The White Raven

Coronis
Painting by Adam Elsheimer

Though a beautiful land of vast plains and towering mountains, Thessaly, in northern Greece, held a dread curse over her ruling house. The house of Phlegyas was damned by Olympus, as the King of the Thessalian Lapith tribe had blasphemed terribly against the most high. Both children of Phlegyas would feel the wrath of gods. The King's son, Ixion, dared vengeance upon Zeus himself, and was now condemned to be bound to a wheel of fire that roared through the vaults of Heaven until the end of times. The fate of the King's daughter, Coronis, hung in the balance...

The maiden of Larissa, the hand of Coronis was sought after far and wide, by mortal, and immortal. But far from winning the hand of any earthly prince, she won something more - the heart of the Sun god himself, Apollo the son of Zeus. While travelling with her father to the land of the Epidaurians deep in the Argolid, when alone one night, the son of Zeus came down to her from on high. Finding the Thessalian princess alone from her kin, out of sight and out of earshot, the god made his strike. Coronis, overwhelmed by the glory of an immortal god, succumbed to the allure of the son of Zeus.

Some months passed, and soon time bore witness to the swell in the belly of the Larissan maid. Apollo, son of Zeus and lord of light, rejoiced at the coming of his child. Commanding his faithful servant, a raven of purest white, he bade the bird keep watch on Coronis, and bring tidings of her to Olympus. Down to the earthly plain it flew, a glimmer of white, for in those days of old the raven was as white as the first winter snow, and 'soft as the swan'.


              " But his own bird the raven chanc'd to find
                The false one with a secret rival joyn'd
                Coronis begg'd him to suppress the tale,
                But could not with repeated pray'rs prevail "
                     - THE RAVEN UNCOVERS THE INFIDELITY OF CORONIS


Grim were the tidings indeed, for it seemed the absence of Apollo had hit Coronis hard. The Thessalian princess had since fallen for Ischys, a Thessalian boy, and it was her meeting with the lad that the snowy raven caught sight of now. Cold dread flooded him icier than the snows like which he seemed. The raven agonised over what to do, should he defend his master's honour, and furiously peck the stranger away? Should he chastise Coronis for dishonouring the father of her unborn child? Should he do nothing? At length, the mischievous nature of the raven took flight, and the snowbird soared to the skies, hurtling to the Kingdom of the Sun.


            " The raven to her injur'd patron flew,
               And found him out, and told the fatal truth
              Of false Coronis and the favour'd youth "
                   - THE RAVEN REVEALS CORONIS

Terrible was the fury of the god, cuckolded by a mere mortal, and worse, when the lady was with his child. All colour drained the Sun god's ever youthful complexion bar the red of rage. Madness of jealous anger flooded him, banishing afar reason and good sense. His radiant hand as a flash of his father's lightning darted toward his bow, the dread of giants and all creatures of darkness. With a scream, he wrenched the string back, feathered arrow nocked, and released. Sure and true, the golden dart raced through the Heavens and Earth, and transfixed itself in the breast of Coronis. Where once the sun god had touched in life, he now struck in death. To her knees fell the maiden of Thessaly, gentle groans, and no words, as her life-force trickled out from the burning wound. Apollo's fire grew not cooler, but hotter still, as he found no release from grief at his fell deed. As her soul leaked from her wound, Coronis cried with her last breath:


          " Ah cruel god! Tho' I have justly dy'd,
            What has, alas! my unborn infant done,
            That he should fall, and two expire in one? "
                    - CORONIS' PLEA

The Argolid
Photograph taken by the author

With that, her noblest words, she departed life, as the fires of the sun god's dart consumed her mortal form. Her words pierced both fire and sky, and reached Apollo's ears. A thundering remorse pulsed through him, as he was seized with grief and regret. So great was the heat that emanated from within him the snowy raven was scorched, his magnificent plumage, once pure as hope, now blackened with grief. Charred deeply, from that day the raven and all his descendants would bear the mark of that day, and that is why the raven has black feathers. Soaring down to her body, the sun god heard the cries of a baby, and resolved to protect the child. The son of an immortal god, the child could not die, alas her mother bore not the same shield against Death. From amongst the embers, the screaming child was ripped, a ray of the sun god's hope. To him was given the name of Asclepius, who would one day be the god of healing and rejuvenation. Apollo set him in the land which conceived him, the land of the Epidaurians in the Argolid, there to be raised by the finest tutor of the age, the centaur, Chiron, who had taught Achilles himself. For the god of healing, it was the beginning....

United Kingdom

Penguin Classics
Metamorphoses: A New Verse Translation (Penguin Classics)
(A version which favours ease of understanding than high poetry)

Oxford World's Classics
Metamorphoses (Oxford World's Classics)
(A version which favours ease of understanding than high poetry)

United States

Penguin Classics
Metamorphoses (Penguin Classics)
(A version which favours ease of understanding than high poetry)

Oxford World's Classics
Metamorphoses (Oxford World's Classics)
(A version which favours ease of understanding than high poetry)

The Lycian Peasants

Leto in the Wilderness
Artist Unknown

Mother to two of the greatest of the deities of Olympus, the Titaness Leto was a force to be reckoned with. Niobe had felt her dread wrath, and that of her brood. The daughter of the Titans Coeus and Phoebe, much of her origins were shrouded in the mysteries of Asia. Though when at last a maiden of Heaven she became, and the eyes of Zeus the Thunderer met her gaze, revealed at last was she. Hera, Queen of the gods, ever paranoid of the wandering affections of her consort, hounded Leto across the face of the Earth. Heavy with the seed of Zeus, Leto grew weary of the chase. Enraged, Hera ordered the Fates to forbid Leto to give birth on terra firma under the Sun. When at last the pains of labour struck, with nowhere else to turn, turned away by the vile words of Hera, the Titaness came to the island of Delos. Finding a measure of peace at last under the weeping boughs of a forgotten glade, the goddess fought that ungodly pain. First came forth Artemis, the lady of the moon and hunt. Nine days and nights the Titaness laboured still, until with the help of her daughter, a twin was brought into the world -  Apollo, god of light, healing and truth. Sympathetic nymphs, naiads and dryads had shielded Leto from the servants of Hera, but when the screams of the newborn deities pierced the skies, the lady of Olympus was made aware of them, and seethed with rage once more. Vowing never to give Leto rest, She sent forth all manner of dark creatures to hound her and her brood. Far and wide she fled, desperate for respite.

Leto Fountain, Palace of Versailles
Photograph taken by Daniel Gaudry

"At last, outwearied with the toil, and parched with thirst", the exhausted matriarch came to the arid and harsh land of Lycia, where once the fearsome Chimaera had once tread. A blasted land, with little verdance in its hills, the eyes of Leto spied a rare pool of crystal water. Parched with thirst, it played on her mind as the mirage does on the desert traveller. Shimmering in the light, the parched Titaness could resist no longer, and sped with all haste to its banks. Some of the rustic folk of Lycia were there at the lake's shores, reaping the bending osiers, the dank bulrushes and fragrant weeds. The Lycian folk, a people not known for their warmth of hospitality with strangers, eyed the stranger with deepest suspicion. A threatening buzz arose from within their wretched ranks, as Leto came in her approach. Wearied and near broken with toil, she eyed the peasants with more than a dash of humility. They angrily called out to her to stay away, and come not near the crystal waters, so wickedly opposing her primal need. Leto called out to them:


                   " Water I only ask, and sure 'tis hard
                      From Nature's common rights to be debarr'd,
                      This, as the genial sun, and vital air,
                      Should flow alike to ev'ry creature's share.
                      Yet still I ask, and as a favour crave,
                      That which, a public bounty, Nature gave... "
                             - LETO'S PLEA


Leto desperately invoked the pity of her newborn twins, yet still the fiendish folk would not desist, nor with vulgar words restrain. Young Apollo stretched out his arm in supplication, a mere baby, yet no more than his mother's word to the hearts of the Lycian peasants could it reach.

Feeling the pains of dehydration now, Leto moved to cup the crystalled water in her hands, but the dastardly folk spoiled her relief. Foul, abusive words they hurled, and worse still "with spiteful feet the villains trod, over the soft bottom of the marshy flood, and blacken'd all the lake with clouds of rising mud". A once crystal lake was now a murky depth, its purity defiled by the evil whims of a hostile crowd.

The Transfiguration of the Peasants
Painting by Johann Georg Platzer

Now the desperation of a Titaness turned to rage, as "her thirst by indignation was suppress'd". Vengeance coursed through her godly veins, all worries of hydration cast aside as the serpent sheds his skin. The frustrations of long chase, the pains of twin labour and the pangs of thirst mingled as Leto cast her gaze to the Heavens. "May you live, she passionately cry'd, doom'd in that pool for ever to abide". No sooner had her words of wrath left her parched lips, than the wretched folk dived into the pool, void of all shame. To the murky depths they plunged, and as swiftly as they fell, their last vestiges of humanity were gone. When next they pierced the crystal surface, no shouts of insults would come forth, but instead a hoarse croak. Wrenched wide by their bawling, their mouths grew cavernous; a mottled green, their backs. Seldom to see the light, their bellies grew a pale white, their eyes wide and alert. Men and women no more were they, but frogs, condemned forever to dwell within the mud...

United Kingdom

Penguin Classics
Metamorphoses: A New Verse Translation (Penguin Classics)
(A version which favours ease of understanding than high poetry)

Oxford World's Classics
Metamorphoses (Oxford World's Classics)
(A version which favours ease of understanding than high poetry)

United States

Penguin Classics
Metamorphoses (Penguin Classics)
(A version which favours ease of understanding than high poetry)

Oxford World's Classics
Metamorphoses (Oxford World's Classics)
(A version which favours ease of understanding than high poetry)

The Children of Niobe

The Children of Niobe
Painting by Jacques Louis-David

Cursed indeed was the House of Tantalus. A divine and royal line descended from Zeus the Thunderer, polluted by murder and betrayal. For Tantalus, the King of Phrygia, had dared to deceive the gods, had slain his own son and now lay condemned for eternity in the dark unyielding night of unholy Tartarus. Yet far above the blackened plain the accursed king left a daughter, Niobe, a sister to Pelops. Alas that the sole heiress to the line inherited her father's pride! For oft did Niobe dare to think, that she and she alone stood high as the gods, oblivious to Arachne's fate.


There came a day in that Phrygian city, as all years, when the folk gathered from across the land to honour Leto, the Titaness upon whom the eyes of Zeus had once lingered. Hither and thither the Phyrgians strayed, all the land caught up in the hustle and bustle of festival & ceremony, song and dance.  But one among their kind was far from awash with joy, as among the royal guard there appeared proud Niobe bedecked in state., "and mad with rage, yet lovely to behold". Never forgetting her father's fate, a wrathful contempt had she for the Olympians high above. Why do these fools worship the reckless gods above, said she, with a house as mighty as hers within plain sight. Her line, who had dined with gods, held Phyrgia within her grasp, knew the Titan Atlas as an ancestor who bears the Heavens above, and groaned beneath the riches of Asia? Why look to the distant gods beyond, when all this lay here and near? But of no thing was Niobe more proud than the children she bore:

                   " Seven are my daughters, of a form divine,
                     With seven fair sons, an indefective line...
                     There Leto a mother was, of two at most,
                     Only the seventh part of what I boast.
                     My joys are all beyond suspicion fix'd,
                     With no pollutions of misfortune mix'd,
                     Safe on the Basis of my pow'r I stand,
                     Above the reach of Fortune's fickle hand... "
                            - THE HUBRIS OF NIOBE

Far beyond and high above, atop the shady Mount Cynthus the goddess lurked, and clear as daylight did she hear the wicked words. A godly anger rippled through her form, Niobe's offence driven deep to her heart. To her two great children, Apollo and Artemis, she turned. "Nay more, the imp of Tantalus has flung reflections with her vile paternal tongue; has dared prefer her mortal breed to mine, and call'd me childless; which, just fate, may she repine!". In haste golden Apollo set about his vengeful mission, hearkening to his mother's will. Swift behind soared Artemis the lady of the hunt, whose deadly wrath mortals had come to fear.

The Dying Niobid
Sculpture by James Pradier

Beyond the walls of the Phrygian city there was a boy riding on the plain. The first of Niobe's brood, Ismenos, sighed deeply, when Apollo's dart speared his breast, and from his towering steed his body crashed. Sipylus next met deadly fate, when upon seeing his brother's end, he dared to flee. As the stormy winds he flew, but Apollo's aim was true. Transfixed in the neck, paralysed he stood, life force leaking where it could. At youthful Phaedimus the sun god took aim, and his brother Tantalus who bore his grandsire's name. Both brothers were wrestling on the plain, straining every nerve and muscle in their game. With a mighty shot Apollo pierced them both, their life turned black as coal, as from their mortal forms fled their soul. Grieving Alphenor saw their plight, beating his chest with sorrow, he moved to embrace the fallen boys, before by keen aimed dart he fell. Pierced through the heart, for Apollo had aimed for no other part. Damasichthon next, beardless and young, cried out for mercy, but alas the god heard him late. Two arrows sheared his form, one the knee one somewhere warm.

Swiftly did the news reach Niobe's ear, grief and anger mingled into one. But humility she knew not, as towering was her pride still. Poor Amphion her husband, stricken with the darkest thought, had sheathed a dagger and driven into into his breast. Tears streaming from her eyes, Niobe roared in defiance "Tho' seve'n are slain, superior in number I remain". Her daughters looked upon her, seeing the doom their mother had brought on them now. Far above Leto screamed, and to her call deadly Artemis soared. The bow's thunderous twang echoed through the vale, as in terror all wondered what it would hail.

Around the pyres of their seven brothers they stood, seven daughters who need not have suffered, clad in garments of mourning black. From the eyes of one and the eyes of all fell a tear of purest grief. When that one was stung a sudden by more than emotion, the others tried in vain to remove the lethal dart. "But to grim death her blooming youth resigns, and o'er her brother's corpse her dying head reclines". A silent arrow, winged death, arcs through the skies, more cries silenced. The deadly huntress of the moon, so skilled in tracking game, found no challenge in her dark work, as one by one the seven fell, each pierced by a different death.

The Weeping Mountain
Image taken from the Wikimedia Commons

How lamentable now was Niobe's state, hardened with woe, and dying with grief, for my her own word had she condemned herself, and fourteen lives otherwise pure. Her hair moved to no rippling wind, her eyes faded and fixed within her head. Her deadly tongue called no more, within her veins the blood began to stall. Transfixed in stone her body was, atop Mount Sipylus, the Weeping Mountain. Unafflicted by stormy winds, yet pierced by grief and wounded pride, there she stands even today, a warning of unearthly pride, for no rest can she find...

United Kingdom

Penguin Classics
Metamorphoses: A New Verse Translation (Penguin Classics)
(A version which favours ease of understanding than high poetry)

Oxford World's Classics
Metamorphoses (Oxford World's Classics)
(A version which favours ease of understanding than high poetry)

United States

Penguin Classics
Metamorphoses (Penguin Classics)
(A version which favours ease of understanding than high poetry)

Oxford World's Classics
Metamorphoses (Oxford World's Classics)
(A version which favours ease of understanding than high poetry)

Orion

Ursa Major was not the only of the great constellations of the night sky to draw the attention of the ancients. Indeed all the major stars and their formations were well known in ancient times. All of them had their own origins and stories well recorded in lore, some in as many variants as the stars themselves. One such example is the story of the constellation Orion.

Blind Orion seeks the rising Sun
Painting by Nicolas Poussin

Long ago in Hellas, a place men now call Greece, there was a divine and regal birth. Brood of the god Poseidon, Lord of the Sea, and Euryale, daughter of King Minos of Crete, this would never be a normal child. Gigantic in stature, like his cousin the Cyclops Polyphemus, the boy towered over all of his peers, in ability as much as height. The boy was named Orion, and though good at heart, warred with the violent instincts that ran through the veins of all the Giants. As a result of his being son of the Lord of the Ocean, Orion found himself one day able to walk upon the surface of the ocean without falling through it - he could walk on water, unmolested by the horrors of the deep. As Orion grew, vaster than any mortal, though not blessed with a great mind he acquired a particular passion for hunting, a noble pursuit for a man in such days, and a way he might turn his aggression away from harming his peers. Soon his reputation was legend even as a teenager, as game fled his presence on sight, for well did they know that no being could escape Orion's hurled spear. In all things, Orion was never to be seen without his one true friend and loyal companion, his hound Sirius.


Searching for distant lands for ever more challenging game, great Orion ventured to the island of Chios, its isolation from the mainland no problem for the water walking giant, carrying faithful Sirius aloft. As Orion placed his vast foot on the sandy shore, he was welcomed to the island by King Oenopion and his entourage. Though much of the regal language was lost on simple Orion, the face of the King's daughter, Merope, was not. Intrigued by the foreign princess, and perpetually condemned to solitude, the giant desired a friend more than almost anything, save perhaps the choicest game under the Heavens. Oenopion invited his larger than life guest back to the palace, and threw a banquet in honour of him, for hospitality is a concept employed by the people of Chios with spectacular finesse. Orion, who had scarcely seen so many great things to eat, was overwhelmed. Due to his requiring more food than most simply to sustain him, the party dined well into the night. The hour grew late, and Merope retired for the night, leaving the revellers to their banquet, and Orion fell sad, though knew not why. The King, ever attentive to his guests, ordered the strongest wine brought to the table. When presented with a bucket sized goblet of shimmering red liquid, Orion knew nothing of it, having never before tasted wine of such potency, and drank as though he would water. The men of Chios laughed heartily, as the giant grew dazed and confused. The drink played its evil tricks on Orion's mind, already at war in the half human and half giant. Stumbling from the banqueting chamber, the drink lead him to Merope's quarters, sapping him of his human will. Crashing through the low threshold of the door, he fell into the princess's bedchamber, to the fright of Merope. As she ran to offer what help she could, Orion, lost to his senses, seized her with more strength than a man should. The racket caused by the door summoned the King immediately. When he saw the sight before him, the darkest suspicions reigned supreme. He at once, outraged at the abuse of his hospitality, ordered Orion condemned.

The Constellation Orion
Photograph by Rogelio Bernal Andreo

The King gave command that Orion should be blinded, so that his last vision would forever be that of the woman he longed for, and forced himself upon. Furthermore, Orion was banished from the kingdom. SO, once again, Orion set out on the road, destitute and ragged, with naught but his torn thoughts of grief and faithful Sirius to accompany him. One day, whilst on Lemnos, he encountered a stranger on the road, a stranger his eyes could not reveal as the god Hephaestus. Hephaestus took pity on the giant, and told Orion that if he sought the rays of the Sun as they were born, he would see again. His despair turned to joy, Orion eagerly asked the stranger where they could be found. Since the giant was blind, Hephaestus gave to Orion his own assistant from the forge, Cedalion. Taking up position of Orion's shoulder, Cedalion shouted directions in the giant's ear, and together they set off in search of the Land of the Sun. The vast journey, impossible for mortal feet, was swift for a giant, aided at all times by Cedalion upon his shoulder, and Sirius by his leg. At last the triad arrived at the Kingdom of the Sun, Cedalion and Sirius averting their eyes, Orion shielding them from the heat. Helios, the god of the Sun, indeed took pity on the giant, and as Orion closed his blind eyes from the heat, suddenly a slit of purest white appeared before him. He wrenched open his lids, and saw blinding light. He turned to his side, and saw a dog, and Cedalion on his shoulder, and rejoiced at his newfound sight. Thanking Helios dearly, the giant was filled with ecstasy.

For so long he had been denied the pleasure of the hunt, his great passion, and set off at once. Coming to the island of Crete, the home of his ancestors, he chased the game from sunrise to sunset. Artemis, the goddess of the hunt, was impressed by the hunter's prowess like never before in a mortal. Coming down to the Earth she offered him a unique honour, to join her in the hunt. He leapt for joy, and the games began.

Hither and thither the godly party went, and never before has so great a quarry been taken in sport. Deer, boar, bird and hare fell to the spears of Orion and arrows of Artemis. Soon near all Crete was empty of living beasts. At the moment of his pride, his giant instinct holding sway, Orion shouted to the Heavens that there was no creature on Earth that he, Orion, could not slay. But the balance of the cosmos had been tipped, that subtle yet ever levelling power which ensured no man or woman could ever be too powerful or too beautiful without disaster befalling them. Gaia, Mother Earth, was appalled at the slaughter on her body, and outraged at Orion's words. So the Titaness crafted a new beast to best the giant in his own game. Eight armoured legs she gave it, two crushing pincers and a lethal tail, brimming with fiery venom. To her new creation she gave the name of Scorpion, and thus was born the first of that race, the King of all Arachnids.

Artemis mourns the body of Orion
Painting by Daniel Seiter

At his side, Orion noticed the ground quake and churn as Mother Earth's revenge burst into the fresh air, divine fury in every inch of its chitinous hide. Orion drew back, wary of this new foe, and never was he to face such a terrible foe. He launched his spear, but alas, it span away, turned aside by the beast's armour. No arrow or blade would pierce that hide. So, across the valleys and mountains of Crete their duel raged, neither one able to best the other, Orion too swift for the creatures arms, the Scorpion impervious to Orion's blades. At last, with no more of the island left to run to, Orion, worked up to a giant's rage, hurled himself upon the monster, using his mighty strength to grapple the beast. The Scorpion writhed and injured the giant many times, but slowly, yet surely, Orion began to crush it inside its own armour. When at last victory seemed near Orion raised his head high and shouted in triumph. But alas, the momentary lapse of concentration cost him dear, for the creature's lighting flash of a move saw its stinger dart into Orion's shoulder, a lethal shot of venom upon its barb. The Scorpion died, but died avenged. Orion staggered away from the body of his conquered foe, the fiery venom robbing him of life. Lamenting his misfortune in life, he sought his last solace in the distraught eyes of Sirius, who licked his master's face one last time. So under the tears of his one true friend, Orion, the great hunter, felt the darkness close on his eyes.


Artemis, lady of the hunt, was devastated when she found his body, and appealed to Zeus the Thunderer, lord of the sky, for mercy. The god of gods was might, but could not turn the wheel of fate. Impressed by Orion's skill, yet warm human heart, he cast the giant into the skies, ever to shine in the night sky. To this day he is still there, the constellation Orion. Impressed too by the fearsome Scorpion, Zeus decided to make sure man would never forget to challenge Mother Earth, and cast it too to the skies. To this day, the constellation of Scorpio can be seen, set to rise when Orion falls. But one fellow lay not forgotten, and for his loyalty to his master and purest heart, Zeus the Thunderer placed Sirius in the skies, and the brightest of all stars he is to this day, amid the constellation of Canis Major...

United Kingdom

The Library of Mythology:
Library of Mythology
(A vast collection of the myths of old Greece, written in ancient times, and a great intro)

United States

The Library of Mythology:
Library of Mythology
(A vast collection of the myths of old Greece, written in ancient times, and a great intro)

Hyacinthus

Envy is a terrible thing. It tears friendships asunder, levels cities and topples nations. An emotion the gods of the pagan world were no less susceptible to than their human subjects. Mortality was never a barrier to jealously, as the curse to never be content with one's lot in life afflicted the Olympians as much as men. Sometime the gods even envied their own worshippers. Here is the story of one.

Zephryus the West Wind
Painting by William-Adolphe Bouguereau

Long ago, before the high days of ancient Greece, in the days before even Agamemnon the High King, the city state of Sparta was in its infancy. Long before the days when Spartans reigned inexorable on land, the richly destined city was little more than a village, deep in the valley of the Eurotas in the shadow of Mount Taygetus. King Amyclas ruled over a modest realm of simple folk, pious and rustic. One day a boy was born to the royal house of Sparta, Prince Hyacinthus was his name. Joy erupted in verdant Sparta, and Spartans far and wide flocked to catch a glimpse of the handsome Prince. Spartan mothers were swift to sing the praises of the boy's beauty, Spartan fathers of the strength in his arms. Not even the Olympians were blind to the event, all celebrating the birth of such a fine heir, and the great grandson of Zeus the Thunderer himself. The spirits of the cosmos were no less taken, and one above others, Zephryus the lord of the West Winds. In the days of the Classical World, it was the societal practice for an older man to take a young boy under his wing, and teach him the ways of the world, free from the constraints and biases of the boy's family. No less so at Sparta, renowned for this custom. The West Wind took a shine to the boy, and moved to greet the Prince.

Apollo & Hyacinthus
Painting by Jean Broc

But it was the golden rays of the Sun which smiled most fondly upon the Prince. Apollo the keen eyed archer, father of the arts, was smitten at once with the Spartan Prince, and moved without delay. "Phoebus Apollo for thee too, Hyacinth, design'd a place among the Gods, had Fate been kind...". In Hyacinthus Apollo 'plac'd his Heav'n, and fix'd his joy". The Sun shone brighter than ever before on the golden valley of the Eurotas, and the Spartans bathed in warmth. The god's hands forgot the string of the bow and chords of the harp, as Apollo's mind was turned to the Spartan Prince. All the while the West Wind blew a gentle breeze, Zephryus pursuing young Hyacinthus, eager to take the boy under his celestial wing. But young Hyacinthus, awed by the light, turned to Apollo of the golden mount. Phoebus Apollo was overwhelmed with joy, delight that his should be the fate of the Spartan Prince. Meanwhile Zephryus lurked in despair and grief, soon to turn to envy and wrath.


Sunlight flooded Eurotas, as Apollo and Hyacinthus ran in the ancient plains. The wisdom of a god Hyacinthus gained from Apollo, the innocence of youth Apollo from Hyacinthus. Then came a day, a day of days, when Hyacinthus was old enough to learn the ways of a man. To the young Prince Apollo yearned to teach the feats of the martial body and of athletic glory. To the noble sport of the discus the sun god turned, a majestic sport for a Spartan boy, to build good strength and competitive spirit. Hyacinthus marvelled at the golden disc, as though the Sun obeyed Phoebus in his hand. Apollo bade the boy watch him well, and took a deep breath and poised for the throw. Divine sinews groaned, and godly muscles unfurled for the feat. With a cry,

 " A well-pos'd disk first hasty Phoebus threw,
   It cleft the air, and whistled as it flew;
   It reach'd the mark,a  most surpising length;
   Which spoke an equal share of art, and strength.
   Scarce was it fall'n, when with too eager hand
   Young Hyacinthus ran to snatch it from the sand... "
          - APOLLO'S DEADLY THROW

The Death of Hyacinthus
Painting by Giovanni Battista Tiepolo

Awed by the supernatural throw, swift footed Hyacinthus ran in pursuit, eager to fetch the discus for his master. To the young Prince the sun god called, but in vain, for Hyacinthus alas could not be swian. Zephryus the Western Wind, his jealousy raw, took a deep breath and blasted raw. The wind then blew the discus from the straight and true, and Apollo looked on, helpless as the mighty disk, flew now a weapon of death. The metallic star slammed into Hyacinthus' head, and with a scream of final innocence, the boy fell to the land, never to rise again. The West Wind smiled in spiteful malice. Apollo shouted in disbelief, and ran over to the dying youth. The coldness spread through the Spartan Prince, and the light left his eyes, as Phoebus Apollo raised his head to the stars and wailed his grief. Taking the nearby herbs of Taygetus, he to the lethal wound vainly applied. "The wound is mortal, and his skill defies". Just as a wilting lily lowers its head, so too now Hyacinthus bowed to Death.

But Apollo would not his Fate accept. "O thou art gone, my boy, Apollo cry'd, defrauded of thy youth in all its pride!". Not now would Hades take his fill, not from so fair a spirit so cruelly snuffed out. "On my tongue thou shalt forever dwell; thy name my lyre shall sound, my verse shall tell". In that moment the sun gods power the young body transfigured. Youthful Prince white in the clutches of Death no more, now a beautiful flower, as yet unnamed, blood from the fatal wound, its petals coloured, mingled with the tears of the god of the Sun. Forever, Apollo decreed, would it bear the boys name. The flower we call Hyacinth today...


United Kingdom

Penguin Classics
Metamorphoses: A New Verse Translation (Penguin Classics)
(A version which favours ease of understanding than high poetry)

Oxford World's Classics
Metamorphoses (Oxford World's Classics)
(A version which favours ease of understanding than high poetry)

United States

Penguin Classics
Metamorphoses (Penguin Classics)
(A version which favours ease of understanding than high poetry)

Oxford World's Classics
Metamorphoses (Oxford World's Classics)
(A version which favours ease of understanding than high poetry)

Cyparissus

The Cypress Tree
Painting by Vincent Van Gogh

Considered the iconic tree of the Mediterranean, the symbol of the rolling hills of Tuscany or the rugged mountains of Greece, the humble cypress tree had a far more potent, and sinister, meaning to the Ancient Romans. Even today, journeying through Italy, you will find many a shadow of a cypress falling across a graveyard, a silent sentinel watching over the darker places of the world. Its characteristic pencil like form is never far away in this land, and rarely absent from the tourist's photograph. But why this mournful association? Why the favoured foliage of the afterlife? It all began with a story nearly two thousand years ago, the story of a young boy who would give the cypress its name, and its story...




Long ago, on the idyllic pastures of the island of Caea, there was bred a mighty stag, its stature and beauty never before known. In majesty and power, all of his kind he excelled. A wonder to behold, to the nymphs of Cartha he was sacred held. Dignity was written in his face, vast were his antlers, enough to grant him ample shade. The horns gilt seemed, as the sun beams danced of their shining points, casting all around in their radiant glow. So brilliantly burnished was his coat, it seemed as though all the precious stones of the world were embedded in every lock. Nature itself seemed to bow before his stride, and soon the fear of the locals was lost, and even strangers would come forth to pat his proffered neck.

But there was a young boy among the Caeans who adored him most. By all accounts an ordinary boy, blessed with no great strength of arm, divine beauty nor unearthly wit, but a heart of gold he hid within. A country boy, he cared nothing for the grand affairs of the world, but cared in abundance for what his eyes could see and ears could hear. An uncommon empathy he held too for all living things, for in the wild he lived, and learned to reside in peace with the creatures, and spirits of the forest. Then one day, came the regal stag, and all was changed:


       " Much was the beast by Caea's youth caress'd,
         But thou, sweet Cyparissus, lov'dst him best:
         By thee, to pastures fresh, he oft was led,
         By thee oft water'd at the fountain's head:
         His horns with garlands, now, by thee were ty'd,
         And, now, thou on his back wou'dst wanton ride;
         Now here, now there wou'dst bound along the plains,
         Ruling his tender mouth with purple reins. "
              - CYPARISSUS AND THE STAG

Cyparissus, Apollo & Hyacinthus
Painting by Alexander Ivanov

Many came before the stag awed by the beauty of its form. Cyparissus came, drawn by the beauty within, for he sensed a grace within, bound with his adoration of nature and al living things. Soon both boy and beast began a friendship such that man and loyal animal only can, like the shepherd and his faithful hound. Many a lazy afternoon could you find them, resting by a pool in the forest glades, retreating from the burning rays of Apollo's sun. Across the far reaching plains the boy and his stag would race, their contest the amusement of the gods high on Olympus. The villagers were puzzled, but delighted for young Cyparissus and his unconventional friendship, sensing the hand of the divine at work.


Then one day, Cyparissus went into the forest hunting, hoping to bring back some prize boar for his family, a spectacular feast indeed. A scorching summer day, the burning arms of the Sun pierced the foliage, and sweat fell from the boy's brow. His faithful companion had bounded joyfully ahead into the brush, bidding the boy on. But, suffering from the heat too, the mighty stag sought refuge in the shade of the bushes, laying his weary limbs across the grass. Suddenly, distracted, the boy heard the snort of a boar close by. Not twice does opportunity strike, not two moments does one wait when hunger strikes. Cyparissus levelled his spear and took his aim, wary of his nearby friend. Bringing back his hunting arm, he launched with all his might, but no! A bead of sweat brought forth from the fiery Sun fell into his eye. A stinging sensation swept his eye, and the boy blinked, and his aim went awry. A blood chilling cry rose to the skies, as Cyparissus rubbed his sore eye. The pain passed, he looked up, excited to find his quarry.

Cyparissus mourns
Painting by Jacopo Vignali

Horror swept through his mortal frame, and cold dread, when he saw no boar thrashing at the foot of the tree. Unknowingly, unwillingly, oblivious, Cyparissus had cast the deadly dart, but his worst nightmare had it transfixed upon its brazen point. There lay the mighty stag, and never a more tragic sight there lay. The hideous truth of his error laid bare, the young boy fell to his knees, tears welled up inside. The stag writhed in pain, blood spattering the forest floor, its cries rending the air. Frantically, Cyparissus tried to staunch the wound, but the hands of a boy are scarce enough to stem the flow of blood that gushed forth that day. Calling out in desperation, the folly dawned upon him, and his heart began to break. At last, the cries grew silent, the body still, and the stag lay motionless, its staring into the wilderness. Cyparissus howled to the skies. He would have taken his own life there and then, had not Phoebus Apollo, lord of the Sun, taken pity on the boy. Had not his burning rays caused the boy's aim to go wide... Cyparissus, determined to feel his guilt for all time, and expiate his crime, asked the god to allow him to mourn for all time. Himself fighting back his tears, Apollo granted his final wish, moved was he. The blood drained from the boy, his legs fused together, and leaves grew where one was his skin, and hard weeping bark underneath. A thin and lanky young boy, so too was the form of the tree which he took.

Apollo looked on in grief, and declared that this was ever after to be present at the ritual of mourning, and the tree was named. Cypress, the tree of mourning. Still today it watches over graves...



United Kingdom

Penguin Classics
Metamorphoses: A New Verse Translation (Penguin Classics)
(A version which favours ease of understanding than high poetry)

Oxford World's Classics
Metamorphoses (Oxford World's Classics)
(A version which favours ease of understanding than high poetry)

United States

Penguin Classics
Metamorphoses (Penguin Classics)
(A version which favours ease of understanding than high poetry)

Oxford World's Classics
Metamorphoses (Oxford World's Classics)
(A version which favours ease of understanding than high poetry)

Orpheus and Eurydice

The son of the Thracian King Oeagrus, Prince Orpheus, seemed to many who met him an unremarkable man, neither tall of stature like Hercules, nor divinely handsome as Adonis. He was not a renowned warrior, as Achilles, or even notably silver tongued as Odysseus. The son of a King, and the Muse Calliope, Orpheus did however possess two qualities so rare in the great men of his time. For the Thracian Prince was blessed with a heart of gold, and was gifted lyre player, a trait handed down from his mother and grandfather - the god Apollo. Both of these things would be his greatest asset, and his ultimate ruin...

Orpheus serenades the Nymphs of the Forest
Painting by Charles Jalabert

While the lyre was the creation of the god Hermes, it was Orpheus who perfected it. As a young child Apollo gifted his favoured grandson with a lyre of burnished gold, and his mother, the patron of lofty poetry, taught him many a verse of heroic lore, and the Prince set it all to heart-warming music. Any doubts old King Oeagrus may have had at his son's disinterest in military pursuits were at once silenced the moment young Orpheus began to play, for the hearts of the King and all his court were moved by the heavenly notes. Many a summer's afternoon would young Orpheus spend in the wild forests of Thrace, his refuge of body, his music, his sanctuary of mind. Oblivious he was too, to the enchanting power of his tunes. The nymphs of the forest lay all around, entranced by the Prince's songs, as they had been for his brother Marsyas. The beasts of the glades, boars, wolves and the like all stood alert and spellbound. Even the stones of the forest floor lent their attention to the sound that soothed the air, such was the power of the music that Orpheus created. The Prince's quiet life, however, did not endure for long. As a young man, Orpheus volunteered to join Jason and his fellow Argonauts on their arduous quest to the ends of the Earth for the Golden Fleece (a story which shall be told in the future on this site). The crew of heroes, including mighty Hercules himself, grew to respect and admire Orpheus, whose humble demeanour and beautiful compositions came to their rescue on many an occasion when morale was low, saving the lives of the whole crew when faced with the deadly Sirens.


When at last the voyage was over, Orpheus returned a grown man to his native Thrace, desiring a quiet life as of old. He soon grew to care for a nymph, Eurydice, a spirit who once admired his songs deep in the forest. Over time both Orpheus and Eurydice became deeply attached to one another, and the Prince was overjoyed when she agreed to wed him. The day arrived, and it was wondrous to behold, such was the array of beings present. Apollo made the rays of the Sun touch all the fields and faces that day, his grandson's wedding day. In their tens and hundreds the dryads and naiads marched forth from their abodes, bedecked in garlands and fine robes. It was a happy day, and even high on Olympus the joy was felt. Alas that such calamity would strike utopia that day. In the commotion and revelry, a drunken Satyr chased the bride through the party. Eurydice, surprised, fled into the fields, but ruinous was her fortune. Into the long grass of the meadow she fled. She turned to try and catch a glimpse of her pursuer, but in that moment she felt a lethal pain in her foot. She screamed and looked for the source of her doom. There at her feet, a viper. A glance she stole at Orpheus, face white with raw terror, before death moved to claim her on her wedding day.

The River Styx
Painting by Joachim Patinir

Devastation was the mere beginning of feeling which struck Orpheus now. Holding her close to him, he grieved terribly, and the whole world grieved with him. Shattered as a man, for an age after, a new song pierced the air, but it was not the tune of joy which touched the soul, it was a lament, a tearful mourning indeed. The spirits of the forest could restrain their pity no more. His heart afire with longing and despair, Orpheus refused to accept his loss of Heaven. At the urging of the nymphs, he decided to take the dark road to Hades himself and plead for mercy. So the Prince set off on his morbid journey, one fraught with danger. Seldom had a mortal ventured into the land of the dead and ever seen the light of day again. But even the hearts of the gods on high were with him that day. At his approach, fearsome Cerberus skulked away in the darkness at the gates of death. Eerie silence fell on the Prince's ears. Such a heavy silence the greatest musician in the world had never before heard, and it saddened him. Taking out his lyre, he did the only thing he knew, he played. Even the monstrous guardian of Hell was soothed by the song, and allowed his passage. Charon, the ferryman of the dead, taking pity too, granted him a journey across the River Styx, the true boundary between the Overworld and Hades. The smell of decay grew overwhelming, and at last, to the throne room of the god of the dead himself he came in humility. Hades and his Queen Persephone were astonished at the sight of the broken man, his robes defiled with filth and tears, and heard his call.


Orpheus came forth and spake his mind, "I come not curious to explore thy domain, nor come to boast... My wife alone I seek, for her sake these terrors I support, this journey take". The gods high on Olympus, powerless in the abode of death, wept for Orpheus. The Prince, wavering at the fearsome gaze of Hades, continued:


             " A hope within my heart prevails...
               Let me again Eurydice receive,
               Let Fate her quick spun thread of life re-weave...
               She, when ripen'd years she shall attain,
               Must, of avoidless right, be yours again:
               I but the transient use of that require,
               Which soon, too soon, I must resign entire... "
                  - ORPHEUS' PLEA TO HADES

Orpheus leads Eurydice
Painting by Jacopo Vignali

The Prince's fingers moved toward his lyre, he couldn't help it, it was his only solace now. He began to play, and even the bloodless shades of the dead turned to see. Far in Tartarus,  Sisyphus laid down his mighty burden to listen, far above Ixion squirmed for a glance, and away in the pool Tantalus forgot his hunger and thirst. Even the vengeful Furies relaxed their snarls, tears stinging their ferocius cheeks. The hand of Queen Persephone tensed. Too well did she know what it was like to be torn from a dear one. To her husband, the lord of death did she intercede, asking pity this one time. Not even the cold heart of Hades remained unmoved that day. To the grieving Prince the son of Kronos turned, and declared that he would grant his wish, and restore Eurydice to life, but upon one condition. The rules of the cosmos were absolute - Hades commanded Orpheus to return to the Overworld, but until both he and Eurydice had crossed the threshold of the land of the living, he was forbidden to look behind him into the deadlands. If he did, the pact would be forfeit, and he would lose Eurydice forever. The Thracian Prince nodded gently, and Hades snapped his fingers. A troop of deathly shades approached from the darkness, bearing in their midst the shadowy form of the his beloved. Wincing slightly from the deadly bite, she stopped perfectly still at the sight of her Prince, joy spreading through her body, reviving now with breath, though as yet unable to speak. It was as though her wretched misfortune had never befallen her, as Orpheus, crying with joy, moved to embrace her. Alas they passed through her, for the ritual was not yet complete. Thanking the dead god and his Queen from the deepest chamber of his heart, Orpheus bid Eurydice come with him quick before the Sun set that day, so they might enjoy anew an evening upon the Earth. Leading the way Orpheus put his first foot upon the deathly stairs, rising high above the Halls of Hell.


Immediately his resolve was tested to breaking point, such was his desire and the temptation to look behind. Lost and again found, alas that he was forbidden to look back at his beloved and that he must lead the way!

   
                     " Now thro' the noiseless throng their way they bend,
                       And both with pain the rugged road ascend;
                       Dark was the path, and difficult, and steep... "
                              - ORPHEUS' ESCAPE


Orpheus found the dread silence agony to bear, unbroken by song. For the laws of the cosmos decreed it easy for a man to enter the realm of the dead, but far harder to leave, and both hands did the Prince require on the ascent. As the sweat poured from his brow, he fought his urge to turn and assist, terrified of breaking his oath. He called to her, naught but heavy silence replied. Not until restored fully to life would breath pass her lips again. Trying desperately to cast his thoughts away from horrid visions of his beloved lost far below in the darkness, Orpheus continued his climb.

Eurydice lost
Painting by Christian Gottlieb Kratzenstein

At last, after what seemed days of silent struggle, the black shroud seemed to ease all around. Colour could be seen again, and the harsh, jagged rocks around the tunnel. They seemed as teeth of the jaws of some infernal beast, binding the dead within that realm, never to leave. Orpheus' excitement grew - at last, redemption lay just over the crest! For hours and hours he toiled against the rock, alone to his ears. As the light grew, hand in hand with it walked his paranoia. Was Eurydice still there? Had Hades deceived him? The desire to look grew painful to resist. With every reserve of will, Orpheus forced his head forward. Up and over the last precipice, the rays of the late afternoon Sun struck his forehead, embracing him with their reassuring heat. Ecstatic, he hauled himself up and over, and rushed into the cool air, blazing with light. In that moment his happiness was absolute, unbroken and willed to live for ever. Puzzled he was, however, when the cry of freedom at his side he could not hear. Doubt racked his mind again - was she there? He wheeled around, seeking Eurydice. There she stood after all, she had followed him all the way from the root of the Earth, but something was amiss. He glimpsed her fair face, near full again, but the expression upon it he would never forget. White as snow, a look of terror on her face, a visage to freeze the soul. The joy of Orpheus stopped dead in its tracks. Cold dread flooded every inch of him, as he saw too late his folly. A mere footstep it was from the mouth of the Underworld his beloved stood. Behind it. His legs and arms began to shake, a soft no all he could utter, and his eyes welled up. The word of Hades rang in his ear, and for the second time Death claimed Eurydice, this time for good. One last look of hopeless longing she gave him, before the darkness took her spirit, as Orpheus fell to his knees...

United Kingdom

Penguin Classics
Metamorphoses: A New Verse Translation (Penguin Classics)
(A version which favours ease of understanding than high poetry)

Oxford World's Classics
Metamorphoses (Oxford World's Classics)
(A version which favours ease of understanding than high poetry)

United States

Penguin Classics
Metamorphoses (Penguin Classics)
(A version which favours ease of understanding than high poetry)

Oxford World's Classics
Metamorphoses (Oxford World's Classics)
(A version which favours ease of understanding than high poetry)

The Flute and the Flayed

Ancient lore is ripe with tales of gods and monster, heroes and heroines and their wars, affairs and voyages. Oft is fate written in the stars, virtue praised and pride punished. When mortals rise above their stations, they are punished. But the divine powers are flawed too. Sometimes even the gods could go too far...

Athena
2nd Century AD Roman copy of a Greek original

Legend says that a long time ago, in the Golden Age of the Olympians and heroes, the goddess Athena, daughter of Zeus the Thunderer, was wandering in the sunny vales of the forest of Phrygia. The goddess' chaste ears pricked up at the sound of the birdsong in the breeze, a soothing accompaniment to the percussion of the rustling leaves. Filled with a peculiar joy, she was filled with a passion to make merry in the forest. Taking from the leaf strewn earth the bones of a young doe, the goddess fashioned from them a strange instrument. Whittling a series of pipes from the matter, she lashed them together and considered her new craft. With a modest intrigue, she placed the pipes to her mouth and blew. What a fair sound it was indeed; a soft vibration, a gentle melody and hypnotising note. Spurred on, bolstered by the music of the forest, the virgin goddess could scarcely put them down. Soon her absence was noted on the snowy peaks of lofty Olympus, and gossip flew to and fro, from scheming god and intrigued goddess. All too happy to share her new art, Athena proposed to show them all the sweet sounds at a lavish banquet in Heaven's Halls.


The eve came and the resplendent array of the skies awaited, fascinated by what was to come. When the moment came, the goblets were empty, the ambrosia consumed, the goddess rose to her feet. Brimming with excitement and nerves, she began to play. In the beginning, all was well, as the dulcet tune serenaded the divine array, and seldom were such sweet tones heard in the Palace of Olympus. Zeus the father of gods and men looked merrily on, proud of his daughter's talents. Hephaestus, master of the forge, sat entranced by the music so seldom heard in the roar of the furnace. Ares, lord of war, for whom the screams of the dying were oft his cadence, could scarce hide his delight. But it was then that the eyes of Pallas Athena saw Hera and Aphrodite. Far from listening with rapture, it was with a fits of laughter they returned her song. Though fair and noble, terrible could be the warrior maiden's fury. In anger she departed, seeking solace in the wilderness. When strolling the paths of the Forest of Ida, she stopped by a great pool of glassy water, her joy poisoned by doubt. She took up the pipes once more, and for the last time did she play. In the soft ripples of the water did she see her image cast, and within was held the revelation she sought. She had not noticed until now that as she played, she puffed her cheeks out proudly, their oft white complexion soon a crimson red. Frustrated by the immaturity of her fellow goddesses, with whom she bore a ruinous rivalry, she cast her creation aside. Laying upon the pipes a curse, she vowed calamity upon whomsoever should play them again. Woe that her malediction should have found a mark.

Marsyas in the Forest
Painting by Pyotr Basin

One day, when the memory of the pipes had passed into legend, there lived a shepherd who made Forest of Ida his serene home. His name was Marsyas the son of Oeagrus, and no man was he, but a Satyr. A servant of the god Bacchus, the Satyrs lived a merry life of revelry, dancing and song, frequently spreading havoc and drunken anarchy where their cloven feet trod. Marsyas, however, possessed a gentler spirit, preferring the solitude of the forest to the chaos of the plains. There came a day, however, that neither the Satyr nor the forest would ever forget. Stumbling upon a clearing in the thick canopy of the trees, where lay a crystal pool of ice cool water, Marsyas stopped to refresh. Throwing the pleasant water over his face, he gave a sigh of satisfaction, droplets from his tangled beard breaking the mirror like reflection of the surface. Turning to dry his face, however, he spotted a strange yet curious thing cast in the bushes at the water's edge. Stained with earth and covered in moss, it seemed a relic of an ancient past. Picking the strange object up, the Satyr, acquainted as all Satyrs are with the ways of merriment, realised at once that it bore the form of an instrument. Scraping aside the grime and muck, dousing it in the clear water, he saw the simple pipes in their fresh glory.


Tentatively, the Satyr put the pipes to his lips and blew. The note was rough, but charming. He blew again. Better, but a shade of the performance of the instruments original creator. For an age did Marsyas obsess over the pipes, unable to resist the allure he could not explain, the will to keep playing. Throughout the hours when the sun drenches the Earth did the Satyr practice anew, studious and assiduous. Day by day the Satyr's prowess grew, and with his talent came music sweeter than ever before. Birds began to perch upon nearby boughs, listening intently to Marsyas' song, the notes fairer even than their own. Creatures and being from far and wide began to marvel at the Satyr's song, but before long the curse began to manifest. Pride, the ruin of the great, wove its intoxicating spell in the Satyr's mind, as his humility could deflect the shower of praise no more. Time passed, and soon Marsyas declared himself a musician beyond compare in the world. The fatal hour arrived when the Satyr challenged Apollo, the god of music himself, to a contest.


High on Olympus, Apollo heard his challenge, and the god was angered by the daring of a mortal. Soaring down from the frozen summit, Phoebus Apollo came before Marsyas, and the admiring crowds scattered in fear and awe. Shaking with rage, Apollo declared the contest begun. The Muses, the spirits of the arts, were summoned to judge, and the terms were set. Whoever showed the greater mastery of music would triumph, and the victor won the right to treat the defeated as he pleased. Alas that Marsyas was deaf to the subtle warning that lay veiled within, as the curse brandished its edge, and the proud Satyr accepted. The stage was set. Marsyas took the pipes his beloved pipes, Apollo the lyre with which he was so skilled. The god played first. What ambience the grove had never known! With each pluck of the god's fingers upon the strings, soothed was the soul of all beings present, and the Muses sighed in awe of their master. When the god finished his piece, all gathered saw the end coming for the Satyr. But Marsyas, spurred on by the curse, boldly raised the pipes to his lips. With a jolt the gathered assembly was stunned into silence. With each honey soaked note, the very forest itself seemed to sing, vibrating with raw power. All earthly woes lay distant and forgotten for all mortals there that day, and warmed were the hearts of the Muses. Incensed by fire, alas, was the heart of Apollo. Just as the Satyr neared the boundary of the grove, victory near at hand, the god called to him. If the Satyr could play as he could now, Apollo would concede defeat. Intrigued, yet proud, Marsyas agreed. Without delay did the sun god spin his lyre around, striking a haunting melody, his instrument upside down. The Muses, delighted, applauded the god's performance, before turning to Marsyas, expectant. With a glint of malice in his eye, well did Apollo know that it was impossible to play the pipes upside down. Too late did the Satyr realise this too. His mouth went dry with terror, as the judges were struck with disappointment. To the son of Zeus was triumph assigned, and to the Satyr, ignoble defeat

Marsyas Flayed
Painting by Titian

Near dumbstruck, the Satyr watched helplessly as the god approached, vengeance that only a god could muster flaming in his eyes. Poor Marsyas searched for words but none could be found, none to quench the fire before him now. Hands grabbed him from all around, and terror flooded his veins. Thus was begun a punishment terrible to behold. Strapped to a nearby oak was the quivering Satyr, and tightly bound. The servants of Apollo seized their blades and descended upon poor Marsyas.







                  " 'Why do you tear me from myself, he cries?
                     Ah cruel! Must my flesh be made the prize?
                     This for a mere pipe?' He roaring said,
                     Meanwhile the skin from off his limbs were flay'd.
                     All bare, and raw, one large continu'd wound,
                     With streams of blood his body bath'd the ground.
                     The blueish veins their trembling pulse disclos'd,
                     The stringy nerves lay naked and expos'd;
                     His guts appear'd, distinctly each express'd,
                    With ev'ry shining fibre of his breast... "
                      - THE PUNISHMENT OF MARSYAS


His muffled screams were the last song of Marsyas, raw muscle and tendon bare to the elements now. Such was the justice of Apollo, so great the price of a mortal daring to raise himself above a god.

But not all beings shared Apollo's wrath. The fauns, silvans, nymphs, naiads and spirits of the forest, once serenaded by the Satyr's song, came to his mutilated corpse. Tears flowed from their eyes at their gaping loss, the knowledge that his pure song might never woo them again. It is said that even vengeful Apollo himself was later moved to regret, and not readily did he string his lyre in ages to come, remorseful of his act. "With their tears that flow'd, a kindly moisture on the earth bestow'd, that soon, conjoin'd, and in a body rang'd, sprung from the ground, to limpid water chang'd; which, down thro' Phrygia's rocks, a mighty stream, comes tumbling to the sea, and Marsya is its name..."

Like poor Actaeon before him, Marsyas felt the terrible fate of stumbling innocently in the path of a god. It was the folly of a fool to violate the laws of Heaven, but to challenge them openly, why only those blind to all other things would dice with such death. Nevertheless, even in the ancient world there were many who questioned the magnitude of poor Marsyas' punishment...

United Kingdom

Penguin Classics
Metamorphoses: A New Verse Translation (Penguin Classics)
(A version which favours ease of understanding than high poetry)

Oxford World's Classics
Metamorphoses (Oxford World's Classics)
(A version which favours ease of understanding than high poetry)

United States

Penguin Classics
Metamorphoses (Penguin Classics)
(A version which favours ease of understanding than high poetry)

Oxford World's Classics
Metamorphoses (Oxford World's Classics)
(A version which favours ease of understanding than high poetry)