworld were so often so trivial, readied his brazen chariot and prepared once again to stand side by side with his brothers. From the wide Oceans, Poseidon came, royal fingers gripping his shining trident. There seated in all his glory, lightning blazing before his glistening throne, was Zeus the Thunderer, Son of Kronos and King of the Gods. To his kin and faithful few, the Son of Kronos called now to steady their nerve:

          " Deathless host, whose dwelling place is, and ever must be, the sky, ye whom
            no adverse fortune can ever harm, mark ye how Earth with her new children
            conspires against our kingdom and undismayed has given birth to another brood?
            Wherefore, for all the sons she bore, let us give back to their mother as many
            dead; let her mourning last through the ages as she weeps by as many graves
            as she now has children. "
                      - ZEUS RALLIES THE GODS

The fire of hope sparked in the divine ranks, "the clouds echo the blast of Heaven's trumpets", as the might of Heaven and Earth entered the field of War. From the peak of Olympus the Gods marched forth in blinding array, from fiery Phlegra the Giants stormed upon the roots of the mountain, spirits burning with the fire of vengeance. The very surface of Mother Earth is thrown into chaos. Islands abandon the seas, mountains are thrown to the deep, the rivers thunder through the land, as Gaia's anger flares, and the sinews of her offspring  swell with radiating power. Alyconeus and Porphyrion, the mightiest of the brood, lead the charge, their wrath bent upon the highest crags of the mountain. Far behind, a giant tears up Athos the towering mountain, and hurls it upon the Olympian host, who scatter in fear. Oeta claims Pangaeus and sends it soaring through the sky. A terrible din rends the air, as the two lines clash, bloodthirsty Ares leading the Olympian charge. "Brighter than flame shines his golden shield, high towers the crest of his gleaming helm". Into the fray he hurls his mighty form, the battle rage rising in him, as he hurls his sword into the chest of the Giant Pelorus. The serpents which writhed in place of legs hissed their defiance, and in that moment a deathly silence fell. The first had fallen, and the Gigantes saw the broken body of their brother. The words of Gaia were words no more, and their rage was terrible to behold. The Giant Mimas seized the island of Lemnos and hurled it at the lord of war, meaning to shatter his divine skull. Within an inch of ruin the war god came, had not his javelin found its unfortunate mark. Chaos enveloped the world, as the cosmos erupted in all out war.

The Gigantomachia
Image taken from a 5th - 4th century Attic Amphora,
Musée du Louvre

Spurred on by their wounds, not weaker did the hideous brood of Gaia grow, but stronger still. Porphyrion, rippling with power, fell upon the gods as a tidal wave upon the broken coast. The immortal gods were thrown to the ground, and the march of the Giants was relentless. Then came the blasphemy greatest of all. Otus and Ephialtes, their stature beyond compare, fixed their gaze upon the crest of Olympus. Together, they raised Mount Ossa high into the air, and with all their might, cast it upon the summit of Pelion. The way was open now. Together the brothers stormed Olympus, the summit of their vile construction aiding their climb. As the foot of the Giants fell yonder upon the Hall of the Gods, that Artemis, the keen eyed archer saw their wicked scheme. All too well had poor Actaeon known the wrath of the huntress, that spirit now turned upon the defiling Giants. But it was with great shock that spread through the gods, for it was not enough this time. The Lady of the Hunt was relentless, but Otus and Ephialtes were greater still. The accursed Apostates moved in, victory near at hand. Far, far below, impious Tartarus shuddered as the bonds of the Titans began to weaken. It was in this moment, that Apollo, brother to Artemis, saw his sister in her plight. His mind racing, his aim with the bow was unparalleled, yet he had not time to slay them both. In desperation he sent a deer between the two. In the confusion, Artemis took flight, and the brothers, bellowing their frustration of their missed chance, hurled their spears at the deer. Yet their aim was not that of their tormentor, and in their folly each transfixed the other. With a terrific din, their vast bodies fell from Olympus, crashing to the Earth far below, and Gaia's fury grew stronger yet.

Far below, the Olympians were distraught. No foe had ever set foot on sacred Olympus, their omnipotence shattered forever it seemed. In their hour of darkness, an Oracle was heard in the vaults of Olympus, a prophecy. The arcane verse spoke of a ray of hope, and Zeus listened. The Gigantes were fearsome indeed, and no immortal hand would stay their destruction. When Gaia heard of this, she sought out a herb that would render her brood immune, sensing danger. But the Thunderer, lord of the skies, commanded Dawn, the Moon and Sun to rise upon his command only, and in the darkness Mother Earth could not find the herb. No immortal hands could harm her brood, the prophecy had said. So to the mightiest of mortals the Olympians turned, their last hope. In a dream Athena, lady of wisdom and mistress of stratagems, came to Heracles, slayer of beasts and sacker of citadels. The time had come for him to prove his rightful place as the son of Zeus, and aid his father in his darkest hour. Seizing his bow, the mighty hero heard her call, and made haste with all speed to the plain of Phlegra.


Where Alyconeus and Porphyrion marched, devastation fell in their wake. Not one among the Olympians could stand before them, so terrible was their power. It was to them that Heracles raced now. His fingers feeling for the feathers of an arrow, the son of Zeus loosed a deadly shaft at Alyconeus. With a roar the Giant fell from the Mountain, a strike fatal to all other beings. But this was not all other beings. With a deafening crash his body struck Mother Earth. From the moment his flesh touched that of Gaia, his wounds began to heal. The voice of Athena sounded in Heracles' ear - Alyconeus could not be killed whilst he fought in the land in which he was born. So mighty Heracles dragged the bellowing Giant from the plains of Pallene, there to die. The fury of the Giants reached its apex, as one among them made forward to crush Ares. Athena, spying the danger, rushed forward and raised her deadly Aegis, upon the face of which was emblazoned the face of the Gorgon. Wise Athena knew that she needed not the deadly point of any spear, the dreadful visage of her shield was enough. The Giant, seeing her, let out a cry and charged. "When, at a distance from his foe, without a wound, he found himself rooted to the ground, and felt the murderous glare turn him, little by little, to stone, he called out 'What is happening to me? What is this ice that creeps o'er my limbs? What is this numbness that holds me prisoner in these marble fetters?'". Fear flooding him for the first time, he felt the cold chill of death envelop him, as his powerful flesh became unyielding stone. Echion, nearby, sensing his brother's doom, snarled and charged the wise goddess. Valiant was his duty to his kin, but audacious his assault. His blade cut the very air as it hurtled towards her crown, and victory would have been his, had not he glimpsed the Gorgon's stare in the corner of his eye. Athena's spear pierced his side, as the other froze in rock.

The Fall of the Giants
Painting by Guiliano Romano
Sala dei Giganti, Palazzo del Te, Mantua

Panic swept through the Gigantes, as hope rekindled the spirits of the gods. Yet nothing would dent the fury that spurred on every inch of impious Porphyrion's gargantuan form. The roaring serpents that formed his legs bore him into the heart of the Ocean, as he grasped the island of Delos in his crushing grip. The Aegean trembled with terror, Thetis and her kin fled from the depths, the Palace of Poseidon, the pride of the deep, lay abandoned now. High on Mount Cynthus, the peaks rang to the cries of the nymphs upon it, the spirits that had once taught young Apollo to shoot the wild beasts, in cold dread now. Now they called out in desperation, the people of Delos, a plea for help. As the mighty Giant turned on Heracles and Zeus together, Cupid loosed an arrow at him, filling him with untimely desire. As his eyes saw Hera standing near, he was filled with irresistible desire. Releasing Delos, Porphryion charged after her, and the cosmos shuddered. Spirits and gods fled in fear before his warpath, none stood in his way. He laid his hand upon the daughter of Kronos, and she screamed out in fear. Seizing the weapon forged for him and him alone, Zeus the father of gods and men hurled a thunderbolt at the defiling giant. In the breast the bolt struck him, and the Apostate was thrown to the ground. Down but unvanquished, Porphyrion rose once more, and his eyes were as the pits of Tartarus, burning as glowing coals. Seizing their chance, Heracles and Apollo rushed to Zeus's aid. Taking an arrow each, they fired. The dart of Heracles struck true into the Giant's right eye, Apollo's his left, and at last the bane of Olympus fell cold to the ground. Hope spread through the gods, and they fell upon the dismayed brood. Dionysus conquered Eurytus, Hecate slew Clytius and with molten iron did Hephaestus immolate Mimas. Encelados turned to flee, but Athena crushed him beneath Mount Vesuvius, there bound forever in torment. Ever after has the mountain spat forth fire and quaked the Earth. Polybotes charged through the Ocean, and wrought terrible carnage, before Poseidon, the son of Kronos, smote him with the island of Nisyrus. Hermes, invisible to all other eyes, for he bore the helm of Hades, conquered Hippolytus, and Artemis, rejoining the fray, brought down Aigaion. The Three Fates laid low Agrios and Thoon, and Zeus the Thunderer hurled his flaming darts to and fro, the anger of the king of the gods unstoppable, the fury at the desecration of his holy places. In his wake strode his son, Heracles, saviour of the gods. The blood of the Giants soaked the Thracian lands, and ever after her people were a hostile and savage nation. The War was ended, and the greatest threat to Olympus had been cowed, as the Titans fell back to their slumber, dormant once again...

The importance the Ancient Greeks placed on the myth of the War of the Giants, or Gigantomachia, cannot be overstressed. There is scarcely a temple in the Greek world which does not bear an image of it, including the Parthenon itself, and the Great Temple of Artemis at Ephesus, one of the Seven Wonders of the Ancient World. Now at last, the peaceful rule of the Olympian Gods was assured. Ever after the titanic struggle between the gods and the Giants served as inspiration to the Greeks when under attack from foreign foes, especially one that lay just across the Ocean...


United Kingdom

Metamorphoses:
Metamorphoses (Oxford World's Classics)
(The grand poem of the Gigantomachia, in archaic glory)

United States

Metamorphoses:
Metamorphoses (Oxford World's Classics)
(The grand poem of the Gigantomachia, in archaic glory)

Narcissus

There is a fine balance between self confidence and pride, and closer still to vanity, that ancient sin. But their are many forms of pride, from those that empower to those that destroy. Here is the story of one young man whose vanity earned the wrath of many, the pity of some and the ruin of one.

Narcissus
Painting by Benczúr Gyula

A long time ago, in the Boeotian realm of Thespiae, a boy was born to the River God Cephissus and the Naiad Liriope. Even in infancy the other nymphs, Dryads and Naiads and Oreads, of the mountain vales and forest glades could see majesty in the young boy's form. Such a sight to behold as baby became boy! His fair mother cared deeply for her boy, and sought out the legendary seer, Tiresias (the very same soothsayer who revealed the truth to Oedipus - for this story please click here), '"fam'd far and near for knowing things to come", for comfort as to his fate. Liriope asked the prophet if her son would enjoy a long life, or was doomed to a short one. Seeing the gift of beauty the gods had empowered the boy with beyond all other mortals, the wise sage replied "If e'er he knows himself he surely dies". "Long liv'd the dubious mother in suspence, 'till time unriddled all the prophet's sense". So the boy grew older yet, and his handsome visage stronger yet. Narcissus was the name his mother had given him, and all who set eyes upon him were stopped dead in their tracks at the sight of him. His sixteenth year began, and the list of maids who had declared their adoration for him swelled greater yet, each confession another brick in his tower of pride, each doomed to fail.

Echo
Painting by Alexandre Cabanel

Then, one day as Narcissus hunted in the forest glades, one of the Oreads, the mountain nymphs, caught sight of him for the first time. Echo was her name, and this moment would forever haunt her destiny. Poor Echo was a cursed being. For it was the sport of Zeus the Thunderer and King of the Gods to make merry with the many nymphs of the world in secret, when Hera his wife's gaze would be averted. Many times would she have caught her husband in the act were it not for stories Echo would tell her, to delay her coming. The time came one day when the deception was laid bare before the fearsome Queen of Olympus, and the roots of the mountains shivered before her fury. "That tongue, for this thy crime, which could so many subtle tales produce, shall be hereafter but of little use". Forever would the nymph be cursed, unable to speak except the words used by others. It is from Echo's name that the aural effect today takes its name. Now Echo clapped her eyes upon the perfect youth stalking the undergrowth. Young Echo was overjoyed to see Narcissus for once alone, for usually he was trailed by a vast entourage of sycophants. But, with tears of frustration, she was unable to speak and put her feelings into words.


Long did she follow him through the woods, desperate to open her heart to Narcissus. Then, at last Narcissus is aware of her presence. Turning to see her, he laughed at her pitiable obsession, and bid her turn away. Crushed by his words, the tearful Echo took to melancholic days in solitary caves, shady glades of the woods and other dark places of despair. But the vengeful goddess Nemesis was angered by Narcissus, and wove her plans of retribution:


                           " There stands a fountain in a darksome wood,
                              Nor stain'd with falling leaves nor rising mud;
                              Untroubled by the breath of winds it rests,
                              Unsully'd by the touch of men or beasts;
                              Hogh bow'rs of shady trees above it grow,
                              And rising grass and cheerful greens below... "
                                        - THE FOREST CLEARING


So fair Narcissus, weary from his long hunt, came to the forest clearing. Wiping the sweat from his brow, he knelt at the side of a crystal pool of cool water. As he bent down to splash water on his heated face, a new kind of warmth flooded through him, as he saw a being of astonishing beauty before him. Such a handsome youth, the very image of the Olympians! Sparkling eyes, hair that Apollo himself would be loath to show. So Narcissus was consumed by the fire that was his own, though he knew not who the perfect being was in truth.

Narcissus Transfixed
Painting by Caravaggio

Long did Narcissus lie there, staring into the pool, thinking not of sleep or food, as his body wasted away, entranced by the passion afire within the calm ripples. To the trees of the glade Narcissus cries, languishing for he cannot ever reach his beloved, cruelly separated as they are by the surface of the pool. "When my arms I stretch, he stretches his. His eye with pleasure on my face he keeps, he smiles my smiles, and when I weep he weeps. When e'er I speak, his moving lips appear to utter something, which I cannot hear". Then the hammer blow falls, when fair Narcissus sees the truth laid bare. "It is myself I see! The happy delusion is a part of me!" A terrible sorrow gripped the proud youth for the vanity of his desire. So totally entranced was he with his own image, he did declare "I wish him absent whom I most desire, and now I faint with grief; my fate draws nigh; in all the pride of blooming youth I die. Death will the sorrows of my heart relieve!" So Narcissus turned back to the pool, as his warm tears splashed upon the surface. Now the image is but ripples and flashes, and the boy's sorrow grows "whither dost thou fly?" he laments. The Autumn began to fade, and the glorious features began to dwindle in Narcissus's form. All those things which made him desired slipped away, but there was one nearby the pool who stood there still. For Echo could not bare to leave his side, and her tears for Narcissus flowed:


                           " She saw him in his present misery,
                              Whom, spight of all her wrongs, she griev'd to see.
                              She answer'd sadly to his moan,
                              Sigh'd back his sighs, and groan'd to ev'ry groan:
                              'Ah youth! belov'd in vain,' Narcissus cries;
                              'Ah youth! belov'd in vain,' the nymph replies.
                              'Farewell', says he; the parting sound scarce fell
                              From his faint lips, but she reply'd, 'farewell'.
                              Then on th' wholesome earth he gasping lies,
                              'Till death shuts up those self admiring eyes... "
                                          - THE FATE OF NARCISSUS


So Narcissus breathed his last, transfixed forever by his own reflection, and ever after one who possesses such vanity has been known as Narcissistic. Echo's heart was broken. Out of respect for her the other Naiads and Dryads sought to gather the boy's remains, but upon reaching the shore of the pool, found not bones and flesh there. In his place stood a stalk of verdant green, crowned with golden blossoms, that most majestic plant which now bears his name...



United Kingdom

Metamorphoses:
Metamorphoses: A New Verse Translation (Penguin Classics)
(A series of poems of Classical Mythology, written by an erudite Roman)

United States

Metamorphoses:
Metamorphoses (Penguin Classics)
(A series of poems of Classical Mythology, written by an erudite Roman)

The Judgement of Paris

It is a curious thing how great the influence of one person can be on the course of history. Though they may not know it at the time, one person truly can make all the difference. The Trojan War, the most iconic of its kind in history, which forever bound the great civilisations of the West, and whose heroes are spoken of in awe even today, began because of one such person. But the War (whose story begins here) found its origins in the most unlikely of places...

The Marriage of Thetis and Peleus
Painting by Hendrick de Clerck

One day, far distant in the mists of time, high on the peaks of Mount Ida, there was great jubilation. It was a joyful day, for it saw the wedding of the nymph Thetis to Peleus, a marriage which held the blessings of the gods of Olympus. Great would be their progeny indeed, for one day their union would give birth to the mightiest of champions - Achilles, whose name the world would ever after speak of in reverence. Men, nymphs, gods, goddesses and all manner of magical creatures came from far and wide to celebrate, bearing a dazzling array of gifts to honour the happy day. Even Ares, lord of war, and Artemis, chaste maiden of the hunt, were to be seen in the great ensemble. All were euphoric, the skies rang to the sound of music, and not a sad face was to be seen amid the revelry. All, that was, except for one. For, skulking in the shadows, was the only being who had not received an invitation. Looking on in cold fury at her rejection, Eris, the goddess of discord, whose evil ways had ever left her shunned amid the spirits of the world, conspired to take her revenge, and bring cruel chaos down upon the scene before her now. As she circled in the shade of the trees, she cast her thoughts to how she could bring her malevolent influence to bear. Perhaps she could spread foul rumours amongst the guests? Poison the minds of the many against their gracious hosts? Openly denounce the bridal pair? There was a dark moment, when her rage waxed grave indeed, when she considered, for one brief moment, going to the very depths of the world, to the deepest part of the Underworld, and breaking asunder the Gates of Tartarus, and so releasing the Titans from their infernal bonds, to be unleashed once more upon the world. It was a fortunate thing indeed, that her fear was too great to carry out this dark deed. Instead, her thoughts turned to discord, that thing at which she was adept at spreading above all others.

Taking a Golden Apple from the Garden of the Hesperides (of the very same tree which Heracles had once ventured to, for the story, please click here), the vengeful goddess inscribed upon it "For the fairest". Never before or again would one sentence bring such ruinous calamity upon the world. Eris, proud of her stratagem, took careful aim, hurling the fruit into the midst of the dancing goddesses. All were amazed at the shining seed now before them, but none more so than three of the greatest goddesses - Hera, Queen of the gods, Athena, goddess of wisdom and war and Aphrodite, goddess of lust. From the moment they set eyes upon it, each goddess claimed the Apple for their own. As discord and argument soon spread as to who should rightfully bear the fruit, the three goddesses turned to Zeus, King of all the gods, to judge himself. Knowing well the undying wrath he would earn from the two he did not choose, the Thunderer wisely refused. To a mortal man should fall this mighty burden, the god ruled, as he thought to himself who this soul could be.

There was, not far away on the slopes of Mount Ida, a young man tending his flocks as a faithful shepherd. But this man was no ordinary shepherd. Named Paris, he was an exile of royal blood, cast out of his homeland whilst still a baby. For long ago, the boy's mother, Queen Hecuba of the royal house of Troy, had experienced a terrible nightmare. Just before her son's birth, she saw a vision that she would give birth to a flaming torch. When she awoke with a start, she confided in her husband, King Priam. Priam decided to consult an Oracle as to what this strange portent could mean. The seer Aesacus, when the royal couple retold their worries to him, was gripped with anguish. The child that the Queen would soon bear, the prophet declared, would be the ruin of Troy. The seer urged them to kill the child as soon as it was born, and save Troy from her doom. The day came, however, when Paris entered the world, and from the moment Hecuba and Priam looked upon him, they could bring no harm upon their own flesh and blood. Despairing, Priam handed the child over to Agelaus, his chief herdsmen, to take him away. The shepherd took the young Paris far from Troy's towering heights, but as a he too looked upon the baby, he found that he could not bring himself to slay a child. Vowing to raise the child as his own, he took Paris into his care, where the two lived happily, with a simple life upon the slopes of Mount Ida. It was to Paris that the goddesses of Olympus came now, forever to change his destiny, and that of the world.

The Judgement of Paris
Painting by Rubens

It was with great fear that Paris beheld the sight of Hermes, messenger of the gods, bearing down upon him on that fateful day. " Fling away thy milking-pail and leave thy fair flocks and come hither and give decision as judge of the goddesses of heaven. Come hither and decide which is the more excellent beauty of face, and to the fairer give this apple’s lovely fruit ", the swift footed god declared. Paris stood, transfixed, hardly daring to question, even less refuse the command of Olympus. In a flash of blazing glory, the three goddesses appeared suddenly before him, in all their divine majesty. One by one, the goddesses approached, Athena, lady of war and wisdom first:

          " Come hither, son of Priam! leave the spouse of Zeus and heed not Aphrodite,
            queen of the bridal bower, but praise thou Athena who aids the prowess of men.
            They say that thou art a king and keepest the city of Troy. Come hither,
            and I will make thee the saviour of their city to men hard pressed:
            lest ever Enyo of grievous wrath weigh heavily upon thee.
            Hearken to me and I will teach thee war and prowess! "

Then came Hera, regal mistress of Olympus:

         " If thou wilt elect me and bestow on me the fruit of the fairer,
           I will make thee lord of all mine Asia. Scorn thou the works of battle.
           What has a king to do with war? A prince gives command both to the valiant
           and to the unwarlike. Not always are the squires of Athena foremost.
           Swift is the doom and death of the servants of Enyo! "

Finally, there stood Aphrodite, folly of all men, who simply looked Paris in the eyes, smiling, as she began to speak:

      " Accept me and forget wars: take my beauty and leave the sceptre
         and the land of Asia. I know not the works of battle.
         What has Aphrodite to do with shields? By beauty much more do women excel.
         In place of manly prowess I will give thee a lovely bride, and, instead of kingship,
         enter thou the bed of Helen. Lacedaemon, after Troy, shall see thee a bridegroom! "

Helen
Painting by Evelyn de Morgan

Little did Paris, or the other deities assembled know, that Aphrodite wore a girdle infused with a powerful enchantment. No man which looked upon its wearer could resist base temptation. Still did the words flow from Aphrodite as the son of Priam already offered the Apple to her. Triumphant, Aphrodite raised her glittering prize, mocking her competitors mercilessly. Athena was angered, but it was nothing compared with the fury of Hera. For from this moment the House of Troy and all her descendants had made an eternal enemy of the goddess, and her curse would plague the destiny of the Trojan race. Aphrodite turned to Paris, placing her blessing upon him, declaring that he had the heart of the most beautiful woman in the world. Her name was Helen. With this promise, the goddesses departed, leaving Paris severely shaken. All he could think of now was Helen, far away in the distant lands of Greece. Unable to turn his thoughts anywhere but to her, he resolved to seek her out. Little could he know now the whole world of pain that this decision would unleash...




United Kingdom

Colluthus:
Oppian. Colluthus. Tryphiodorus (Loeb Classical Library)
(The most poetic, and best preserved form of the story)

Colluthus:
http://www.theoi.com/Text/Colluthus.html
(A sample available to read online)

United States

Colluthus:
Oppian, Colluthus, Tryphiodorus (Loeb Classical Library No. 219)
(The most poetic, and best preserved form of the story)

Colluthus:
http://www.theoi.com/Text/Colluthus.html
(A sample available to read online)