The Children of Niobe

The Children of Niobe
Painting by Jacques Louis-David

Cursed indeed was the House of Tantalus. A divine and royal line descended from Zeus the Thunderer, polluted by murder and betrayal. For Tantalus, the King of Phrygia, had dared to deceive the gods, had slain his own son and now lay condemned for eternity in the dark unyielding night of unholy Tartarus. Yet far above the blackened plain the accursed king left a daughter, Niobe, a sister to Pelops. Alas that the sole heiress to the line inherited her father's pride! For oft did Niobe dare to think, that she and she alone stood high as the gods, oblivious to Arachne's fate.


There came a day in that Phrygian city, as all years, when the folk gathered from across the land to honour Leto, the Titaness upon whom the eyes of Zeus had once lingered. Hither and thither the Phyrgians strayed, all the land caught up in the hustle and bustle of festival & ceremony, song and dance.  But one among their kind was far from awash with joy, as among the royal guard there appeared proud Niobe bedecked in state., "and mad with rage, yet lovely to behold". Never forgetting her father's fate, a wrathful contempt had she for the Olympians high above. Why do these fools worship the reckless gods above, said she, with a house as mighty as hers within plain sight. Her line, who had dined with gods, held Phyrgia within her grasp, knew the Titan Atlas as an ancestor who bears the Heavens above, and groaned beneath the riches of Asia? Why look to the distant gods beyond, when all this lay here and near? But of no thing was Niobe more proud than the children she bore:

                   " Seven are my daughters, of a form divine,
                     With seven fair sons, an indefective line...
                     There Leto a mother was, of two at most,
                     Only the seventh part of what I boast.
                     My joys are all beyond suspicion fix'd,
                     With no pollutions of misfortune mix'd,
                     Safe on the Basis of my pow'r I stand,
                     Above the reach of Fortune's fickle hand... "
                            - THE HUBRIS OF NIOBE

Far beyond and high above, atop the shady Mount Cynthus the goddess lurked, and clear as daylight did she hear the wicked words. A godly anger rippled through her form, Niobe's offence driven deep to her heart. To her two great children, Apollo and Artemis, she turned. "Nay more, the imp of Tantalus has flung reflections with her vile paternal tongue; has dared prefer her mortal breed to mine, and call'd me childless; which, just fate, may she repine!". In haste golden Apollo set about his vengeful mission, hearkening to his mother's will. Swift behind soared Artemis the lady of the hunt, whose deadly wrath mortals had come to fear.

The Dying Niobid
Sculpture by James Pradier

Beyond the walls of the Phrygian city there was a boy riding on the plain. The first of Niobe's brood, Ismenos, sighed deeply, when Apollo's dart speared his breast, and from his towering steed his body crashed. Sipylus next met deadly fate, when upon seeing his brother's end, he dared to flee. As the stormy winds he flew, but Apollo's aim was true. Transfixed in the neck, paralysed he stood, life force leaking where it could. At youthful Phaedimus the sun god took aim, and his brother Tantalus who bore his grandsire's name. Both brothers were wrestling on the plain, straining every nerve and muscle in their game. With a mighty shot Apollo pierced them both, their life turned black as coal, as from their mortal forms fled their soul. Grieving Alphenor saw their plight, beating his chest with sorrow, he moved to embrace the fallen boys, before by keen aimed dart he fell. Pierced through the heart, for Apollo had aimed for no other part. Damasichthon next, beardless and young, cried out for mercy, but alas the god heard him late. Two arrows sheared his form, one the knee one somewhere warm.

Swiftly did the news reach Niobe's ear, grief and anger mingled into one. But humility she knew not, as towering was her pride still. Poor Amphion her husband, stricken with the darkest thought, had sheathed a dagger and driven into into his breast. Tears streaming from her eyes, Niobe roared in defiance "Tho' seve'n are slain, superior in number I remain". Her daughters looked upon her, seeing the doom their mother had brought on them now. Far above Leto screamed, and to her call deadly Artemis soared. The bow's thunderous twang echoed through the vale, as in terror all wondered what it would hail.

Around the pyres of their seven brothers they stood, seven daughters who need not have suffered, clad in garments of mourning black. From the eyes of one and the eyes of all fell a tear of purest grief. When that one was stung a sudden by more than emotion, the others tried in vain to remove the lethal dart. "But to grim death her blooming youth resigns, and o'er her brother's corpse her dying head reclines". A silent arrow, winged death, arcs through the skies, more cries silenced. The deadly huntress of the moon, so skilled in tracking game, found no challenge in her dark work, as one by one the seven fell, each pierced by a different death.

The Weeping Mountain
Image taken from the Wikimedia Commons

How lamentable now was Niobe's state, hardened with woe, and dying with grief, for my her own word had she condemned herself, and fourteen lives otherwise pure. Her hair moved to no rippling wind, her eyes faded and fixed within her head. Her deadly tongue called no more, within her veins the blood began to stall. Transfixed in stone her body was, atop Mount Sipylus, the Weeping Mountain. Unafflicted by stormy winds, yet pierced by grief and wounded pride, there she stands even today, a warning of unearthly pride, for no rest can she find...

United Kingdom

Penguin Classics
Metamorphoses: A New Verse Translation (Penguin Classics)
(A version which favours ease of understanding than high poetry)

Oxford World's Classics
Metamorphoses (Oxford World's Classics)
(A version which favours ease of understanding than high poetry)

United States

Penguin Classics
Metamorphoses (Penguin Classics)
(A version which favours ease of understanding than high poetry)

Oxford World's Classics
Metamorphoses (Oxford World's Classics)
(A version which favours ease of understanding than high poetry)

The Birth of Bacchus

Of all the Olympian deities at the head of the Classical Pantheon, one was something of an enigma among the rest. Dionysus, or Bacchus as the Romans knew him, had a curious pedigree. His mother was no grand spirit of the forest nor thundering deity, but an otherwise ordinary mortal woman. His father, on the other hand, was none other than Zeus the Thunderer, King of the Gods and son of the Titan Kronos. From this peculiar union came a peculiar child, brought forth in a most peculiar birth...

Jupiter and Semele
Painting by Sebastiano Ricci

Daughter of Cadmus, founder of the great city of Thebes and sower of the Dragon's Teeth, and Harmonia his wife, Semele lived a relatively ordinary life in the Boeotian countryside as a priestess of Zeus. That was, although, until the day came when after a sacrifice, she swam in the river Asopus. Far overhead, an eagle soared. Regal though the imperial bird was, its feathered form within concealed the true Emperor of the Sky. For no eagle it was in truth, but Zeus himself, come to collect his offering. But the eyes of an eagle are keen indeed, and from on high the Thunderer spotted the one from whom this offering had come. Under the gentle, glassy surface of the Asopus his baleful gaze pierced, and there his priestess he saw. Not for the first time nor the last did the Son of Kronos become ensnared by a mortal woman. Down to the earthly plain the thunderous monarch descended, and so began the affair that would spell her doom. No mortal yet had resisted the charms of Zeus, and hapless Semele would not be the first. The deed done, back to Olympus he retreated, assured of secrecy. Or so he thought.

Hera alone, Queen of the gods, ever watchful of the infidelities of her husband, scoured the earthly plain. Her feud with Semele's kin ran deep, for she "joy'd to see the race of Cadmus bleed; for still she kept Europa in her mind". A nameless spy in her league brought word to her that Semele, daughter of Cadmus was rich with the seed of a god, and carried in her womb a future god. Her paranoia and suspicions flared, and to terrible fury was she roused. "Are my reproaches of so small a force? 'Tis time I then pursue another course: It is decreed the guilty wretch shall die, if I'm indeed the mistress of the Sky". In the Classical World, the dark powers had no fury like a Hera scorned, and she concocted a vile stratagem in her vengeful mind, and vowed that Semele would die, and her slayer would be none other than Zeus himself.


In a golden cloud she descended to the Earth, coming to the gates of Semele's lodge. But no divine form did she take, but the wrinkled visage of Beroe, Semele's nurse. "In her trembling gait she totters on, and learns to tattle in the nurse's tone". Greeting oblivious Semele as only the special bond between nurse and child can, she was welcomed warmly into the daughter's house. Veiling her rage, Hera beguiled Semele with softly spoken stories and fables of old. Semele confided in her nurse the affair, and that she indeed bore the seed of Jove. If her veins of ichor thundered with anger, the goddess buried it deep within. She sowed doubt in Semele's mind, and asked how she could know that this man was indeed the Lord of Olympus. To test the veracity of her suspicion, the nurse proposed a simple test:


                  " Bid him, when next he courts the rites of your affection,
                    Descend triumphant from th' ethereal sky,
                    In all the pomp of his divinity,
                    Encompass'd round by those celestial charms... "
                         - HERA'S RUSE

The Birth of Bacchus
Painting by Nicolas Poussin

The unwary girl, snared on Hera's trap, was racked with doubt at what she said. Who was in truth the father of her as yet unborn child? She had to know, and would not rest until she knew. So when Zeus the father of gods and men came once more to the maiden's fold, Semele confronted him, though hid her ruse. She asked the Son of Kronos if she could have but one thing. Zeus replied "Whate'er you ask, may Styx confirm my voice, choose what you will, and you shall have your choice". Powerful indeed are the winds of Fate, for though mighty indeed was the ruler of Olympus, even he to Fate must bow, and to renege on a promise would be to overturn the cosmos in fire. He dare not refuse her request now. "Then", said Semele, "when next you seek my arms, may you descend in those celestial charms...". Zeus immediately felt a pang of dread, for no mortal could bear to look upon a god in his full glory, too fiery to behold to mortal eyes. He longed to defeat her call, but he had given his word and dare not refuse.

Bacchus Enthroned
Painting by Rubens

So resigned to his beloved's fate, Zeus the Thunderer rose to Olympus. "To keep his promise he ascends, and shrouds his awful brow in whirlwinds and in clouds; whilst all around, in terrible array, his thunders rattle, and his light'nings play". The Son of Kronos to him summoned all ethereal powers of the Heavens, the very essence of a god, the powers which wove the Universe together, the power to rend it asunder, the power to level mountains and the power to induce love and hate, the power to shatter pride and citadel alike, the power to melt the Earth and freeze the Sea, the power to give rise to live and the power to obliterate it all. To him now he called these things, there to show the true power of no mere god, but the god of gods himself. Worked up to holy fire and divine conflagration, radiating with power, "the illustrious god, descending from his height, came rushing on her in a storm of light". As the mightiest tidal wave summoned from Poseidon's depths crashes upon the lowliest shell upon the beach, the power of Zeus fell upon mortal Semele now. To feeble her frame, to weak her sight, even with eyes closed, in face of ageless omnipotence and thunder's fury, amidst all the wonders she desired Semele was consumed, her mortal form blasted asunder as Hera knew it would be. So her vile schemes bore the accursed fruit, for her rival had been undone by the adulterer himself.

Torn with grief, a tear dropped from the eye of Zeus, until through saddened sight he saw one ray of hope. A child, where once Semele stood, lonely and alive amid the destruction screaming lay. Spared his poor mother's fate, for within his veins flowed the life force of the father, Bacchus drew his first breath. Yet the boy was not yet fully formed. Nine cycles of the moon had not yet come to pass since his conception:


                 " But, to preserve his offspring from the tomb,
                   Jove took him smoking from the blasted womb:
                   and, of on ancient tales we may rely,
                   Inclos'd th' abortive infant in his thigh... "
                         - ZEUS TAKES THE INFANT BACCHUS


So the Thunderer took his son under his alas omnipotent wing. Months passed and Zeus felt a pain in his leg. Knowing the time had come, to the land of the Niseans he came, and from the thigh of Zeus was Bacchus born again, complete at last. To the care of their people the Thunderer placed the babe, where in peace and serenity he would be raised nurtured on Nisean milk. But the adventures of Bacchus had all but begun, and the rage of Hera was far from quenched...

United Kingdom

Penguin Classics
Metamorphoses: A New Verse Translation (Penguin Classics)
(A version which favours ease of understanding than high poetry)

Oxford World's Classics
Metamorphoses (Oxford World's Classics)
(A version which favours ease of understanding than high poetry)

United States

Penguin Classics
Metamorphoses (Penguin Classics)
(A version which favours ease of understanding than high poetry)

Oxford World's Classics
Metamorphoses (Oxford World's Classics)
(A version which favours ease of understanding than high poetry)

The Flute and the Flayed

Ancient lore is ripe with tales of gods and monster, heroes and heroines and their wars, affairs and voyages. Oft is fate written in the stars, virtue praised and pride punished. When mortals rise above their stations, they are punished. But the divine powers are flawed too. Sometimes even the gods could go too far...

Athena
2nd Century AD Roman copy of a Greek original

Legend says that a long time ago, in the Golden Age of the Olympians and heroes, the goddess Athena, daughter of Zeus the Thunderer, was wandering in the sunny vales of the forest of Phrygia. The goddess' chaste ears pricked up at the sound of the birdsong in the breeze, a soothing accompaniment to the percussion of the rustling leaves. Filled with a peculiar joy, she was filled with a passion to make merry in the forest. Taking from the leaf strewn earth the bones of a young doe, the goddess fashioned from them a strange instrument. Whittling a series of pipes from the matter, she lashed them together and considered her new craft. With a modest intrigue, she placed the pipes to her mouth and blew. What a fair sound it was indeed; a soft vibration, a gentle melody and hypnotising note. Spurred on, bolstered by the music of the forest, the virgin goddess could scarcely put them down. Soon her absence was noted on the snowy peaks of lofty Olympus, and gossip flew to and fro, from scheming god and intrigued goddess. All too happy to share her new art, Athena proposed to show them all the sweet sounds at a lavish banquet in Heaven's Halls.


The eve came and the resplendent array of the skies awaited, fascinated by what was to come. When the moment came, the goblets were empty, the ambrosia consumed, the goddess rose to her feet. Brimming with excitement and nerves, she began to play. In the beginning, all was well, as the dulcet tune serenaded the divine array, and seldom were such sweet tones heard in the Palace of Olympus. Zeus the father of gods and men looked merrily on, proud of his daughter's talents. Hephaestus, master of the forge, sat entranced by the music so seldom heard in the roar of the furnace. Ares, lord of war, for whom the screams of the dying were oft his cadence, could scarce hide his delight. But it was then that the eyes of Pallas Athena saw Hera and Aphrodite. Far from listening with rapture, it was with a fits of laughter they returned her song. Though fair and noble, terrible could be the warrior maiden's fury. In anger she departed, seeking solace in the wilderness. When strolling the paths of the Forest of Ida, she stopped by a great pool of glassy water, her joy poisoned by doubt. She took up the pipes once more, and for the last time did she play. In the soft ripples of the water did she see her image cast, and within was held the revelation she sought. She had not noticed until now that as she played, she puffed her cheeks out proudly, their oft white complexion soon a crimson red. Frustrated by the immaturity of her fellow goddesses, with whom she bore a ruinous rivalry, she cast her creation aside. Laying upon the pipes a curse, she vowed calamity upon whomsoever should play them again. Woe that her malediction should have found a mark.

Marsyas in the Forest
Painting by Pyotr Basin

One day, when the memory of the pipes had passed into legend, there lived a shepherd who made Forest of Ida his serene home. His name was Marsyas the son of Oeagrus, and no man was he, but a Satyr. A servant of the god Bacchus, the Satyrs lived a merry life of revelry, dancing and song, frequently spreading havoc and drunken anarchy where their cloven feet trod. Marsyas, however, possessed a gentler spirit, preferring the solitude of the forest to the chaos of the plains. There came a day, however, that neither the Satyr nor the forest would ever forget. Stumbling upon a clearing in the thick canopy of the trees, where lay a crystal pool of ice cool water, Marsyas stopped to refresh. Throwing the pleasant water over his face, he gave a sigh of satisfaction, droplets from his tangled beard breaking the mirror like reflection of the surface. Turning to dry his face, however, he spotted a strange yet curious thing cast in the bushes at the water's edge. Stained with earth and covered in moss, it seemed a relic of an ancient past. Picking the strange object up, the Satyr, acquainted as all Satyrs are with the ways of merriment, realised at once that it bore the form of an instrument. Scraping aside the grime and muck, dousing it in the clear water, he saw the simple pipes in their fresh glory.


Tentatively, the Satyr put the pipes to his lips and blew. The note was rough, but charming. He blew again. Better, but a shade of the performance of the instruments original creator. For an age did Marsyas obsess over the pipes, unable to resist the allure he could not explain, the will to keep playing. Throughout the hours when the sun drenches the Earth did the Satyr practice anew, studious and assiduous. Day by day the Satyr's prowess grew, and with his talent came music sweeter than ever before. Birds began to perch upon nearby boughs, listening intently to Marsyas' song, the notes fairer even than their own. Creatures and being from far and wide began to marvel at the Satyr's song, but before long the curse began to manifest. Pride, the ruin of the great, wove its intoxicating spell in the Satyr's mind, as his humility could deflect the shower of praise no more. Time passed, and soon Marsyas declared himself a musician beyond compare in the world. The fatal hour arrived when the Satyr challenged Apollo, the god of music himself, to a contest.


High on Olympus, Apollo heard his challenge, and the god was angered by the daring of a mortal. Soaring down from the frozen summit, Phoebus Apollo came before Marsyas, and the admiring crowds scattered in fear and awe. Shaking with rage, Apollo declared the contest begun. The Muses, the spirits of the arts, were summoned to judge, and the terms were set. Whoever showed the greater mastery of music would triumph, and the victor won the right to treat the defeated as he pleased. Alas that Marsyas was deaf to the subtle warning that lay veiled within, as the curse brandished its edge, and the proud Satyr accepted. The stage was set. Marsyas took the pipes his beloved pipes, Apollo the lyre with which he was so skilled. The god played first. What ambience the grove had never known! With each pluck of the god's fingers upon the strings, soothed was the soul of all beings present, and the Muses sighed in awe of their master. When the god finished his piece, all gathered saw the end coming for the Satyr. But Marsyas, spurred on by the curse, boldly raised the pipes to his lips. With a jolt the gathered assembly was stunned into silence. With each honey soaked note, the very forest itself seemed to sing, vibrating with raw power. All earthly woes lay distant and forgotten for all mortals there that day, and warmed were the hearts of the Muses. Incensed by fire, alas, was the heart of Apollo. Just as the Satyr neared the boundary of the grove, victory near at hand, the god called to him. If the Satyr could play as he could now, Apollo would concede defeat. Intrigued, yet proud, Marsyas agreed. Without delay did the sun god spin his lyre around, striking a haunting melody, his instrument upside down. The Muses, delighted, applauded the god's performance, before turning to Marsyas, expectant. With a glint of malice in his eye, well did Apollo know that it was impossible to play the pipes upside down. Too late did the Satyr realise this too. His mouth went dry with terror, as the judges were struck with disappointment. To the son of Zeus was triumph assigned, and to the Satyr, ignoble defeat

Marsyas Flayed
Painting by Titian

Near dumbstruck, the Satyr watched helplessly as the god approached, vengeance that only a god could muster flaming in his eyes. Poor Marsyas searched for words but none could be found, none to quench the fire before him now. Hands grabbed him from all around, and terror flooded his veins. Thus was begun a punishment terrible to behold. Strapped to a nearby oak was the quivering Satyr, and tightly bound. The servants of Apollo seized their blades and descended upon poor Marsyas.







                  " 'Why do you tear me from myself, he cries?
                     Ah cruel! Must my flesh be made the prize?
                     This for a mere pipe?' He roaring said,
                     Meanwhile the skin from off his limbs were flay'd.
                     All bare, and raw, one large continu'd wound,
                     With streams of blood his body bath'd the ground.
                     The blueish veins their trembling pulse disclos'd,
                     The stringy nerves lay naked and expos'd;
                     His guts appear'd, distinctly each express'd,
                    With ev'ry shining fibre of his breast... "
                      - THE PUNISHMENT OF MARSYAS


His muffled screams were the last song of Marsyas, raw muscle and tendon bare to the elements now. Such was the justice of Apollo, so great the price of a mortal daring to raise himself above a god.

But not all beings shared Apollo's wrath. The fauns, silvans, nymphs, naiads and spirits of the forest, once serenaded by the Satyr's song, came to his mutilated corpse. Tears flowed from their eyes at their gaping loss, the knowledge that his pure song might never woo them again. It is said that even vengeful Apollo himself was later moved to regret, and not readily did he string his lyre in ages to come, remorseful of his act. "With their tears that flow'd, a kindly moisture on the earth bestow'd, that soon, conjoin'd, and in a body rang'd, sprung from the ground, to limpid water chang'd; which, down thro' Phrygia's rocks, a mighty stream, comes tumbling to the sea, and Marsya is its name..."

Like poor Actaeon before him, Marsyas felt the terrible fate of stumbling innocently in the path of a god. It was the folly of a fool to violate the laws of Heaven, but to challenge them openly, why only those blind to all other things would dice with such death. Nevertheless, even in the ancient world there were many who questioned the magnitude of poor Marsyas' punishment...

United Kingdom

Penguin Classics
Metamorphoses: A New Verse Translation (Penguin Classics)
(A version which favours ease of understanding than high poetry)

Oxford World's Classics
Metamorphoses (Oxford World's Classics)
(A version which favours ease of understanding than high poetry)

United States

Penguin Classics
Metamorphoses (Penguin Classics)
(A version which favours ease of understanding than high poetry)

Oxford World's Classics
Metamorphoses (Oxford World's Classics)
(A version which favours ease of understanding than high poetry)

The Midas Touch

What we do in the heat of the moment can very often be the thing which defines a person. Often it is in such moments that decisions are made which can make or break a person. One who is too readily slave to the passions will crumble. One such man was Midas, whose story more than any other issues the dire warning - Be careful what you wish for...

Drunken Silenus
Painting by Peter Paul Rubens

Long ago in most ancient times, the satyrs and nymphs, servants of the wine god Bacchus, came from far and wide in the country to honour their god of the grape. Great was the party, and greater still the revelry. The dances rose, and the wine flowed, and Bacchus was appeased. When the fell rites at last saw an end, the inebriated spirits retreated to the shadows. All but one. For, after the night's indulgences, the aged Silenus, feeble with age and wine, had lost his way. The drunkard collapsed in a field, paralytic from drink, and as the Sun rose, mortal men soon spotted him. For he slept in the pastures of deepest Anatolia, where in such days there was once a powerful kingdom known as Phrygia. Ruling the great city of Pessinus was her King, Midas, son of Gordias, a poor farmer, and the goddess Cybele. The Phrygians, puzzled by their intoxicated guest, bound him in chains, and brought him before their dread sovereign. But Midas was a learned man, schooled in the ways of the Olympians, and saw the rites of the debauched god. Seeing the pedigree of his strange guest, however depraved he might be, Midas welcomed Silenus to his court. The King treated the spirit kindly, declaring a feast in honour of Bacchus. For ten days and nights festivity reigned, in merriment and in joy, and Midas honoured all good bonds between host and guest. The eleventh came, and Midas faithfully lead the catatonic spirit back to the fields, and the welcoming arms of his deity. That day the god of wine, Bacchus himself, stalked Phrygian fields, in search of his kin, father as he was to them. Hearing the exuberance of the extravaganza, the god saw Silenus seated there, pride of place before the Phrygian court, and the god was pleased. Entering the royal pastures in all his divine glory, Bacchus came to the suppliant King, and kindly was his gaze. Bacchus spoke to Midas, and offered him one wish, unbound by limit, that he might reward the kindness of the mortal King. Midas, his might racing at this mighty gift, alas that he delayed not to think! The King, seeing visions of bounty beyond dreams, burst out:


         " 'Give me' says he, nor thought he asked too much,
            That with my body whatsoe'er I touch,
            Chang'd from the nature which it held of old,
            May be as yellow gold... "
                    - THE WISH OF MIDAS

Bacchus, son of Zeus, frowned, disappointment clear upon his Olympian face. Unimpressed, yet true to his word, the god granted Midas his fatal wish, though deep inside did he think a fool no better wish could find. At Bacchus' command, all things would transform at the King's touch. Wood, metal and all other things now became as gold at Midas' touch. His pact honoured, the wine god departed those lands, spirited away to Mount Olympus, knowing the folly that had now been unleashed.


In the moment, however, Midas was ecstatic to the core. Wide was his smile, and high were his leaps of triumph, as he paraded through his realm. Too excited to delay, "down from a lowly branch a twig he drew, the twig strait glitter'd with a golden hue: he takes a stone, the stone was turn'd to gold; a clod he touched, and the crumbling mold acknowledg'd soon the great transforming pow'r...". The King cast his eye far and wide, all consuming greed taking his mind in its vice like grip. Into the meadows he went, and over the sheaves of corn his fingers did he run. His grasp emerged, ears of dazzling gold shining. To the orchards next he dashed, plucking an apple from on high. He stoops to look upon his succulent prize, but lush it is no longer, for now it seems of bright Hesperian gold, as that fruit which accursed Paris scorned of old. Returning to the palace, hewn of magnificent marble columns high. Carelessly, he layed his fatal hands upon the gate, a flash, and with shining gold the fluted pillars blaze. Feeling warm from the day's activity, the King moves to bathe in soothing waters. Into amphorae the servants take the ice cold stream, and over the King do they pour, but in vain, for at his touch the water is as Danae's shower. To see these spectacles of nature strange, fire Midas like never before. His realm would be the greatest in all the world, a realm of gold itself. What could possibly stand before him now, what could possibly be the folly of such a mighty gift? Not far beyond did the King have to look to see the answer plain.

Midas's Daughter
Illustration by Walter Crane

Overjoyed at his omnipotence, the King declared a sumptuous feast, celebrating the eternal wealth of his land, with guests invited from far and wide. Spread with glorious meats, cheeses, fruits and the bounty of the earth was the table, and the hunger stricken King sat down at once. Reaching eagerly for a nearby plate, Midas raises it to his mouth, "whose pow'rful hands the bread no sooner hold, but its whole substance is transform'd to gold". Shocked to his soul, Midas reached desperately for the delicious meat on his other side. But no! That too is now as a nugget of purest gold. Fearful now, his seizes his goblet, now gold, and drinks deeply of the grape. but, "touch'd by his lips, a gilded cordial grew; unfit for drink, and wondrous to behold, it trickles from his jaws fluid gold". Terror cold his body now did flood, as starvation now stalked Midas, and Death close behind, scythe raised to claim the foolish King. But worse was to come, for in that moment a great cry of joy rang in the halls. The daughter of the King, overjoyed to see her father returned from his travels, ran across the hall to embrace him. Before Midas could react, she threw herself into his lethal arms. With a scream of anguish, the King looked on, powerless to help, as the girl's warm flesh was now hard, cold, and gold, a statue now. All present recoiled in fear from the King, fearful of his 'gift'.

Midas pleas to Bacchus
Painting by Nicolas Poussin

To his knees did Midas fall, wracked with grief and guilt raw. "Starving in all his various plenty lies, sick of his wish, he now detests the pow'r, for which he ask'd so earnestly before". The pain of loss, mingled with the agony of famine struck the King now, tortured too by dreadful thirst. Tearing from the now gilded halls of his golden court, Midas fled into the hills, tears shining as the sun. After a long time of wretched grief, he casts his eyes about. It is the very same pasture whence the god had granted this cursed gift. Throwing his arms to Heaven, the King threw himself upon the mercy of Bacchus. " 'Oh father Bacchus, I have sinn'd', he cried, 'and foolishly thy gracious gift apply'd! Thy pity now, repenting, I implore; Oh! may I feel the golden plague no more". Pity it was that moved Bacchus to his salvation, as the wine god saw his suffering. The voice of the god rang in Midas' ears, as the gift was swept aside and cruel metamorphosis stayed its hand. Bidding the weary King to the river near, Bacchus released all things from their golden gaol. Into the stream Midas plunged, and the gift of gold washed away with the rapids. The evil stain was washed away, though ever after were the riverbeds of Asia golden in their hue. From its curing fount all things were restored, and the King's daughter was statue no more, but adoring daughter as before. Too happy to speak, Midas thanked Bacchus in his heart, and a better man Midas ever after was, though never ceasing was his hatred of wealth...


United Kingdom

The Metamorphoses
Metamorphoses: A New Verse Translation (Penguin Classics)
(A Roman epic poem, telling many of the myths of the Classical world)

United States

The Metamorphoses
Metamorphoses (Penguin Classics)
(A Roman epic poem, telling many of the myths of the Classical world)

The Seeds of the Pomegranate

Myths have, in so many civilisations, sought to explain what science could not. As science evolves, so too do myths. For man today ever seeks to understand the world in which he lives, no less than the man of three thousand years ago. One such phenomenon in nature was the changing of the seasons, a thing so critical to man's bond with the land. Here is one such story of how the seasons came into being.

Demeter
Photograph taken by Marie-Lan Nguyen
Sculpture in the Vatican Museums

One of the quieter goddesses, Demeter yet held a honoured position on Mount Olympus. She remained, after all, the sister of Zeus himself, and a daughter of Kronos, greatest of the Titans (for the story of their birth, please click here). Whilst her illustrious brothers reigned at the forefront, diligently watching over the affairs of man and the deeds of heroes, Demeter took a quieter role in the cosmos. For she was the lady of the harvest, to whom all men prayed to grant abundance to their crops. In these most ancient times, the bounty of the Earth was great all year round, as bushels of corn burst forth from the fields each day. There was, however, one thing Demeter treasured above all else. Persephone, her daughter, was renowned throughout the world as a paragon of beauty. Where mother and daughter walked, the sun shone brightly, flowers bloomed, the grasses rippled in the gentle breeze and the maize swelled at their fertile touch. Many gods had sought her favour, but Demeter had refused all suitors to Persephone. One god, more than any other, grazed by Cupid's arrow, was transfixed by her. His cold and dark demeanour could not have been further away from the sun drenched world above. For he was Hades, the god of death and lord of the Underworld, who rued the grisly world gifted to him at the Creation. His divine flesh was tinged with a sickly pallor, deprived of sunlight far below the surface of the Earth, and the light of life was far distant from his eyes. But longingly did he look upon Persephone.

Enna
Photograph taken by Massimiliano Canale

One day, Hades could endure the torment no longer, and came before Zeus, high on Mount Olympus. The Thunderer, surprised to see his brother in the Overworld, was stunned to see the anguish upon Hades' face. The god of the dead bowed before Zeus, and implored him to grant Persephone to him so that she could be his wife. The King of the gods was troubled by this request. For Persephone was also his daughter (incest being an alas regular occurrence in Greek Mythology), and she would never forgive her father for sending her to the dank depths of the Underworld. What was more, Demeter would never allow it, having spurned so many other deities before. Yet Hades was his brother, and he had no wish to offend him. What then, was the King of the gods to do? Torn by his duties, Zeus resigned to neutrality, neither granting Hades' wish, nor denying it, sending his brother away while he deliberated. Time passed, and the lord of the dead grew restless in his black abode. If Zeus had not forbidden it, then he must be allowed to, he thought. His patience gone at last, Hades resolved to take Persephone himself.

Hades seizes Persephone
Painting by Nicolò dell'Abate

Meanwhile, far above on the golden meadows of Sicily, Persephone and her handmaidens were dancing in the rolling fields. Revelling in the summer bloom, the goddesses were picking flowers near Enna, for a magnificent garland. Just then, Persephone noticed the particularly vibrant petals of a narcissus. Leaning over, she clasped the flower. As her soft fingers closed around the stem, a deafening roar shook the Earth. The goddesses screamed and jumped back in fear, for before them a vast fissure had torn the Earth asunder, a pit to the black abyss. Bursting forth from within came the god of the dead himself, in all his deathly glory, on a mighty chariot pulled by four towering black steeds. With a strength belying his ghostly complexion, Hades seized Persephone by the waist and took her into his chariot. With a crack of the whip, the god made haste, and hurtled back to the blackness of the abyss, as the handmaidens looked on, paralysed with shock and terror. The gaping maw of the chasm pulled shut with a roar, and the gateway between this world and the nether world sealed. Where once there was song, only silence prevailed.


Demeter, as yet unaware of Persephone's fate, called out to her daughter. When no reply came, she called again and again. Confused, and worried, the lady of the harvest looked, but did not find. Soon her worry turned to fear, as she could find her nowhere. Across the land she frantically searched, but no trace of her was to be found. For nine days the goddess searched, oblivious to hunger and fatigue. Distraught, soon Demeter found Persephone's belt, lying where she had been seized.


  " When she saw the gate-keepers fled, the house unguarded,
     the rusted hinges, the overthrown doorposts, and the miserable state
     of the silent halls, pausing not to look again at the disaster,
     she rent her garment and tore away the shattered corn-ears along with her hair.
     She could not weep nor speak nor breathe and a trembling
     shook the very marrow of her bones; her faltering steps tottered... "
                              - THE GRIEF OF DEMETER


Weeping, and angry, soon she neglected her duties as goddess of the harvest. Crops failed throughout the land. The grass withered and dried, green became brown, and maize became empty husks.  Wherever she trod, desert spread. Soon cattle, stricken with famine, collapsed in the barren fields. Mankind began to suffer too. Starving, soon people felt death's stricken hand drag them down to the House of Hades. The other gods came to Demeter and begged her to release the world from the deadly grip it was now locked in. But their pleas fell upon deaf ears, for Demeter thought only of  finding Persephone. Crying with frustration, Zeus ordered Hermes, the messenger of the gods, to travel down to Hades' realm, and release Persephone from the dark god's grip.

The Abduction of Persephone
Photograph taken by Steffen Heilfort

Meanwhile, deep in the depths of the Underworld, Persephone lay, a sad and melancholic shadow of her former self. Hades tried in vain to bring her round, and reconcile her with her new life, showing her the wealth that lay below the ground. The god of the dead held a large banquet to celebrate their wedding. Just as Persephone, resigned to her torment, placed her hand upon a pomegranate before her, a blinding light flashed throughout the darkness. Hermes appeared, in all his divine glory, commanding Hades to release his new bride. The dark god dared not disobey a direct order from Olympus, and reluctantly set her free, but with an odd indifference. Puzzled by the ease with which Hades handed her over, Hermes nevertheless took flight upon his winged sandals, bearing the new Queen of the Dead high to Olympus' lofty heights.

The Return of Persephone
Painting by Frederic Leighton

A storm of cheers raised the heights of the Divine Mountain as Persephone tentatively stepped into the banqueting hall, with the array of gods enthroned before her. With a cry of exultation, Demeter threw herself forward and embraced her daughter, tears of joy rolling down her fair cheek. All seemed well at last. The rains came, the drought subsided, and the crops grew plentiful once more. But then, at the moment of triumph, came forth the god Ascalaphus. A servant of Hades, who yearned for favour from his dark master, Ascalaphus, with a look of savage pleasure on his face, informed the assembled crowd that since Persephone had eaten the food of the Underworld, she was forbidden to leave it. The joy broke to silence. Jolted to the very core, Zeus realised he was right. The laws of the Fates were absolute, for it was indeed the law that any who took the food or drink of the Underworld was condemned to spend an eternity there. Persephone broke down in tears, for in her absent minded grief, she had eaten four seeds from the pomegranate at Hades' table. Demeter rounded on Ascalaphus in fury, and in her anger turned him into an owl, and he was forever banished from the domain of the gods. Pleading at the feet of Zeus, she begged the Thunderer for help. The gods debated long into the night. If the Fates were defied, the cosmos would be overturned in Chaos. But if Persephone could not be free, man would, for a second time, be hurled headlong into the grasp of death.

Dawn arrived. Demeter came before Zeus, awaiting his verdict with terror. Torn by inner conflict, the Thunderer decreed that since Persephone had eaten four seeds of the pomegranate, for four months of the year she would dwell with Hades in the Underworld. For the remaining eight, however, she was free to return to the Earth. So ever after, for much of the year the world was bathed in light and burdened under the fruits of the trees. As Persephone's time in Hades approached, Demeter grew sad again, and the land turned a shade of brown, and leaves began to fall from the trees, bringing Autumn. When Persephone descended to the Underworld, Demeter's grief was absolute, and the world was shrouded in white, and ice spread her glittering sheets across the land, bearing Winter. So the comings and goings of the seasons were born...

 United Kingdom

The Library of Mythology:
Apollodorus - The Library of Greek Mythology
(A vast collection of the myths of old Greece, written in ancient times, and a great intro)

The Theogony:
Hesiod - Theogony and Works and Days
(A tale of the beginning of the world, and the creation of the gods, briefly mentioning this story)

The Rape of Proserpina:
Claudian - The Rape of Proserpina
(Here is a link to a poetic retelling of the story, for the adventurous!)


United States

The Library of Mythology:
Apollodorus - The Library of Greek Mythology
(A vast collection of the myths of old Greece, written in ancient times, and a great intro)

The Theogony:
Hesiod - Theogony and Works and Days
(A tale of the beginning of the world, and the creation of the gods, briefly mentioning this story)

The Rape of Proserpina:
Claudian - The Rape of Proserpina
(Here is a link to a poetic retelling of the story, for the adventurous!)

The Fall of Croesus

Today we return to the story of Croesus, King of Lydia, paragon of wealth and eager for greatness (for the first part of the story, please click here). "No man may know if he has had a happy life until it is over", came the warning from Solon, but it had fallen upon deaf ears. Croesus had it all, how could it possibly go wrong?

The Summit of Mount Olympus
Photograph taken by 'Jkelly'

However, no man or woman could become too powerful or too beautiful without disaster befalling them. For it was always upon the tallest trees that the old gods hurled their thunderbolts. One night, soon after Solon departed, the gods sent a dream to Croesus, a dream with a dire prophecy, that his own son Atys would be slain by an iron spear. Roused, shaken, from his slumber, Croesus was afraid. Croesus had two sons, one deaf and dumb since birth, and Atys, the pride of the Kingdom. Desperate to ensure the dream would never come to pass, Croesus ordered all spears, swords, javelins and all manner of weapons removed from the men's quarters, and forbade his son to leave the Royal Palace. One day soon after, a delegation arrived from Mysia in Greece. They bowed before the King and pleaded with him to send Atys and his finest men to help them, for a monstrous boar had descended from Mount Olympus, spreading carnage wherever it went. Fearful of the dream, Croesus replied that Atys would have to remain behind, but he would send his finest warriors in his stead. The Mysians were disappointed, but gratefully accepted. Seeing the disheartened delegates, Atys implored his father, begging to be allowed with them. Seeing no way to delay so any longer, Croesus reluctantly told to his son the story of his vision, and how he could never let it come to pass. "What a dream!", Atys exclaimed. Though humble before the gods, Atys was a brave man, and he tried to console his father, explaining that the dream had referred to an iron spear, not a tusk, and he would march against boar, not man, and so he was quite safe. As the commander of the Lydian army, it was his duty to prove himself a man before it too. Delighted at this line of thought, Croesus, relented, and bade his son farewell.


Days passed, and then, a messenger appeared in Sardis, burdened and torn with grief. Atys, the man told Croesus, had been killed. "But how can this be?!" the enraged King shouted. Relating his tragic story, the man told the King that the party had tracked the boar to the very slopes of Olympus, after a long and gruelling chase. As their victory drew near, the boar made to gore the King's son, and, meaning to save him, one of the men had hurled his spear at the creature. But in the thrashing and chaos, the iron point flew far of its target, and transfixed Atys where he stood. Croesus, and Lydians far and wide mourned their heroic prince, and an ominous sense of foreboding gripped the land.

The Persian Empire under Cyrus the Great
Map created by the author

For two whole years, Croesus mourned his son, until news was borne to Sardis that events in the East were moving fast. Far away in Asia, the once great land of the Medes had been overturned in a bloody rebellion, lead by a new man, spoken of far and wide as a divine prodigy. This man's name was Cyrus, and it would not be long before he would take the title of 'the Great'. The new nation that rose in his wake would one day become one of the world's greatest powers - the Persian Empire. Jarred from his grief, Croesus awoke to this new danger. Hearing rumours of Oracles around the world which could bear word of the future, Croesus resolved to send envoys to each, and find for himself which one was truly the greatest conduit to the gods. To the Oasis of Ammon in Libya, to the Sanctuary of Zeus at Dodona, to the Abae in Phocis, to the Pythia at Delphi, and to countless others Croesus sent messengers. Deciding upon a test for each, Croesus sent his men to ask each Oracle exactly what he was doing at that moment in time. Carefully working out on which day his messengers would arrive at the Oracles, Croesus lay in wait. Soon after, the answers of the Oracles began to flood in, and Croesus was disappointed. Just then, the messenger who had been sent to Delphi burst into the Palace with the Pythia's reply:


             " I know the number of grains of sand and the extent of the sea;
               I understand the deaf-mute and hear the words of the dumb.
               My senses detect the smell of tough-shelled tortoise
               Cooked in bronze together with the flesh of lambs;
               Beneath it lies bronze, and bronze covers it "
                                  - THE ORACLE ON CROESUS


Many in the court were deeply puzzled, but Croesus was stunned. For, as a test of the gods, on the day that his messengers came before the Oracle, Croesus decided to do something no person could predict. Going to the beach, he had cut up a tortoise ad a lamb and boiled them inside a bronze pot. The eyes of the Oracle were omniscient indeed if she had seen this. Delphi was declared the greatest Oracle under Heaven, and Croesus showered the sanctuary in his riches, with countless ingots of gold towering high in the treasuries of the Oracle. Croesus sent to the Oracle one last time. Sensing the time had come to face Cyrus at last, the King asked the Oracle whether, if there be war between Lydian and Persian, he would emerge triumphant. In one of the most famous prophecies ever to come from Delphi, the Pythia replied "If you make war on the Persians, you will destroy a great empire". Overjoyed, jubilant and relishing his coming victory, Croesus immediately made preparations for the coming storm. Soon Solon would surely have to concede he was the happiest man alive?


Marching with all haste towards the Halys River, the boundary between Lydia and Persia, Croesus sent gifts and an offer of alliance to the Spartans of Laconia, since the Oracle had advised him to march with the strongest nation in Greece. Sure that he needed no help, Croesus did not wait for assistance, but pressed on, eager for glory. One man who marched with the King, however, had a bad feeling. Speaking the words of the gods, Sandanis, as he was called, urged Croesus to turn back:


             " Their food consists of what they can get, not what they might want,
                because of the ruggedness of their land. They drink no wine, just water,
                and figs are the only good thing they have to eat. They have nothing!
                So if you win, what will you gain from them? But if you are defeated,
                think of all the good things you will lose!... "
                                      - SANDANIS URGES CROESUS TO WITHDRAW

Cyrus the Great
Image taken from a modern sculpture,
currently in Sydney

But Croesus was deaf to all warning. Bridging the Halys in haste, the Lydians and the might of Asia clashed. For a whole day the two powers fought, and thousands fell, both Lydian and Persian alike. As night fell, both sides withdrew to lick their wounds. Croesus, putting the stalemate down to lack of numbers, decided to withdraw to Sardis and await his allies there, assuming that Cyrus' losses were too great to pursue him. But the legions of Asia were without number, and the charisma of their leader was great. A spy in the Lydian camp informed the Persian Great King of Croesus' designs, and he set off in close pursuit. Before the very walls of Sardis, Croesus turned to fight once more, certain that whatever transpired, he would be victorious. The Lydian horseman charged, but were soon thrown into disarray. For as yet a Western horse had never before encountered a camel, and the sight and smell of the strange beasts struck panic into the hearts of the Lydian mounts. Scattering to and fro, the Lydians were thrown behind their walls, and the siege began.


Expecting the siege to be long and his allies to arrive soon, Croesus sat back, still confident of victory. For the great city of Sardis sat atop a dramatic plateau, surrounded by a vast wall but for the short stretch of near vertical cliff at the acropolis where the Palace stood. But, fourteen days later, Cyrus witnessed an opening. A Lydian soldier, who dropped his helmet, scrambled down the escarpment to reclaim it, and quickly climbed back up. Realising it was not as impregnable as it first seemed, Cyrus waited for nightfall, then offered a reward for the first man to reach the top. After an exhausting climb, chaos reigned, and Persian troops rampaged through the city, burning all in their path. Croesus lamented over the darkness of war, for "in peace sons bury their fathers and in war fathers bury their sons". As Persian soldiers bore down upon him within his towering, glittering and golden halls, the terrible truth was at last revealed to Croesus. The Oracle had said that he would destroy a great empire if he marched on Cyrus. She had meant his own.

Croesus on the Pyre
Image taken from a 6th century BC Attic Vase

Croesus was hurled to the floor before the Great King, and the two most powerful lords of Asia met at last. Resolving that he would leave the fate of the former Lydian King to the gods, Cyrus ordered that Croesus be bound atop a vast funeral pyre. If he was truly favoured, the gods would spare him. At the command of the Great King, torches were cast into the timbers, and the flames kindled. As the crackle of burning reached his ears, and sparks began to rise before his eyes, Croesus remembered the words of Solon. The old man had been right, fortune is fickle and only at his death does a man know that his life has been fortunate. Seeing the divine inspiration behind these words, Croesus sighed, and simply repeated the name "Solon" to the Heavens. Far below, Cyrus looked on, curious, and eager to know who it was this man called upon in his last moments. Cyrus's translators called up to him, asking him who Solon was. "Someone whom I would give a fortune to have every ruler in the world meet", Croesus solemnly replied. Stunned, Cyrus begged to know more, as the flames began to rise higher and higher. Accepting his fate, Croesus told Cyrus the story of Solon's lesson, of how he had dismissed all his wealth as meaningless, and how everything had transpired as it had been foretold. As the fire licked the soles of Croesus' feet, Cyrus took pity on him, seeing before him not a foe to be conquered, but another human being, who could just as easily be him. Desperately calling out, Cyrus ordered his men to douse the flames, but it was too late, and the conflagration roared. Embracing his end, Croesus raised his head to the skies, prepared to die. But Apollo, lord of prophecy, remembering Croesus' generosity toward his sanctuary of Delphi, took pity on him, and sent a cloud of rain to douse the fire.


Awed at the sight before him, Cyrus took the broken old man down, weeping that he had tried to destroy a man who was good at heart. "Who was it that persuaded you to invade my country, and be my enemy over my friend?" the Great King asked of him. "It was the god of the Greeks", he replied. So would be sown the first seeds of conflict between the East and the West...

United Kingdom

The Histories:
The Histories (Oxford World's Classics)
( I can not recommend this enough. The sheer number of the most gripping stories inside is formidable)

United States

The Histories:
The Histories (Oxford World's Classics)
(I can not recommend this enough. The sheer number of the most gripping stories inside is formidable)

Ixion

The fates of those condemned to punishment are often revealing windows into the psyche of another culture. Through a dramatic example, they show us at once what qualities are deplored and which are admired. It bears little wonder therefore, why criminals gain such infamy in the popular mindset. Particularly where sympathy may stain a reputation of atrocity. The men and women condemned to the depths of Tartarus in Roman and Greek lore are no different, and their stories no less remembered for it (for a story of another such man, please click here). One such man was Ixion, whose tale merges ignominy and tragedy in equal measure.

The Anguish of Ixion
Painting by Jules-Élie Delaunay.

Ixion, like the hero Bellerophon (for more about him, please click here), was of a cursed line. His father, whose name was Phlegyas, was also tormented in the Underworld, as was his sister, Coronis. One day the god Apollo, enamoured of Coronis, had ordered a white raven to guard her when his divine presence was required elsewhere. She was pregnant with the Sun god's own son, and was not to be touched by another. With Apollo's absence however, Coronis soon became infatuated with a local Lapith chieftain, a man named Ischys. The day came when Apollo returned, and the god asked the white raven if Coronis had been kept safe in his absence. The bird, fearful of its master, told him of the affair it had witnessed. Filled with fury that the raven had not pecked out the eyes of Ischys for daring to even look upon Coronis, Apollo unleashed a curse upon the bird so powerful the feathers on its body were badly scorched. Ever since this time, the plumage borne by all ravens has been black, a living reminder of their progenitor's fate. Appalled, the god of the sun pierced her with an arrow, slaying her instantly. The soul of the girl was borne to Tartarus, where it was ever after punished, yet upon her funeral pyre, her unborn son was saved by Apollo, overcome as he was by remorse. Her son was named Asclepius, and would become the god of medicine and healing, patron god of doctors. Phlegyas however, was driven mad with anger at the killing of his daughter. In retaliation, Phlegyas torched the sacred temple of Apollo at Delphi itself, committing the ultimate act of blasphemy, such that his name came to mean 'the fiery one' in the Greek tongue. Inevitably, Apollo struck the man down.

Mount Olympus
Photograph taken by Aline Zienowicz.

Such was the legacy left to Ixion, who had seen both his own father and sister slain by a god. Thirsting for vengeance, Ixion would ever after pit himself against Olympus, even the father of gods himself. One day, Ixion, like his sister, fell foul of dangerous passion. Wishing to be wed to the maiden Dia, daughter of Deioneus, but unable to afford the steep bride price (the opposite of the dowry) required, Ixion despaired. Driven to desperation, Ixion turned to deceit. Telling Deioneus that he would present a valuable gift to him in return for Dia, the two were wed, and soon ran away. In revenge, Deioneus seized Ixion's horses as compensation for the crime. Angered in turn, Ixion tried his hand at deception once more. Inviting Deioneus to a great feast, ostensibly to settle matters rationally, Ixion prepared his trap. Deioneus arrived and moved to embrace his son-in-law, but reconciliation was far from the mind of Ixion. Approaching slowly, Ixion suddenly and violently pushed Deioneus into the fire, and so 'he was the hero who, not without guile, was the first to stain mortal men with kindred blood'. The relationship between guest and host was a holy one in ancient times.  A host was supposed to treat a guest with charity, respect and kindness, and a guest should honour his host suitably. It was a bond so sacred that it's patron was the Thunderer himself. Yet Ixion had not only disrespected his guest, he had murdered him, polluting himself with the most savage of crimes.

Ixion is bound to the Wheel of Fire
Engraving by Bernard Picart.

Slowly falling into insanity, Ixion wandered the plains, spurned by all men, so horrified were they at his crime. Seeing the outlaw living so wretchedly, and recalling the tragedy of Ixion's family, Zeus offered the hand of redemption to this polluted man. The king of the gods even brought him to the banqueting table on Olympus itself, inviting Ixion to dine with the gods. However, at his moment of forgiveness, Ixion did not forget, nor forgive. Just as the gods had treated his father and sister so lamentably, Ixion resolved to punish even Zeus himself. Just as Apollo had made sport of Coronis, now Ixion turned his attention upon Hera, queen of the gods and the wife of Zeus. Plotting in his mind, Ixion resolved to abduct the goddess, once again violating the bond of guest to host, this time violating it in the name of its very patron. Zeus however, was omniscient. Seeing the dark thoughts brewing in his mind, Zeus could not believe that Ixion would dare do such a thing, but prepared a test nonetheless. Crafting an image of his wife from the clouds, Zeus created the cloud woman, Nephele, who resembled Hera perfectly. To Zeus' dismay, Ixion seized Nephele and stole away to his quarters on Olympus. Ixion even begot a son by Nephele, named Centaurus, a man so deranged he would one day take one of the mares which lived on Mount Pelion as his wife, and thus sire the race of Centaurs, creatures who would ever after cause great strife in the kingdoms of men.

The Thunder god was stricken with fury. Not content with violating the bonds between men, Ixion had violated the bonds between the gods themselves. Zeus hurled a thunderbolt at Ixion, blasting him from the summit of Mount Olympus. Furthermore, Zeus ordered Hermes to bind Ixion to a wheel made of fire, a wheel decreed to spin across through the skies for eternity, as Ixion looked on alone at the world he had polluted, victim of the terrible agony of his fiery bonds...

United Kingdom

The Odes of Pindar
The Complete Odes (Oxford World's Classics)
(The story of Ixion and his punishment in poetry) 

The Library of Greek Mythology
The Library of Greek Mythology (Oxford World's Classics)
(A less poetic account, but includes a wealth of information from across Greek Mythology)

United States

The Odes of Pindar
The Complete Odes (Oxford World's Classics)
(The story of Ixion and his punishment in poetry) 

The Library of Greek Mythology
The Library of Greek Mythology (Oxford World's Classics)
(A less poetic account, but includes a wealth of information from across Greek Mythology)